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Wallis Warfield marries the former King Edward VIII of Britain on June 3, 1937, in France. The day before the wedding, the Prince's brother, the new British king, George VI, sent him a letter granting him and Wallis new titles: the Duke and Duchess of Windsor. The titles were hollow; there was no dominion of Windsor to rule. Even worse: the King's letter contained a bomb - the Prince, despite his abdication of the throne, could continue to "hold and enjoy...the title, style or attribute of Royal Highness," but his bride, the Duchess, could not, nor could any of their offspring. She, though a duchess, was denied what her sister-in-laws would enjoy - that her name would be preceded by the magic initials 'H.R.H.' "What a damnable wedding present!" Windsor shouted. (J.Bryan III and Charles J.V. Murphy,

Wallis Warfield (Simpson) marries the former King Edward VIII of Britain on June 3, 1937, in France, after he gave up the British throne to be with her. Wallis Warfield Simpson was an American divorcee. For the King to have married her and tried to install her as his Queen would have precipitated a constitutional crisis in Great Britain....The wedding day dawned bright and sunny. It was Wallis' third wedding; her dress was not white but blue. Blue was also the mood. The day before the wedding, the former king's brother, the new British king, George VI, sent Edward a letter granting him and Wallis new titles: the Duke and Duchess of Windsor. The titles were hollow; there was no dominion of Windsor to rule. Even worse: the King's letter contained a bomb - the former king, now titled the Duke, despite his abdication of the throne, could continue to "hold and enjoy...the title, style or attribute of Royal Highness," but his bride, the Duchess, could not, nor could any of their offspring. She, though a duchess, was denied what her sister-in-laws would enjoy - that her name would be preceded by the magic initials 'H.R.H.' At her entrance, no women had to curtsey, no men to bow. She would not be referred to as "Her Highness" but with the lower form of "Her Grace." "What a damnable wedding present!" Windsor shouted upon reading the King's letter. (Bryan III, J. and Murphy, Charles J.V., The Windsor Story. New York: Dell, 1979.)

In 1937, after King Edward VIII had given up the British throne to marry his American divorcee, Wallis Warfield Simpson, the two tiny, trim party animals were exiled to France, where they were doomed to live a life of idle nothingness. They were given the new but hollow titles of the Duke and Duchess of Windsor. Accustomed to a lifetime of adulation and privilege yet denied a kingdom, the Duke (and the Duchess), set about creating an imaginary realm of their own that would given them the validation they craved as royals. This new kingdom:

“…was a region whose borders were outlined in society pages, peopled mostly by glamorous nobodies lucky enough to have been born into wealth. It was an ornamental place, whose citizens, according to Andrew Bolton, the curator of ”Blithe Spirit” [a past costume exhibit at the Metropolitan Museum], were unsurpassed ”in the beauty, elegance and craftsmanship” of their dress. For self-indulgence, they were also hard to beat.”

The people who congregated around the Duke and Duchess were dubbed the “Windsor set.” They were all-consumed with the photographic image.

“They arranged those lives to suit the lens. Voluntarily estranged from the real aristocracy, the Duke of Windsor, with the aid of his wife, the former Wallis Warfield Simpson, set up a parallel court composed of people like Elsie de Wolfe, the interior decorator and social arbiter; Mona Bismarck, a gorgeous adventuress who was the daughter of a stableman on a Kentucky horse farm; and Daisy Fellowes, whose fortune derived from sewing machines and who had the distinction of being one of the first people on record to alter her nose surgically.”

the Duke and Duchess of Windsor at home with their precious pug dogs. The Duchess, the former Wallis Warfield Simpson, often appeared in her stylish best in public with a pug tucked under one arm. It became a fashion trend - to carry a dog around with you when away from home.

the Duke and Duchess of Windsor at home with their precious pug dogs. The Duchess, the former Wallis Warfield Simpson, often appeared in her stylish best in public with a pug tucked under one arm. It became a fashion trend - to carry a dog around with you when away from home.

Granted, the Windsors were despicable people, dining with Adolf Hitler in 1937 and hobnobbing with fellow Nazi sympathizers and British ex-pats Oswald Mosley and wife Diana Mitford. Nevertheless, the Duke and Duchess – and their fancy friends – obsessed with clothing,  had tremendous style.

Adolf Hitler kisses the hand of the Duchess of Windsor as her husband the Duke looks on, admiringly. The Duke and Duchess of Windsor visited Germany in 1937 before WWII broke out across Europe. They were outspoken supporters of Nazi fascism and suspected of spying for Germany. At the beginning of the war, the Windsors were whisked out of France to safe haven in the Bahamas, where the Duke served out the war years as governor. There he could do Britain little harm - and he was less likely of being kidnapped by the Germans who were reportedly interested in installing him as a puppet king in a conquered Great Britain under German rule.

Adolf Hitler kisses the hand of the Duchess of Windsor as her husband the Duke looks on, admiringly. The Duke and Duchess of Windsor visited Germany in 1937 before WWII broke out across Europe. They were outspoken supporters of Nazi fascism and suspected of spying for Germany. At the beginning of the war, the Windsors were whisked out of France to safe haven in the Bahamas, where the Duke served out the war years as governor. There he could do Britain little harm - and he was less likely of being kidnapped by the Germans who were reportedly interested in installing him as a puppet king in a conquered Great Britain under German rule.

Fashion designer Gabrielle "Coco" Chanel (French, 1883-1971) at Lido Beach in 1936

Fashion designer Gabrielle "Coco" Chanel (French, 1883-1971) at Lido Beach in 1936

"Evening Dress," 1938. Gabrielle ("Coco") Chanel. Black Silk Net with Polychrome Sequins. The Metropolitan Museum of ARt, New York. Special Exhibit: "Blithe Spirit: The Windsor Set" The decoration of sequined fireworks on this evening dress, which was worn by the Countess Madeleine de Montgomery to Lady Mendl's seventy-fifth birthday party in 1939, is a fitting climax to le beau monde of the 1930s. It was the end of an era when, on Sept. 1, 1939, Parisians heard an early-morning radio announcemen from Herr Hitler in German, at once translated into French, that "as of this moment, we are at war with Poland." The thirties were over; the Second World War had begun.

"Evening Dress," 1938. Gabrielle ("Coco") Chanel. Black Silk Net with Polychrome Sequins. The Metropolitan Museum of Art, New York. Special Exhibit: "Blithe Spirit: The Windsor Set" The decoration of sequined fireworks on this evening dress, which was worn by the Countess Madeleine de Montgomery to Lady Mendl's seventy-fifth birthday party in 1939, is a fitting climax to le beau monde of the 1930s. It was the end of an era when, on Sept. 1, 1939, Parisians heard an early-morning radio announcement from Herr Hitler in German, at once translated into French, that "as of this moment, we are at war with Poland." The thirties were over; the Second World War had begun.

The Windsors were famous for their elegant Paris dinner parties, creating a demand for expensive clothes and jewels for them and their guests. Thus, the prewar years in France from 1935-1940 were rich in the decorative arts, putting trendy fashion designers front and center. It was a time when Gabrielle “Coco” Chanel was “rethinking the suit” to allow for the way women really move and Elsa Schiaparelli* was designing lobster dresses with surrealist Salvador Dali.*

Then Hitler invaded Poland and World War II shattered the fantasy world of endless cocktail parties and silk and organza gowns made to order. The Germans invaded and occupied France.

Shockingly, Coco Chanel spent the war years living at the Ritz in Paris with a Nazi officer. After the war was over, Chanel was arrested by the free French for suspicion of collaborating with the Nazis. She purportedly offered this explanation for sleeping with the enemy:

 “Really, sir, a woman of my age cannot be expected to look at his passport if she has a chance of a lover.”

It is generally believed that Winston Churchill  intervened with the French government, convincing them to let his old friend Coco Chanel escape to Switzerland rather than be paraded through the streets of Paris with her head shaved like other female Nazi collaborators.

Women accused of being Nazi collaborators are humiliated after the liberation of France, 1944. © Hulton-Deutsch Collection/Corbis

Women accused of being Nazi collaborators are humiliated after the liberation of France, 1944. © Hulton-Deutsch Collection/Corbis

Jackie Kennedy in her pink Chanel suit and pillbox hat, riding through Dallas in a motorcade just minutes before a sniper kills her husband, President John F. Kennedy

Fast forward 19 years. It's November 22, 1963. Jackie Kennedy,* in her pink Chanel suit and pillbox hat, is riding through Dallas in a motorcade just minutes before a sniper kills her husband, President John F. Kennedy

*For more on the Kennedys on this blog, please see right sidebar – Categories – People  – the Kennedys.
See “Wallis, the Duchess of Windsor,” which follows this blog post.

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Mackenzie Phillips says she had sex with her dad

The Mamas and the Papas, from left to right: Michelle Phillips, John Phillips (in tube), Denny Doherty, and Mama Cass Elliot. The sixties pop rock band is remembered for its sweet harmony and enchanting melodies.
The Mamas and the Papas, from left to right: Michelle Phillips, John Phillips (in tube), Denny Doherty, and Mama Cass Elliot. The sixties pop rock band is remembered for its sweet harmony and enchanting melodies.
Father and Daughter, John and MacKenzie Phillips, in 1998.

Father and Daughter, John and MacKenzie Phillips, in 1998.

Associated Press

Wed Sep 23, 12:37 pm ET

CHICAGO – Former child star Mackenzie Phillips said Wednesday her father, John Phillips, who was a leader of the 1960s pop group the Mamas and the Papas, raped her when she was a teenager and that her sexual relationship with him later became what she termed “consensual.”

Mackenzie Phillips writes in her new book, High on Arrival, that she had sex with her father on the night before she was to get married in 1979 at age 19, according to People magazine.

“On the eve of my wedding, my father showed up, determined to stop it,” writes Phillips, who was 19 and a heavy drug user at the time. “I had tons of pills, and Dad had tons of everything too. Eventually I passed out on Dad’s bed.”

“My father was not a man with boundaries. He was full of love, and he was sick with drugs. I woke up that night from a blackout to find myself having sex with my own father.”

She told “The Oprah Winfrey Show” in an interview that aired Wednesday that her siblings “definitely have a problem with this.” Winfrey also read a statement from Genevieve Waite, John Phillips’ wife at the time of the alleged abuse and Mackenzie’s stepmother that said he was “incapable, no matter how drunk or drugged he was, of having such a relationship with his own child.”

At far right, MacKenzie Phillips from a publicity photo for the 80s TV sitcom, "One Day at a Time." MacKenzie Phillips is best known for her roles as an emotionally troubled and rebellious teenager.

At far right, MacKenzie Phillips from a publicity photo for the 80s TV sitcom, “One Day at a Time.” MacKenzie Phillips is best known for her roles as an emotionally troubled and rebellious teenager.

Phillips, who starred on TV’s “One Day at a Time,” said the sexual relationship with her father lasted a decade and ended when she became pregnant and didn’t know who had fathered the child. She had an abortion, which her father paid for, and “and I never let him touch me again.”

Phillips told Winfrey that she first tried cocaine when she was 11 years old. Her father did drugs with her, taught her to roll joints and injected her with cocaine. Phillips said she’s been clean for a year after pleading guilty to possessing cocaine and entering a drug treatment program.

Phillips said the sexual relationship, although she believes it became consensual, was “an abuse of power” and “a betrayal” on her father’s part. She said she forgave John Phillips on his deathbed.

“I can’t be the only one this has happened to,” Phillips said. “Someone needs to put a face on consensual incest.”

Here is a video of the Mamas and the Papas singing “California Dreaming.” MacKenzie Phillips’ father, John Phillips – “Papa John” –  plays guitar, wearing a fur hat. The other band members are Michelle Phillips (at the time, John Phillips’ wife and MacKenzie’s stepmother), Mama Cass Elliot, and Denny Doherty.

 Click here for more on the wild and reckless lives of John and Michelle Phillips.

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American Royalty: President John and Jackie Kennedy stroll the White House grounds.

American Royalty: President John and Jackie Kennedy stroll the White House grounds.

It was a star-studded event. It was Saturday, May 19, 1962, and the young, dashing, and popular U.S. President John F. Kennedy was turning 45. The Democratic Party held a huge fundraiser at New York’s Madison Square Garden. The birthday salute was televised before a national audience and 15,000 people had paid for seats to catch the show live at the Garden. The cream of American show business turned out to pay homage to Kennedy – Ella Fitzgerald, Peggy Lee, Jack Benny, Henry Fonda, Harry Belafonte. Greek opera diva Maria Callas was also there. Actor Peter Lawford, the president’s brother-in-law, served as master-of-ceremonies. But the pièce de résistance – the showstopper – was the performer who sang the finale – sexpot and film star Marilyn Monroe.

First Lady Jackie Kennedy riding horses with her children at their Middleburg, Virginia, retreat "Glen Ora." Jackie grew up surrounded by horses and was an accomplished equestrian. President John Kennedy did not share her passion for horse shows and riding. He was allergic to horse fur. November 19, 1962.

First Lady Jackie Kennedy riding horses with her children at their Middleburg, Virginia, retreat “Glen Ora.” Jackie grew up surrounded by horses and was an accomplished equestrian. President John Kennedy did not share her passion for horse shows and riding. He was allergic to horse hair. November 19, 1962.

It seemed that everyone was there – except the honoree’s wife – Jackie Kennedy. The president attended the ceremony without the First Lady at his side. When Jackie had learned that Marilyn was to be performing at the benefit, she decided she was not about to attend. She instead became a last-minute participant in the Loudoun Hunt Horse Show at Glen Ora, her weekend home.  Jackie knew that her husband and Marilyn Monroe were lovers – and Jackie was not about to have her nose rubbed into it in front of a national audience.

Marilyn Monroe (1926-1962) was wild for Jack Kennedy. She accepted the invitation to appear in New York in violation of her contract with Twentieth-Century Fox – and their relationship was already at its breaking point. Production on her latest film, “Something’s Got to Give,” had been on start/stop for months due to Marilyn’s chronic tardiness and absence.  Marilyn was in a narcotics and booze nosedive and living on impulse. She was in hot pursuit of Jack Kennedy and nothing would get in her way. She was scheduled to sing “Happy Birthday” to the president.

Marilyn Monroe in "Gentleman Prefer Blondes" (1963)

Marilyn Monroe in “Gentleman Prefer Blondes” (1953)

“A manic energy propelled her….” wrote Barbara Leaming in Marilyn Monroe:

“All weekend, the white-carpeted, unfurnished rooms at Fifth Helena echoed with Marilyn’s whispery voice. She lay in the tub singing “Happy Birthday.” She sat on the living room floor, endlessly tape recording and listening to herself….” (1)

Then, ignoring the studio’s stern warning, Marilyn flew from Hollywood to New York with Peter Lawford, singing on the airplane. She continued to practice once in her New York apartment. Those who listened said her interpretation grew sexier, more and more outrageous. Friend Paula Strasberg warned that it verged on self-parody.

Finally, the night of the performance arrived. Backstage, Marilyn got into her costume – a flesh-toned slip of a dress by Jean-Louis sewn with 2500 rhinestones. The gown was so snug Marilyn had to be sewn into it. Paralyzed with stage fright, Marilyn kept ignoring her cue to appear on stage. She hung back, drowning her fears in alcohol, before Milt Ebbins shoved her onto the stage.

“She walked like a geisha….” (1)

“The figure was famous and, for one breathless moment, the 15,000 people in Madison Square Garden thought they were going to see all of it. Onto the stage sashayed Marilyn Monroe, attired in a great bundle of white mink. Arriving at the lectern, she turned and swept the furs from her shoulders. A slight gasp rose from the audience before it was realized that she was really wearing a skintight flesh-toned gown.” (2)

Marilyn Monroe at the microphone singing "Happy Birthday, Mr. President," at President John F. Kennedy's birthday bash, May 19, 1962.

Marilyn Monroe at the microphone singing “Happy Birthday, Mr. President,” at President John F. Kennedy’s birthday bash, May 19, 1962.

When she came down in that flesh-colored dress, without any underwear on…” said Hugh Sidey of Time, “you could just smell lust. I mean, Kennedy went limp or something. We all were just stunned to see this woman.”

“What an ass…what an ass,” whispered Kennedy.

“Happy…Birthday…to you,” Marilyn began to sing [whisper]. (3)

Her rendition of “Happy Birthday, Mister President” – was soft, seductive, and pathetic. The 35-year-old Marilyn was high as a kite (and wearing a wig that was slipping). Columnist Dorothy Kilgallen called it nothing less than:

 “…making love to the President in the direct view of forty million Americans.”

President John F. Kennedy speaks to the audience at Madison Square Garden at his 45th birthday bash, May 19, 1962.

President John F. Kennedy speaks to the audience at Madison Square Garden at his 45th birthday bash, May 19, 1962.

At the end of the performance, a noticeably-embarrassed President Kennedy took to the stage and announced disingenuously:

“I can now retire from politics after having had Happy Birthday sung to me in such a sweet wholesome way.”  (2)

At an after-party, a photographer caught President Kennedy and brother Robert Kennedy hovering over Marilyn in the library, still wearing the see-through dress Marilyn called “skin and beads.” 

Bobby Kennedy, Marilyn Monroe, and President John Kennedy gather following Monroe's iconic performance of "Happy Birthday, Mr. President," at Madison Square Garden, May 19, 1962. Marilyn is still wearing the gown she wore in the performance which she referred to as "skin and beads."

Bobby Kennedy, Marilyn Monroe, and President John Kennedy gather following Monroe’s iconic performance of “Happy Birthday, Mr. President,” at Madison Square Garden, May 19, 1962. Marilyn is still wearing the gown she wore in the performance which she referred to as “skin and beads.” The auction house Christie’s later sold this dress for $1.2 million, the most money ever paid for a dress.

Kennedy’s Ambassador to the United Nations, Adlai Stevenson, was at the party and saw Marilyn’s “skin and beads” dress. He later wrote to Mary Lasker:

“I didn’t see the beads!”

Greek opera diva Maria Callas laughs it up with Marilyn Monroe at President Kennedy's 45th birthday bash at Madison Square Garden, May 19, 1962. Marilyn Monroe was President Kennedy's lover. Maria Callas was the off-and-on lover of Aristotle Onassis, Jackie Kennedy's 2nd husband.

Greek opera diva Maria Callas (1923-1977) laughs it up with blonde bombshell Marilyn Monroe at President Kennedy’s 45th birthday bash at Madison Square Garden, May 19, 1962. First Lady Jackie Kennedy did not attend the celebration. Marilyn Monroe was President Kennedy’s lover when Jackie was Mrs. Kennedy. Maria Callas was the clandestine lover of Aristotle Onassis when Jackie was Mrs. Onassis.

Jackie Kennedy watched Marilyn’s performance on TV the next day. She was livid. The rumors about Jack and Marilyn were flying. Jackie called up sister-in-law Ethel Kennedy and complained that she just knew Bobby had staged the prank. Jackie ordered Jack to stop seeing Marilyn. (4) Jack also sent word to the press that there was nothing to the rumors of an extramarital affair between him and Marilyn Monroe, which, we know, was a lie.

President Kennedy broke off the relationship with Marilyn. Her performance at Madison Square Garden became her last public appearance. Marilyn became profoundly affected by the break-up with the President and her loss of  other men, including ex-husband Arthur Miller, who had recently remarried.

As a result, the summer following the Madison Square Garden show,  Marilyn dove deeper and deeper into a downward spiral of drugs and alcohol, storm and stress, and depressed isolation. Out of necessity, the production of her film, “Something’s Got to Give” came to a halt, because the star was a “no-show” on the set.

 The movie was never finished. On August 5, Marilyn Monroe – born Norma Jeane Baker – was found dead in her home from a drug overdose – an apparent suicide – and the world was shocked.

Goodbye, Norma Jean

Goodbye, Norma Jeane

(1) Leaming, Barbara. Marilyn Monroe. New York: Three Rivers Press, 1998.

(2) Smith, Sally Bedell.Grace and Power: The Private World of the Kennedy White House. New York: Random House, Inc., 2004. (excerpted from a Time magazine article)

(3) Klein, Edward. All Too Human: The Love Story of Jack and Jackie Kennedy. New York: Pocket Books, 1996.

(4) Taraborrelli, J. Randy. Jackie Ethel Joan. New York: Warner Books, Inc., 2000.

*Readers: I’ve written many posts on Jackie O and the Kennedys. Please look in the right sidebar – Categories – People – the Kennedys. Enjoy!

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Lee Harvey Oswald shot by Jack Ruby in the basement of the Dallas Police Department, Sunday, November 24, 1963, 2 days after the Kennedy assassination.

A handcuffed Lee Harvey Oswald is shot by Dallas nightclub owner Jack Ruby in the basement of the Dallas Police Department, Sunday, November 24, 1963, 2 days after the Kennedy assassination.

I was sitting at the hair salon today, getting highlights and a cut, talking with my stylist about assassins and where they were buried. I know where Abraham Lincoln‘s assassin, John Wilkes Booth, is buried – Baltimore, but, I wondered aloud, “Where is John F. Kennedy‘s assassin Lee Harvey Oswald buried?”

My first thought was Dallas, but that is where Oswald was murdered, not where he’s buried. Kennedy assassin Lee Harvey Oswald died at Parkland Memorial Hospital, the same Dallas hospital where President John F. Kennedy died just two days earlier on November 22, 1963, after being fatally wounded by Oswald as his presidential motorcade made its way through downtown Dallas.

After Kennedy was gunned down, Oswald was arrested and interrogated for two days. Then, on the morning of Sunday, November 24,  as he was being transferred to the Dallas County Jail,  Oswald was shot and wounded by Dallas nightclub owner Jack Ruby in the basement of the Dallas Police Department. He was rushed to the hospital but died shortly afterward. Oswald’s body was given to his family and was buried in a  Fort Worth, Texas cemetery. Oswald’s original tombstone, which included his full name and dates of birth and death, was stolen. Today his obscure grave in the Fort Worth cemetery is marked by a stone that lies on the ground which reads simply: Oswald.

For those interested in tracking down Oswald’s grave, which is apparently hard to locate within the Shannon Rose Hill Memorial Park, click here for directions.

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Jackie Kennedy holds son John F. Kennedy, Jr., born November 25, 1960, 16 days after his father, John F. Kennedy won the presidential election. He was nicknamed "John-John." Three years later on his own birthday, John F. Kennedy, Jr., would salute his father's coffin at his funeral.

Jackie Kennedy holds son John F. Kennedy, Jr., born November 25, 1960, 16 days after his father, John F. Kennedy won the presidential election. He was nicknamed “John-John.” Three years later on his own birthday, John F. Kennedy, Jr. would salute his father’s coffin at his funeral.

Jacqueline Kennedy Onassis (1929-1994) is remembered for many things, her fashion statements, her redecoration of the White House, her brave young face at the 1963 funeral of her slain husband President John F. Kennedy. There were many things she cared about. But what mattered to her most in life was raising her two children, John F. Kennedy, Jr., and Caroline Kennedy (Schlossberg), to be good people. She said:

“If you bungle raising your children, I don’t think whatever else you do matters very much.”

She wanted so much for her children to lead normal lives. But, in the aftermath of JFK‘s assassination, it proved to be an impossible dream. She tried to continue living in their Georgetown home but tour buses added it to their route and reporters mobbed them on their doorstep. The crowds were too much to bear.

“The world is pouring terrible adoration at the feet of my children,” she’d once confided to her decorator Billy Baldwin, “and I fear for them, for this awful exposure. How can I bring them up normally?” (1)

Jackie ended up moving them all to New York where, to her dismay, she discovered her children weren’t being invited for playdates and parties by their school friends. It turned out that their parents were intimated by the Kennedy children’s fame.

Jackie Kennedy, wife of then-Senator John F. Kennedy, reads a bedtime story to daughter, Caroline, at the family home in Hyannisport, Massachusetts. Jackie Kennedy loved books and passed this joy on to her children. September 13, 1960

Jackie Kennedy, wife of then-Senator John F. Kennedy, reads a bedtime story to daughter, Caroline, at the family home in Hyannisport, Massachusetts. Jackie Kennedy loved books and passed this joy on to her children. September 13, 1960

In the post-JFK years, Jackie wasn’t just mobbed by tourists and reporters. The beautiful and charming young widow was besieged by male suitors, among them author Philip Roth, Frank Sinatra, Marlon Brando, and director Mike Nichols. Jackie’s friend and White House advisor Letitia Baldrige said that, even in the pre-JFK years, “she [Jackie] had more men per square inch than any woman I’ve ever known.”

Jackie Kennedy Onassis with husband Ari Onassis on June 5, 1969, at New York's Kennedy Airport

Jackie Kennedy Onassis with husband Ari Onassis on June 5, 1969, at New York’s Kennedy Airport

By 1968, Jackie’s most serious – and unlikely –  suitor was Greek shipping tycoon Aristotle Onassis, “Ari,” for short. Whereas Jackie was cultured, sleek, and classy, Onassis was short, paunchy, and often rumpled and vulgar. Plus, he was 23 years Jackie’s senior. The Kennedy clan despised him. JFK’s younger brother, Robert “Bobby” Kennedy, who was running for president that year, urged Jackie to break off her relationship with Onassis. She promised him that she would put off talk of marriage until after the presidential election.

Then, on June 5, 1968,  just moments after winning the California primary, Bobby Kennedy was assassinated. Jackie was devastated – and terrified.

I despise America,” a distraught Jackie told a friend. “If they are killing Kennedys, my children are the No. 1 targets. I want to get out of this country.”

She did, on October 20, when, in a small private ceremony, she wed Ari Onassis on the Greek isle of Skorpios. She was 39; he was 62. (1)

Readers, I’ve written several posts on the Kennedy family. Scroll down the sidebar to the right: Categories – Kennedys. Among them are:
“How to Be Jackie O”
“Did Jackie Love Bobby Best?”

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guest blogger Loise King Waller

guest blogger Loise King Waller

The Kennedy Legacy

by guest blogger Loise King Waller, B.S. Political Science, summa cum laude, Boston University; J.D., University of Texas School of Law

From Joseph Kennedy‘s ambassadorship to England at a time when we were on the brink of WWII, the Kennedy family’s fate has, for better or worse, been inextricably linked with our nation’s. Although John Kennedy was young and untested when he took office in 1961 as President of the United States and presided over defeat at the Bay of Pigs, he finessed the Russians during the Cuban Missile Crisis and successfully avoided a nuclear showdown between the superpowers. The Civil Rights Act of 1964 would never have been passed without the initiative of his administration.
 
JFKs Attorney General, brother Robert Kennedy, courageously took on the mob, at great peril to himself and his family. His efforts to enfranchise minorities and mobilize antiwar sentiment during his ill-fated run for the presidency piqued the conscience of America.
 
Most people would agree that although he was not a perfect human being (who is?) Senator Ted Kennedy came of age as a distinguished statesman and tireless advocate of universal healthcare. We need him now. He will be missed.
To read more on the Kennedys on this site, scroll down the right sidebar to “Categories – People – Kennedys.”

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Rose Kennedy, wife of newly-appointed American ambassador to Great Britain, Joseph Kennedy, is shown at center with two of her daughters, Kathleen "Kick" Kennedy (l) and Rosemary, at their 1938 presentation at Buckingham Palace. Kathleen's 1944 marriage to Billy Harrington, the Marquess of Hartington, an Anglican, infuriated the intensely Catholic Rose Kennedy, who refused to attend the wedding. Widowed just four months later, Kathleen fell in love with a very married man, Peter Wentworth-Fitzwilliam, 8th Earl Fitzwilliam, and became his mistress. Rose was further incensed - because he, like Billy, wasn't a Catholic. Over her mother's objections, Kathleen and Peter planned to wed after his divorce. Instead, in a 1948 trip to the south of France, they both died in a plane crash. No one but Kathleen Kennedy Cavendish's father, Joseph P. Kennedy, attended her funeral in Devonshire, England, in the Cavendish family plot. It has been said that Rose Kennedy discouraged Kathleen's eight surviving siblings from attending the service of their sister.

Rose Kennedy, wife of newly-appointed American ambassador to Great Britain, Joseph Kennedy, is shown at center with two of her daughters, Kathleen "Kick" Kennedy (l) and Rosemary Kennedy, at their 1938 presentation at Buckingham Palace. Kathleen's lively personality made her a great hit among the British social set. In 1944, Kathleen made what many considered a brilliant marriage to William "Billy" Harrington, the Marquess of Hartington, the heir to the 10th Duke of Devonshire. Kathleen became the Marchioness of Harrington. Her mother, however, was incensed that Kathleen would marry an Anglican and refused to attend the wedding ceremony. Only Kathleen's eldest brother, Joe Kennedy, Jr., attended. Then, four months later, Billy was killed in the war and Kathleen became a widow. It wasn't long before Kathleen was back in the social whirl of London parties and country estate weekends, and with a new man - a married man. He was Peter Wentworth-Fitzwilliam, 8th Earl Fitzwilliam. Kathleen fell madly for him and publicly became his mistress. Rose was furious - but not why you think. She was incensed because Peter - like Kathleen's first husband, Billy - was an Anglican and not a Catholic. Nevertheless, over her mother's objections, Kathleen planned to wed Peter after his divorce, Catholic or not. Their wedding never came about. In a 1948 trip to the south of France, both Peter and Kathleen died in an airplane crash. Still furious with Kathleen, Rose Kennedy did not attend her daughter's funeral and discouraged Kathleen's eight surviving siblings from attending. Only Kathleen's father, Joseph P. Kennedy, attended her funeral service. Kathleen Kennedy Cavendish was buried in the Cavendish family plot in Devonshire, England. There her body remains today.

Factbox: Kennedy Political Dynasty Marked By Tragedy

By REUTERS
Published: August 26, 2009

(Compiled from Web sites by the World Desk Americas)

The lives of Kennedy family members, noted for their extraordinary accomplishments, have also been marked by tragedy, including the assassinations of President John Kennedy and of Senator Robert Kennedy.

Following is a chronology of some of the tragedies that befell the storied U.S. political dynasty:

1941: Rosemary Kennedy, (pictured here), the oldest daughter of Joseph and Rose Kennedy, who was mentally disabled, was institutionalized for the rest of her life after a lobotomy reduced her abilities. She died in 2005.

Joseph P. Kennedy, Sr. (c) with 2 of his 4 sons: Joe Kennedy, Jr. (l) and John F. Kennedy

Joseph P. Kennedy, Sr. (c) with 2 of his 4 sons: Joe Kennedy, Jr. (l) and John F. Kennedy

1944: Joseph Kennedy Jr., the oldest of the nine Kennedy children, died at age 29 in a plane crash over the English Channel during World War Two while flying a mission.

1948: Kathleen Kennedy Cavendish, the fourth of the Kennedy children, was killed in a plane crash in France at age 28.

1963: President John Kennedy was assassinated on November 22 while riding in a presidential motorcade with his wife in Dallas, Texas, at age 46.

1964: Senator Edward Kennedy, the youngest in the family, narrowly escaped death in a plane crash that killed an aide.

1968: Senator Robert Kennedy was assassinated on June 5 in Los Angeles at age 42, just after he won California’s Democratic presidential primary election.

1969: Edward Kennedy drove off a bridge on his way home from a party on Chappaquiddick Island in Massachusetts. An aide in the car with him, Mary Jo Kopechne, died in the accident.

1984: David Kennedy, a son of Robert, died of a drug overdose at age 28.

1997: Another of Robert Kennedy’s sons, Michael, died in a skiing accident in Aspen, Colorado, at age 39.

1999: John Kennedy Jr. along with his wife and sister-in-law were killed when the plane he was flying crashed in the waters off Martha’s Vineyard in Massachusetts.

For more on the Kennedys, scroll down the right sidebar in “Categories – People – the Kennedys.”

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photo of Queen Elizabeth II at Buckingham Palace, March 28, 2007, by Annie Leibovitz
photo of Queen Elizabeth II at Buckingham Palace, March 28, 2007, by Annie Leibovitz

Annie Leibovitz photographed Queen Elizabeth. Here’s what she had to say about that experience.
Excerpted from Annie Leibovitz at Work, by Annie Leibovitz, published by Random House © 2008

The Queen

In 2007, a few weeks before Queen Elizabeth visited the United States for the 400th anniversary of the founding of Jamestown, I was asked to take her portrait. I was the first American to be asked by the Palace to make an official portrait of the Queen, which was very flattering. I felt honored. I also felt that because I was an American I had an advantage over every other photographer or painter who had made a portrait of her. It was O.K. for me to be reverent. The British are conflicted about what they think of the monarch. If a British portraitist is reverent, he’s perceived to be doting. I could do something traditional.

It’s ironic that the sitting with the Queen became controversial. I’m rather proud of having been in control of a complicated shoot. The controversy arose about two months after the pictures were published, when the BBC claimed that the Queen had walked out while we were shooting. This was completely untrue, and although they retracted the claim and issued an apology to the Queen and to me almost immediately, the scandal had a life of its own. The story, which came to be referred to as Queengate, wouldn’t die. Eventually the head of BBC One resigned over it.

When I was preparing for the shoot, I thought about using the landscape around Balmoral Castle, in Scotland. I brought this up in the very first conference call with the Palace. I said that Americans thought of the Queen as an outdoorswoman. I had been influenced by Helen Mirren’s performance in The Queen and I couldn’t help mentioning how much I liked her character in that film. There was a long silence on the other end of the line.

The second idea I had, after Balmoral, was to photograph the Queen on horseback. I asked where she rode and they said she went riding every Saturday at Windsor Castle. I said that I would love to see her in her riding clothes, and in a later conversation I asked if she could stop during her weekend ride and get off her horse and mount it again. That is, could I do a portrait of her in the trees. They said, No, it was not possible. She just rode the horse and came back, and, anyway, she didn’t wear riding clothes anymore. A few days later they said it was going to be Buckingham Palace and no horses.

I realized that I was going to need some time on the ground for this. When we arrived in London, we went straight to the palace and were shown all the rooms, including the throne room—everywhere except the private quarters. And then we scouted the back. There was a wintery sky and the trees didn’t have leaves. It was an appropriate mood for this moment in the Queen’s life. There was no way, however, that she was going to stand outside in formal attire.

For a sitting like this you don’t put all your eggs in one basket. You try to have as many options as possible. I kept thinking that somehow I would get the Queen outside, but I began choosing formal outfits. I narrowed the robes down to a very handsome Order of the Garter cape, but then we were told that she could wear only a white dress under it. We were lobbying for a gold dress. I was also hoping for a dress with more body to it. The Queen wears very streamlined dresses now that she’s older, and I wanted her in something with more volume. But she didn’t have anything like that. Finally everyone agreed that she could wear a gold-and-white dress under the Order of the Garter robe. The Queen was 80 years old. She was sturdy, but putting on and taking off a lot of heavy clothes is tiring, and she had to be dressed in layers to expedite things. The gold-white dress became the base.

I was still upset that I couldn’t get her outside. It was so beautiful out there. And it wasn’t cold or raining or anything. I began thinking about what Cecil Beaton had done. He brought in flowered backdrops. Beaton was big on backdrops. He made very stagy portraits. Perhaps because the pictures were made in black and white you don’t notice the backdrops. They sort of go out of focus. I realized that I could do something similar digitally. I decided to photograph the garden and the trees for a backdrop.

The Palace had given us 25 minutes with the Queen, so there had to be a battle plan. I chose a grand reception room, the White Drawing Room, as the principal setting because of the light from the tall windows. Supplementary lights had been pre-set so that when the Queen moved from one spot to another all we needed to do was switch them on. We had constructed a gray canvas backdrop in an anteroom, and she was to come in there wearing the Order of the Garter robe and the dress, but no tiara. The first shot was to be made on a balcony, with the sky behind her. That sky could be digitally exchanged later for the pictures I had taken in the gardens the day before. I didn’t want her to be wearing a tiara in the gardens.

The morning of the shoot, the Queen came walking down the hall very purposefully. She was definitely a force. This was all being taped by the BBC for a documentary. I would never have agreed to their being there if I felt I had any choice, but they had been following her around for months. Their microphone picked up her saying, “I’ve had enough of dressing like this, thank you very much,” as she marched down the hall. Later, when segments of footage for the BBC were edited for a promotional film, it appeared as if the Queen were stomping out of the photo session rather than going into it. Thus the brouhaha.

The Queen was about 20 minutes late, which we thought was a little strange. When that happens, you never know if it can be made up on the other end. My five-year-old daughter, Sarah, had come with us, and she curtsied and offered the Queen flowers, and I introduced my team. At this point I was in shock. The Queen had the tiara on. That was not the plan. It was supposed to be added later. The dresser knew that. The Queen started saying, “I don’t have much time. I don’t have much time,” and I took her to the first setup and showed her the pictures of the gardens. I think she understood what we had in mind. Then I walked her into the drawing room, probably sooner than I would have if things had been going well. She composed herself when I took some pictures.

I knew how tight everything was, especially with the loss of 20 minutes, and I asked the Queen if she would remove the tiara. (I used the word “crown,” which was a faux pas.) I suggested that a less dressy look might be better. And she said, “Less dressy! What do you think this is?” I thought she was being funny. English humor. But I noticed that the dresser and everyone else who had been working with her were staying about 20 feet away from her.

We removed the big robe, and I took the picture of the Queen looking out the window, and then I said, Listen, I was a little thrown when you first came in, and I have one more picture I’d like to try, with an admiral’s boat cloak. I was thinking of one of Cecil Beaton’s last pictures of the Queen. A very stark and simple and strong portrait in which she’s wearing a boat cloak. We went back into the anteroom, where the gray canvas backdrop had been set up, and she took off the tiara and put on the cloak. That’s the shot we digitally imposed on pictures of the garden.

Right after we finished, I went up to the press secretary and said how much I loved the Queen. How feisty she was. Later I mentioned to a couple of friends that she had been a bit cranky, but it was nothing unusual. What was remarkable about the shoot, and I wrote the Queen a note about this later, was something the BBC missed: her resolve, her devotion to duty. She stayed until I said it was over. Until I said, “Thank you.” We were finished a little before our allotted 25 minutes were up.

 

Readers, for more on this episode, read my post, “The Queen is Mad.”

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John Lennon, right, from a scene in the fantastically funny film, "A Hard Day's Night." Lennon is "sniffing a coke" while sitting next to Wilfrid Brambell who plays Paul McCartney's grandfather, constantly referred to as "a clean old man" and the source of great trouble to the Beatles in the show.

John Lennon, right, from a scene in the fantastically funny film, "A Hard Day's Night" (1965). Traveling on a train, Lennon sits next to Wilfrid Brambell, who plays Paul McCartney's grandfather. John is "sniffing coke." Paul's grandfather is constantly referred to as "a clean old man." In fact, he is not, and is the source of great trouble to the Beatles, in particular, Ringo, in this pseudo rock documentary.

Beatle John Lennon (1940-1980) had a witty sense of humor. During live performances of “I Want to Hold Your Hand,” Lennon often changed the words to “I want to hold your gland,” because of the difficulty hearing the vocals above the noise of screaming audiences in the grip of Beatlemania.

At the Royal Variety Show in 1963—in the presence of members of the British royalty, including Her Majesty Queen Elizabeth the Queen Mother, Princess Margaret, and Lord Snowdon —Lennon quipped to the largely upper-crust audience:

“For our next song, I’d like to ask for your help. For the people in the cheaper seats, clap your hands … and the rest of you, if you’ll just rattle your jewelry.”

 
A clip from this London performance is shown below, with the Beatles singing, “With Love From Me to You,” “Until There Was You,” and “Twist and Shout.” Paul makes a joke before “Until There Was You,” referring to American singer Sophie Tucker as a group (she was large). John makes his jewelry comment before playing my all-time favorite “Twist and Shout.” Enjoy.

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Salvador Dali grew a flamboyant moustache, waxed and up-turned, styled after , influenced by seventeenth-century Spanish master painter Diego Velázquez

Salvador Dalí grew a flamboyant moustache, waxed and up-turned, influenced by seventeenth-century Spanish master painter Diego Velázquez. The moustache became Dalí's trademark look.

In 1953, Spanish-born Surrealist painter Salvador Dalí (1904-1989) wrote:

“Every morning upon awakening, I experience a supreme pleasure: that of being Salvador Dalí, and I ask myself, wonderstruck, what prodigious thing will he do today, this Salvador Dalí….”

Salvador Dalí found deep meaning in Jan Vermeer's painting, "The Lacemaker" (ca. 1669-70)

Salvador Dalí found deep meaning in Jan Vermeer's painting, "The Lacemaker" (ca. 1669-70)

In December 1955, that “prodigious thing” meant that he was to borrow a friend’s white Rolls Royce Phantom II, fill it to the roof with 500 kg of cauliflower, and drive it to the Sorbonne in Paris. Then he would disembark and enter the school to give a lecture he’d impossibly titled, ‘Phenomenological Aspects of the Paranoiac Critical Method:’ 

“Some 2,000 ecstatic listeners were soon sharing Salvador’s Dalirium. Planting his elbows on a lecture table strewn with bread crumbs, Dalí blandly explained: “All emotion comes to me through the elbow.” Then he announced his latest finding in critical paranoia. The gamy meat of it: “Everything departs from the rhinoceros horn! Everything departs from [Dutch Master] Jan Vermeer’s The Lacemaker! Everything ends up in the cauliflower!” The rub, apologized Dalí, is that cauliflowers are too small to prove this theory conclusively.” (1)

As Dalí’s fame grew, his stunts and outrageous pronouncements became more frequent. He was an endless self-promoter, grandiose and pompous. He felt impelled, he admitted, to accumulate millions of dollars. He loved money. To keep the contracts coming, he was determined to keep himself in the public eye. His art and behavior were designed to provoke a response.

Salvador Dalí's most famouse painting, "The Persistence of Memory," 1931. His inspiration for the three melting watches came to him when he had a headache. His wife Gala had gone to the movies with friends and Dalí, ill, had stayed at home. He sat at the kitchen table for a long time, staring at the melting Camembert cheese. Before going to bed, he entered his studio and looked at the landscape he was working on - and decided to add three melting watches.

Salvador Dalí's most famous painting, "The Persistence of Memory," 1931. His inspiration for the drooping timepieces came to him one night when he had a headache. His wife Gala had gone to the movies with friends while Dalí, ill, had stayed behind at home. He sat at the kitchen table for a long time, staring at the melting Camembert cheese. Before going to bed, he entered his studio and looked at the landscape he had been working on - and - Voila! - decided to add three melting watches.

He delighted in playing the buffoon. While Dalí’s pranks were often funny, one was certainly dangerous. Once he donned a deep-sea diving suit before giving a lecture. The helmet was soundproof so no one could hear him. Dalí began to thrash about, flailing his arms soundlessly. The audience roared with laughter, thinking it was part of Dalí’s act. But he was suffocating inside the helmet. It was not until he almost fainted that he was rescued. Accused of going too far,  Dalí would often reply, “It’s the only place I ever wanted to go.”

Sometimes his stunts were offensive, such as when he and wife Gala appeared at a New York costume party dressed as the Lindbergh baby and his kidnapper. Other spectacles bordered on the criminal, like when he discovered that his Bonwit Teller window display in Manhattan had been rearranged. He became so enraged that he hurled a bathtub through the plate glass window and crashed, with the tub, inside the store.

Dalí created The Mae West Lips Sofa (1937) in the same shocking-pink color introduced by fashion designer Elsa Schiaparellli

Dalí created The Mae West Lips Sofa (1937) in the same shocking-pink color introduced by fashion designer Elsa Schiaparelli.

Dalí was endlessly creative in many genres other than painting. He created jewelry, designed clothes (see my post: “Elsa Schiaparelli: Shocking-Pink“) and furniture, painted sets for ballets and plays, wrote fiction, created window displays for department stores, and produced the dream sequence for director Alfred Hitchcock’s “Spellbound.He recorded a TV ad for Lanvin chocolates, designed the Chupa Chups candy labels, and was interviewed on TV in 1958 by Mike Wallace – during which Dalí imperiously referred to himself in the third person.

(1) TIME, Dec. 26, 1955

(2) “The Surreal World of Salvador Dali,” Smithsonian magazine, April 2005.

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Italian-born fashion designer Elsa Schiaparelli in the 1930s

Italian-born fashion designer Elsa Schiaparelli in the 1930s

Between the two world wars, fashion design was dominated by two extraordinary pioneers, Gabrielle Chanel and Elsa Schiaparelli (1890-1973). Whereas Coco Chanel was a craftswoman who considered dressmaking a profession, Schiaparelli, on the other hand, regarded her work as art and herself as an artist.  

Schiaparelli’s designs were heavily influenced by artists in the dada and surrealist movements, particularly by Salvador Dali.  While Chanel’s clothes were known for their simplicity, Schiaparelli’s were known for their daring.

“Shocking-pink” was Schiaparelli’s signature color. She described hot pink as “life-giving, like all the light and the birds and the fish in the world put together, a color of China and Peru but not of the West.”

Schiaparelli shoe-hat which debuted in her Fall-Winter 1937-38 collection

Schiaparelli shoe-hat which debuted in her Fall-Winter 1937-38 collection

The designs Schiaparelli created in collaboration with Dali are among her best known. One of her most memorable designs created with Dali is known as the “shoe-hat” (shown here). Note that the hat is shaped like a woman’s high-heeled shoe, with the heel standing straight up and the toe tilted over the wearer’s forehead. The heel is of a shocking-pink color. This hat was worn by Singer sewing machine heiress Daisy Fellowes, among others.

Daisy Fellowes was one of Schiaparelli’s best clients. Fellowes was a French-American heiress with a taste for expensive jewels and clothes and a reputation for cutting remarks. “Though a footnote today, for nearly 50 years, Fellowes, the daughter of a French duke and granddaughter of the sewing-machine magnate Isaac Merritt Singer, was the trans-Atlantic fete set’s No. 1 bad girl.” She was also editor in chief of French Harper’s Bazaar, a philanthropist who donated her salary to an orphanage, and the author of a few sexy romance novels.

movie siren Mae West (1893-1980) by Miguel Covarrubias, 1928, for the New Yorker

a caricature of the American movie actress, the provocative Mae West (1893-1980) by Miguel Covarrubias, 1928, for the New Yorker magazine

Among other jewels purchased at Cartier‘s shop at 13 rue de la Paix in Paris, Fellowes owned a stunning 17.27ct pink diamond  called the Tête de Belier (Ram’s Head). It was Fellowes’ pink diamond that inspired the color known as shocking-pink or hot pink. Elsa Schiaparelli took note of the diamond, using shocking pink for the box design of her 1937 perfume which she named “Shocking.” The packaging of the box, designed by Leonor Fini, was also notable for the bottle in the shape of a woman’s torso. The shape was inspired by another of Schiaparelli’s celebrity clients, the American screen actress Mae West.

The Lobster Dress by Elsa Schiaparelli

The Lobster Dress by Elsa Schiaparelli

Another of the Schiaparelli/Dali designs is the iconic “Lobster Dress” which debuted in Schiaparelli’s Summer/Fall 1937 Collection. The Lobster dress is a simple white silk evening dress with a crimson waistband featuring a large lobster painted (by Dali) onto the skirt.It is rumored that Dali wanted to apply real mayonnaise to the lobster on the dress but that Schiaparelli objected.

Dali’s lobster design for Schiaparelli was then interpreted into a fabric print by the leading silk designer Sache. It was famously worn by Wallis Warfield Simpson in a series of photographs by Cecil Beaton taken at the Château de Candé shortly before her marriage to Edward VIII. (shown here)

Wallis Simpson, the Duchess of Windsor (1895-1986), photo Cecil Beaton (1904-80). UK, early 20th century.

Wallis Simpson, the Duchess of Windsor (1895-1986), photo Cecil Beaton (1904-80). UK, early 20th century.

 Dali had been incorporating lobsters into his mixed media creations since 1934, most famously with “Lobster Telephone” (1936).

"Lobster Telephone," by Salvador Dali, 1936

"Lobster Telephone," by Salvador Dali, 1936

To see more of Schiaparelli’s fashion designs, click here.

A modern room with touches of Schiaparelli pink in the two chairs and flowers in foreground

A modern room with touches of Schiaparelli pink in the two chairs and flowers in foreground

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Ancient Egyptian bust on display at Chicago's Field Museum. It bears a striking resemblance to pop star Michael Jackson, complete with disfigured nose

Ancient Egyptian bust on display at Chicago's Field Museum. It bears a striking resemblance to pop star Michael Jackson, complete with disfigured nose

Busted: Statue’s a Dead Ringer for Jacko

 

The Pharaoh of Pop doesn’t quite have the same ring to it as King of Pop, but visitors to Chicago’s Field Museum could swear that’s Jacko’s face on a 3,000-year-old Egyptian bust. 

 The spitting image limestone sculpture has been on display at the museum since 1988, but recently started drawing attention because of its likeness to Jacko — complete with disfigured nose.

Unfortunately the bust, which was carved sometime between 1550 B.C. and 1050 B.C., is of a woman and MJ likely never had the chance to see the statuette.
 
“I have no idea whether Jackson ever visited the museum,” a Field spokesperson said to the Sun-Times‘ Michael Sneed. “But the similarity between the limestone statue of a woman – which is about 3,000 years old — and Jackson is astounding.”
 
Interestingly, Jackson cast himself as an interloper in ancient Egypt in his video for “Remember the Time,” so maybe he sensed some Egyptian roots

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Full Moon Through the Trees

Full Moon Through the Trees

Last night, just before bed, Katie called me outside to look at the moon. I didn’t want to do it; I was tired, but she insisted, so I went. She took me into the backyard and pointed at the corner of the yard, behind the live oak near my bedroom.

“Up there!” she said. “See it?”

Well, I didn’t, but she made me keep looking.  She scooted me to the right and had me stand on my toes. I craned my neck to see. Then I finally saw it, a full moon hung low in the sky, just over the roof, stuck in the live oak branches, like an errant volleyball. The moon was more white than yellow, not very big, and veiled in smoky haze. With the live oak branches scratching the moon, cloaked in night mist, it looked like a scene right out of a scary vampire movie . It was spooky.  But what intrigued me more was the look that moon looked down and gave me.

Yes, there was a face in the moon – the face of a woman. For just an instant, that moon’s face smiled down on me in a Cheshire Cat kind of way. Then a thin cloud floated across the moon and the face was gone forever.

The Cheshire Cat from Alice in Wonderland. The cat disappeared, little by little, but the smile was the last to go

The Cheshire Cat from Alice in Wonderland. The cat disappeared, little by little, but the smile was the last to go

I am not alone. The poet Robert Louis Stevenson (1850-1894) also saw a woman in the moon.

The Moon

 

The moon has a face like the clock in the hall;

She shines on thieves on the garden wall,

On streets and fields and harbour quays,

And birdies asleep in the forks of the trees.

 

The squalling cat and the squeaking mouse,

The howling dog by the door of the house,

The bat that lies in bed at noon,

All love to be out by the light of the moon.

 

But all of the things that belong to the day

Cuddle to sleep to be out of her way

And flowers and children close their eyes

Till up in the morning the sun shall arise.

from A Child’s Garden of Verses by Robert Louis Stevenson

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Michael Jackson unveiled his moonwalk dance on March 25, 1983, when he performed his hit song, "Billie Jean," on the TV special, Motown 25: Yesterday, Today, Forever

Michael Jackson unveiled his moonwalk dance on March 25, 1983, when he performed his hit song, "Billie Jean," on the TV special, Motown 25: Yesterday, Today, Forever

I was 29 years old when Michael Jackson and his brothers blew through Texas with their 1984 summer Victory Tour. It was July. I was a fifth-grade school teacher during the regular year. During the summer I was waiting tables at the Night Hawk Steakhouse. Michael Jackson’s record-setting album and video, “Thriller,” was a huge hit.

On Fridays during the school year, I gave my students a treat. At lunchtime, I ordered out for pizza. Then I rolled a TV on a tall stand into my classroom, turned out the lights, shut the blinds, and showed my students the “Thriller” video. We got up out of our chairs and danced. Michael Jackson gave us the chills. We just couldn’t get enough of his energy.

Back to the Victory Tour. It was July 15, 1984 – a Sunday – and I’d just finished my wait shift at the Night Hawk. I clocked out then jumped into my un-air-conditioned Honda and headed South to my apartment. I turned on the radio. The announcer was talking about how exciting the Victory Tour was. Michael Jackson was in Dallas! He had performed Friday and Saturday nights. He was to perform just one more night at Texas Stadium before continuing on his tour. Hasting’s on the Drag across from U.T. still had tickets.

I exited IH 35 and headed straight to Hastings, bought a ticket, raced home, changed clothes, and hit IH 35 for Dallas. When I got there, I realized what a crummy seat I had. The concert started and the lights went down real low, low enough, I discovered, for me to jump over a concrete wall, hunker down, and slither all the way down to the wheelchair section at the front of the stage undetected. A mother sitting in a front row seat gestured to me to come over. She was holding a child in her arms and offered me the empty seat to her right. I took it. I watched the show from a front row seat.

The show was great.  Michael Jackson performed all the songs from the tour, but what I most remember was watching him moondance to “Billie Jean.” Wow. He didn’t sing “Thriller,” which confused me at the time. Now I understand that he didn’t think the choreography translated well into a stage song.

Curtis Jerome Haynes

Curtis Jerome Haynes

On a previous post, I’ve written about Marcel Marceau‘s influence on Michael Jackson’s moonwalk (“Michael Jackson and the Moonwalk“). Here’s a video sent to me via an old friend, musician Curtis Jerome Haynes, showing the origins of the moonwalk. Some of the “Origins of the Moonwalk” dancers featured in the video are Cab Calloway, Fred Astaire, and Sammy Davis, Jr.

In reference to the youtube clip shown below, Curtis Haynes writes that, 

Missing from the montage are James Brown, the Nicholas Brothers, and Marcel Marceau.”

Thanks, Curtis!

Readers, for more on this blog on Michael Jackson, click here.

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This post is dedicated to my faithful and kind readers in the Philippines – such good people. May God bless Tita Cory.

This just in from the Associated Press:

Corazon Aquino, Philippines president, dead at 76

By HRVOJE HRANJSKI, Associated Press Writer Hrvoje Hranjski, Associated Press Writer –

Fri Jul 31, 7:08 pm ET

Former Philippine President Corazon Aquino, who is suffering from colon cancer, have her picture taken with students before a mass and tribute to herself and her late husband Benigno "Ninoy" Aquino Jr. in Quezon City, Metro Manila, August 17, 2008

Former Philippine President Corazon Aquino, who was undergoing treatment for colon cancer, had her picture taken with students before a mass and tribute to herself and her late husband Benigno "Ninoy" Aquino Jr. in Quezon City, Metro Manila, August 17, 2008. Corazon Aquino died on August 1, 2009.

MANILA, Philippines – Former President Corazon Aquino, who swept away a dictator with a “people power” revolt and then sustained democracy by fighting off seven coup attempts in six years, died on Saturday, her son said. She was 76.

The uprising she led in 1986 ended the repressive 20-year regime of Ferdinand Marcos and inspired nonviolent protests across the globe, including those that ended Communist rule in eastern Europe.

But she struggled in office to meet high public expectations. Her land redistribution program fell short of ending economic domination by the landed elite, including her own family. Her leadership, especially in social and economic reform, was often indecisive, leaving many of her closest allies disillusioned by the end of her term.

Still, the bespectacled, smiling woman in her trademark yellow dress remained beloved in the Philippines, where she was affectionately referred to as “Tita (Auntie) Cory.”

Former President Corazon Aquino's favorite color was all around Metro Manila on Saturday as the nation mourned the death of its beloved first female president and hero of the People Power revolt that restored democracy in the country.

Yellow - Former President Corazon Aquino's favorite color - was all around Metro Manila on Saturday as the nation mourned the death of its beloved first female president and hero of the People Power revolt that restored democracy in the country. Even streetsweepers went about their chores with yellow ribbons tied around their heads in respect to "Cory" Aquino.

 

“She was headstrong and single-minded in one goal, and that was to remove all vestiges of an entrenched dictatorship,” Raul C. Pangalangan, former dean of the Law School at the University of the Philippines, said earlier this month. “We all owe her in a big way.”

Her son, Sen. Benigno “Noynoy” or Aquino III, said his mother died at 3:18 a.m. Saturday (1918 GMT Friday).

Aquino was diagnosed with advanced colon cancer last year and confined to a Manila hospital for more than a month. Her son said the cancer had spread to other organs and she was too weak to continue her chemotherapy.

Supporters have been holding daily prayers for Aquino in churches in Manila and throughout the country for a month. Masses were scheduled for later Saturday, and yellow ribbons were tied on trees around her neighborhood in Quezon city.

President Gloria Macapagal Arroyo, who is on an official visit to the United States, said in a statement that “the entire nation is mourning” Aquino’s demise. Arroyo declared a period of national mourning and announced a state funeral would be held for the late president.

TV stations on Saturday were running footage of Aquino’s years together with prayers while her former aides and supporters offered condolences.

“Today our country has lost a mother,” said former President Joseph Estrada, calling Aquino “a woman of both strength and graciousness.”

Even the exiled Communist Party founder Jose Maria Sison, whom Aquino freed from jail in 1986, paid tribute from the Netherlands.

Aquino’s unlikely rise began in 1983 when her husband, opposition leader Benigno “Ninoy” Aquino Jr., was assassinated on the tarmac of Manila’s international airport as he returned from exile in the United States to challenge Marcos, his longtime adversary.

The killing enraged many Filipinos and unleashed a broad-based opposition movement that thrust Aquino into the role of national leader.

“I don’t know anything about the presidency,” she declared in 1985, a year before she agreed to run against Marcos, uniting the fractious opposition, the business community, and later the armed forces to drive the dictator out.

Maria Corazon Cojuangco was born on Jan. 25, 1933, into a wealthy, politically powerful family in Paniqui, about 75 miles (120 kilometers) north of Manila.

She attended private school in Manila and earned a degree in French from the College of Mount St. Vincent in New York. In 1954 she married Ninoy Aquino, the fiercely ambitious scion of another political family. He rose from provincial governor to senator and finally opposition leader.

Marcos, elected president in 1965, declared martial law in 1972 to avoid term limits. He abolished the Congress and jailed Aquino’s husband and thousands of opponents, journalists and activists without charges. Aquino became her husband’s political stand-in, confidant, message carrier and spokeswoman.

A military tribunal sentenced her husband to death for alleged links to communist rebels but, under pressure from U.S. President Jimmy Carter, Marcos allowed him to leave in May 1980 for heart surgery in the U.S.

It was the start of a three-year exile. With her husband at Harvard University holding court with fellow exiles, academics, journalists and visitors from Manila, Aquino was the quiet homemaker, raising their five children and serving tea. Away from the hurly-burly of Philippine politics, she described the period as the best of their marriage.

Benigno (Ninoy) Aquino, Corazon Aquino's husband, was the leader of the Filipino opposition to Ferdinand Marcos. He was shot dead in 1983 as he returned to the Philippines.

Benigno (Ninoy) Aquino, Corazon Aquino's husband, was the leader of the Filipino opposition to Ferdinand Marcos. He was shot dead in 1983 as he returned to the Philippines.

The halcyon days ended when her husband decided to return to regroup the opposition. While she and the children remained in Boston, he flew to Manila, where he was shot as he descended the stairs from the plane.

The government blamed a suspected communist rebel, but subsequent investigations pointed to a soldier who was escorting him from the plane on Aug. 21, 1983.

Aquino heard of the assassination in a phone call from a Japanese journalist. She recalled gathering the children and, as a deeply religious woman, praying for strength.

“During Ninoy’s incarceration and before my presidency, I used to ask why it had always to be us to make the sacrifice,” she said in a 2007 interview with The Philippine Star newspaper. “And then, when Ninoy died, I would say, ‘Why does it have to be me now?’ It seemed like we were always the sacrificial lamb.”

She returned to the Philippines three days later. One week after that, she led the largest funeral procession Manila had seen. Crowd estimates ranged as high as 2 million.

With public opposition mounting against Marcos, he stunned the nation in November 1985 by calling a snap election in a bid to shore up his mandate. The opposition, including then Manila Archbishop Cardinal Jaime L. Sin, urged Aquino to run.

After a fierce campaign, the vote was held on Feb. 7, 1986. The National Assembly declared Marcos the winner, but journalists, foreign observers and church leaders alleged massive fraud.

Ferdinand Marcos was elected president of the Philippines in 1965. In 1972 he imposed martial law and seized dictatorial powers. A massive four-day protest known as the People Power Movement forced him from office in 1986 and restored democracy in the Philippines.

Ferdinand Marcos was elected president of the Philippines in 1965. In 1972 he imposed martial law and seized dictatorial powers. A massive four-day protest known as the People Power Movement forced him from office in 1986 and restored democracy in the Philippines.

With the result in dispute, a group of military officers mutinied against Marcos on Feb. 22 and holed up with a small force in a military camp in Manila.

Over the following three days, hundreds of thousands of Filipinos responded to a call by the Roman Catholic Church to jam the broad highway in front of the camp to prevent an attack by Marcos forces.

On the third day, against the advice of her security detail, Aquino appeared at the rally alongside the mutineers, led by Defense Minister Juan Ponce Enrile and Lt. Gen. Fidel Ramos, the military vice chief of staff and Marcos’ cousin.

From a makeshift platform, she declared: “For the first time in the history of the world, a civilian population has been called to defend the military.”

The military chiefs pledged their loyalty to Aquino and charged that Marcos had won the election by fraud.

U.S. President Ronald Reagan, a longtime supporter of Marcos, called on him to resign. “Attempts to prolong the life of the present regime by violence are futile,” the White House said. American officials offered to fly Marcos out of the Philippines.

On Feb. 25, Marcos and his family went to the U.S.-run Clark Air Base outside Manila and flew to Hawaii, where he died three years later.

The same day, Aquino was sworn in as the Philippines’ first female leader.

President Ronald Reagan and Philippine President Corazon Aquino meet on September 17, 1986 in the Oval office of the White House in Washington.

President Ronald Reagan and Philippine President Corazon Aquino meet on September 17, 1986 in the Oval office of the White House in Washington.

Over time, the euphoria fizzled as the public became impatient and Aquino more defensive as she struggled to navigate treacherous political waters and build alliances to push her agenda.

“People used to compare me to the ideal president, but he doesn’t exist and never existed. He has never lived,” she said in the 2007 Philippine Star interview.

The right attacked her for making overtures to communist rebels and the left, for protecting the interests of wealthy landowners.

Aquino signed an agrarian reform bill that virtually exempted large plantations like her family’s sugar plantation from being distributed to landless farmers.

When farmers protested outside the Malacanang Presidential Palace on Jan. 22, 1987, troops opened fire, killing 13 and wounding 100.

The bloodshed scuttled talks with communist rebels, who had galvanized opposition to Marcos but weren’t satisfied with Aquino either.

As recently as 2004, at least seven workers were killed in clashes with police and soldiers at the family’s plantation, Hacienda Luisita, over its refusal to distribute its land.

Aquino also attempted to negotiate with Muslim separatists in the southern Philippines, but made little progress.

Behind the public image of the frail, vulnerable widow, Aquino was an iron-willed woman who dismissed criticism as the carping of jealous rivals. She knew she had to act tough to earn respect in the Philippines’ macho culture.

“When I am just with a few close friends, I tell them, ‘OK, you don’t like me? Look at the alternatives,’ and that shuts them up,” she told America’s NBC television in a 1987 interview.

Her term was punctuated by repeated coup attempts — most staged by the same clique of officers who had risen up against Marcos and felt they had been denied their fair share of power. The most serious attempt came in December 1989 when only a flyover by U.S. jets prevented mutinous troops from toppling her.

Leery of damaging relations with the United States, Aquino tried in vain to block a historic Senate vote to force the U.S. out of its two major bases in the Philippines.

In the end, the U.S. Air Force pulled out of Clark Air Base in 1991 after the eruption of Mount Pinatubo forced its evacuation and left it heavily damaged. The last American vessel left Subic Bay Naval Base in November 1992.

former First Lady of the Philippines Imelda Marcos debuts her new line of accessories, 2006

former First Lady of the Philippines Imelda Marcos debuts her new line of accessories, 2006

After stepping down in 1992, Aquino remained active in social and political causes.Until diagnosed with colon cancer in March 2008, she joined rallies calling for the resignation of President Arroyo  over allegations of vote-rigging and corruption.

She kept her distance from another famous widow, flamboyant former first lady Imelda Marcos, who was allowed to return to the Philippines in 1991.

Marcos has called Aquino a usurper and dictator, though she later led prayers for Aquino in July 2009 when the latter was hospitalized. The two never made peace.

 

For more on Imelda and Ferdinand Marcos on this blog:

Look under “Categories” in column at right.

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