his first word was piz, short for the Spanish word lapiz, meaning pencil.
“Pablito” asked for a pencil constantly and, once he got one in hand, would draw for hours, covering entire sheets of paper with countless spirals. (1)
In later interviews, Picasso revealed that his passion for spirals came from the caracola, or Spanish sticky bun, his favorite pastry. “Caracola” means “snail” in Spanish. Caracolas started with a single strip of dough wound tightly around the center, creating a spiraling snail-like design in the cake. Caracolas were served hot in the market stalls in Málaga, Spain, Picasso’s home for his first ten years.
Pablo found artistic inspiration in nature as well as at the breakfast table. With Málaga situated on the Costa Del Sol, Pablo would walk on the beach with his father, finding dazzling variety in the shells washing up on the Mediterranean shore.
There were so many patterns, he discovered, spiralling and more!
Pablo was entranced. From a young age, Pablo became a voracious collector of seashells as well as peach pits, pebbles, cherry stems, and leaves.
Picasso grew up and became very famous, but he never lost his early love for spirals and curvy, coiling lines.
As an adult artist, he used spirals over and over again in his drawing and painting.

"Two Dressed Models and a Sculpture of a Head" by Pablo Picasso, 1933. Notice the cascade of spiraling vines on all 3 heads.
Often Picasso’s predilection for curves and spirals would show up in his paintings of women’s breasts. (3)
(1) McNeese, Tim. Pablo Picasso. New York: Chelsea House, 2006.
(2) Lepscky, Ibi. Pablo Picasso. New York: Barron’s Educational Series, Inc., 1984.
(3) Penrose, Roland. Picasso, His Life and Work. Berkeley: The University of California, Icon Editions, 1973.
Interesting views of Picasso’s childhood. But even after taking courses in modern art (college and beyond), I fail to grasp Picasso. The soft, certain realism of Edward Hopper is more to my liking.
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Hi, Winston. PIcasso is a slippery eel. He eludes all grasps! I think that was his intention.
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Lisa,
This post whets my appetite both visually and gastronomically! What a feast! Merci beaucoups~
Shirley
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I appreciate your continued patronage, Shirley, and always enjoy your well-articulated thoughts.
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pablo picasso deeply introspective of his purpose and brings a light to understanding god’s purpose for a shell and honey with white glaze,there such a serendity to looking in his meaning of the photo or painting…
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Picasso’s myth is basically a masculine saga of creativity. He had an amazing capacity to translate his feelings on the canvas. His execution of his vision was resolute assured and quick. Succession of women was central to his life and his work. Earthy and sensuous Oliver, delicate Eva, his ballerina wife Olga, beautiful Marie-Thérèse, photographer Dora Maar, companion who ‘survived Picasso’ Françoise Gilot and his wife during the last three decades of his life – Jacqueline provided enduring themes to his painting and acted as a muse to trigger his talents.
http://modernartists.blogspot.com/2011/09/creative-predator-picassos-women-and.html
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Thanks, Dhiraj.
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I am doing a research report on pablo picasso at my middle school and if I include the bibliography could I use one of your pictures. Thanks for your time!
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Of course!
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This was extremely useful for my studies!!!!!! I really enjoyed reading it!
Thanks Lisa
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