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Archive for April, 2010

American actress Grace Kelly looks over her shoulder in Hollywood, California, March 1954. In April 1956, Kelly married Rainier III, Prince of Monaco, and became Her Serene Highness the Princess of Monaco. (“Grace Kelly: Floating on Chiffon,” Lisa’s History Room)

I was so excited to read in Vanity Fair that London’s Victoria & Albert Museum was featuring an exhibition of Grace Kelly‘s clothes. What a treat! I thought. Imagine all those beautiful 1950s dresses designed for actress Grace Kelly (1929-1982) together in one place. Of course I couldn’t get to London, I knew; I was recovering from spine surgery and we were building an addition to our house.

But what did that matter? I had my computer. With a few keystrokes and mouse clicks, I could cyber fashion stroll. I just assumed the V & A Museum would put the collection online as they had done with Queen Victoria and Prince Albert‘s jewelry collection. (See “Victoria & Albert: Art & Love & Teeth”)

I jumped to the museum website and found the exhibition: “Grace Kelly: Style Icon.” I got even happier after I read the promising blurb:

“Featuring dresses from her films including ‘High Society’ and ‘Rear Window,’ as well as the gown she wore to accept her Oscar in 1955, the display will examine Grace Kelly’s glamorous Hollywood image and enduring appeal.

It will also explore the evolution of her style as Princess Grace of Monaco, from the outfit she wore to her first meeting with Prince Rainier in 1955 to her haute couture gowns of the 1960s and ’70s by her favourite couturiers Dior, Balenciaga, Givenchy and Yves St Laurent.”

But much to my chagrin, I discovered that the exhibit is not posted online at the V & A. I was, at first, incredibly disappointed. In a mad haste, I scoured the Internet for images of the fashion display on newssites and blogs. I found a lot of articles but precious few images of the actual exhibit. But what I did find told a lot. To illustrate a point, here are two of those V & A showcase windows:  

A mannequin displays the dress Grace Kelly wore in “The Swan.” (1956) The exhibit, “Grace Kelly: Style Icon,” is at the Victoria & Albert Museum in London from April 17- September 26, 2010

The exhibition at the Victoria & Albert Museum in London, “Grace Kelly: Style Icon,” includes dresses worn by Grace Kelly after she became Princess Grace of Monaco in 1956.

Yawn. Pretty dry stuff, huh? Dresses on mannequins have no sparkle. What they needed was Grace Kelly.

Grace Kelly as Lisa Fremont in Alfred Hitchcock’s 1954 thriller, “Rear Window.” (“Grace Kelly: Floating on Chiffon,” Lisa’s History Room)

So instead of trying to catalog for you all the dresses in the V & A, I have picked my personal favorite and shown it as worn by the eternally beautiful Grace Kelly. It is the Paris dress she wore as sophisticate Lisa Carol Fremont in the 1954 Alfred Hitchcock classic, “Rear Window.”

The dress with a fitted black bodice and deep V-cut bustline was designed for Kelly by Paramount Picture’s chief costume designer Edith Head. The full skirt falls to mid-calf, gathered and layered in white chiffon and tulle. From the nipped-in waist, a spray branch pattern falls playfully over the hip. Grace accessorized her high-fashion gown with white silk gloves, pearls, and a chiffon shoulder wrap.

To read the “Rear Window” script excerpt wherein “Lisa-Carol- Fremont” enters Jimmy Stewart‘s apartment wearing this outfit, click here.

Grace Kelly sits on steps in her “Paris” dress she wore in Alfred Hitchcock’s 1954 “Rear Window.” The gown had a light & airy quality with a slender waist and a beautiful skirt made from yards and yards of tulle and chiffon. The black and white confection was created by Paramount Pictures costume designer Edith Head. (“Grace Kelly: Floating on Chiffon,” Lisa’s History Room)

For more on Grace Kelly, click here.

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"Benjamin Franklin," by Charles Willson Peale, 1785. Franklin was alive when Peale painted this portrait; he would live another 5 years, dying in 1790 at the age of 84. Franklin wrote a mock epitaph for himself in doggerel verse. (Lisa's History Room)

At the age of 28,  Benjamin Franklin wrote this mock epitaph. (1) Over the years, he wrote different versions and passed them out to friends. 

The Body of

 B. Franklin, Printer;

Like the Cover of an old Book,

Its Contents torn out,

And stript of its Lettering and Gilding,

Lies here, Food for Worms.

But the Work shall not be wholly lost:

For it will, as he believ’d, appear once more,

In a new & more perfect Edition,

Corrected and amended

By the Author. 

It is interesting to note that Franklin (1706-1790) – Founding Father of the United States of America, foreign diplomat, statesman, author, soldier, scientist, author, inventor, printer – a true Renaissance man, a polymath – chose to refer to himself simply as a “printer” and liken his dead body to an old book:

“The Body of B. Franklin, Printer; Like the Cover of an old Book, Its Contents torn out, And stript of its Lettering and Gilding, Lies here, Food for Worms.”

Benjamin Franklin loved books. He was very smart. Soon after he learned how to talk, he taught himself how to read. It soon became his favorite pasttime. (2) But there were no lending libraries in his hometown of Boston. There were ten bookstores there, but books were expensive and hard to come by, as most of them came from Europe. And there were really no children’s stories. Benjamin’s father – a soap and candle maker – did not have many books at home, only serious religious diatribes and the Bible. No matter; Benjamin read them anyway. 

Engraving based on "The Young Franklin" by E. Wood Perry, showing Benjamin Franklin working a press in his brother's shop in Boston where he worked from 1718-1723.

Because Benjamin was so bookish, his father apprenticed him to a printer – Benjamin’s brother, James. At age 12, Benjamin reluctantly signed a contract to work for nine years, in exchange for room, board, and a little salary. Although he hated working for James, printing turned out to be Benjamin’s true calling. In the print shop, he came into contact with citizens who had private libraries in their homes. He made friends with these men and borrowed their books. He formed friendships with other “bookish lads.”

He also read books that were freshly printed in his brother’s shop. At the end of a workday, Benjamin often would take the new books home with him and stay up all night reading. The next day, he handed them over to customers, fresh and clean, none the worse for wear.

Benjamin read a book on vegetarianism and decided to become a vegetarian. In this way, he learned to eat cheaply –

“no more than a biscuit or a slice of bread, a handful of raisins, or a tart from the pastry-cook’s, and a glass of water…” (3)

 so he could spend part of his food allowance on books and thus build a book collection of his own. He wrote:

“From a child I was fond of reading, and all the little money that came into my hands was ever laid out in books.” (3)

At age 17,  Benjamin was tired of working for his brother James and ran off to Philadelphia, seeking a fresh start in a new city. He found work as a printer and formed a circle of friends who liked to argue and read books. The group was called the Junto. It was through the Junto that, in 1731 in Philadelphia, Franklin founded the first subscription library in America.

(1) Autograph ms: Yale University Library

(2) Adler, David A. B. Franklin, Printer. New York: Holiday House, 2001.

(3) The Autobiography of Benjamin Franklin.

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