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Ancient Egyptian bust on display at Chicago's Field Museum. It bears a striking resemblance to pop star Michael Jackson, complete with disfigured nose

Ancient Egyptian bust on display at Chicago's Field Museum. It bears a striking resemblance to pop star Michael Jackson, complete with disfigured nose

Busted: Statue’s a Dead Ringer for Jacko

 

The Pharaoh of Pop doesn’t quite have the same ring to it as King of Pop, but visitors to Chicago’s Field Museum could swear that’s Jacko’s face on a 3,000-year-old Egyptian bust. 

 The spitting image limestone sculpture has been on display at the museum since 1988, but recently started drawing attention because of its likeness to Jacko — complete with disfigured nose.

Unfortunately the bust, which was carved sometime between 1550 B.C. and 1050 B.C., is of a woman and MJ likely never had the chance to see the statuette.
 
“I have no idea whether Jackson ever visited the museum,” a Field spokesperson said to the Sun-Times‘ Michael Sneed. “But the similarity between the limestone statue of a woman – which is about 3,000 years old — and Jackson is astounding.”
 
Interestingly, Jackson cast himself as an interloper in ancient Egypt in his video for “Remember the Time,” so maybe he sensed some Egyptian roots

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Full Moon Through the Trees

Full Moon Through the Trees

Last night, just before bed, Katie called me outside to look at the moon. I didn’t want to do it; I was tired, but she insisted, so I went. She took me into the backyard and pointed at the corner of the yard, behind the live oak near my bedroom.

“Up there!” she said. “See it?”

Well, I didn’t, but she made me keep looking.  She scooted me to the right and had me stand on my toes. I craned my neck to see. Then I finally saw it, a full moon hung low in the sky, just over the roof, stuck in the live oak branches, like an errant volleyball. The moon was more white than yellow, not very big, and veiled in smoky haze. With the live oak branches scratching the moon, cloaked in night mist, it looked like a scene right out of a scary vampire movie . It was spooky.  But what intrigued me more was the look that moon looked down and gave me.

Yes, there was a face in the moon – the face of a woman. For just an instant, that moon’s face smiled down on me in a Cheshire Cat kind of way. Then a thin cloud floated across the moon and the face was gone forever.

The Cheshire Cat from Alice in Wonderland. The cat disappeared, little by little, but the smile was the last to go

The Cheshire Cat from Alice in Wonderland. The cat disappeared, little by little, but the smile was the last to go

I am not alone. The poet Robert Louis Stevenson (1850-1894) also saw a woman in the moon.

The Moon

 

The moon has a face like the clock in the hall;

She shines on thieves on the garden wall,

On streets and fields and harbour quays,

And birdies asleep in the forks of the trees.

 

The squalling cat and the squeaking mouse,

The howling dog by the door of the house,

The bat that lies in bed at noon,

All love to be out by the light of the moon.

 

But all of the things that belong to the day

Cuddle to sleep to be out of her way

And flowers and children close their eyes

Till up in the morning the sun shall arise.

from A Child’s Garden of Verses by Robert Louis Stevenson

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Michael Jackson unveiled his moonwalk dance on March 25, 1983, when he performed his hit song, "Billie Jean," on the TV special, Motown 25: Yesterday, Today, Forever

Michael Jackson unveiled his moonwalk dance on March 25, 1983, when he performed his hit song, "Billie Jean," on the TV special, Motown 25: Yesterday, Today, Forever

I was 29 years old when Michael Jackson and his brothers blew through Texas with their 1984 summer Victory Tour. It was July. I was a fifth-grade school teacher during the regular year. During the summer I was waiting tables at the Night Hawk Steakhouse. Michael Jackson’s record-setting album and video, “Thriller,” was a huge hit.

On Fridays during the school year, I gave my students a treat. At lunchtime, I ordered out for pizza. Then I rolled a TV on a tall stand into my classroom, turned out the lights, shut the blinds, and showed my students the “Thriller” video. We got up out of our chairs and danced. Michael Jackson gave us the chills. We just couldn’t get enough of his energy.

Back to the Victory Tour. It was July 15, 1984 – a Sunday – and I’d just finished my wait shift at the Night Hawk. I clocked out then jumped into my un-air-conditioned Honda and headed South to my apartment. I turned on the radio. The announcer was talking about how exciting the Victory Tour was. Michael Jackson was in Dallas! He had performed Friday and Saturday nights. He was to perform just one more night at Texas Stadium before continuing on his tour. Hasting’s on the Drag across from U.T. still had tickets.

I exited IH 35 and headed straight to Hastings, bought a ticket, raced home, changed clothes, and hit IH 35 for Dallas. When I got there, I realized what a crummy seat I had. The concert started and the lights went down real low, low enough, I discovered, for me to jump over a concrete wall, hunker down, and slither all the way down to the wheelchair section at the front of the stage undetected. A mother sitting in a front row seat gestured to me to come over. She was holding a child in her arms and offered me the empty seat to her right. I took it. I watched the show from a front row seat.

The show was great.  Michael Jackson performed all the songs from the tour, but what I most remember was watching him moondance to “Billie Jean.” Wow. He didn’t sing “Thriller,” which confused me at the time. Now I understand that he didn’t think the choreography translated well into a stage song.

Curtis Jerome Haynes

Curtis Jerome Haynes

On a previous post, I’ve written about Marcel Marceau‘s influence on Michael Jackson’s moonwalk (“Michael Jackson and the Moonwalk“). Here’s a video sent to me via an old friend, musician Curtis Jerome Haynes, showing the origins of the moonwalk. Some of the “Origins of the Moonwalk” dancers featured in the video are Cab Calloway, Fred Astaire, and Sammy Davis, Jr.

In reference to the youtube clip shown below, Curtis Haynes writes that, 

Missing from the montage are James Brown, the Nicholas Brothers, and Marcel Marceau.”

Thanks, Curtis!

Readers, for more on this blog on Michael Jackson, click here.

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This post is dedicated to my faithful and kind readers in the Philippines – such good people. May God bless Tita Cory.

This just in from the Associated Press:

Corazon Aquino, Philippines president, dead at 76

By HRVOJE HRANJSKI, Associated Press Writer Hrvoje Hranjski, Associated Press Writer –

Fri Jul 31, 7:08 pm ET

Former Philippine President Corazon Aquino, who is suffering from colon cancer, have her picture taken with students before a mass and tribute to herself and her late husband Benigno "Ninoy" Aquino Jr. in Quezon City, Metro Manila, August 17, 2008

Former Philippine President Corazon Aquino, who was undergoing treatment for colon cancer, had her picture taken with students before a mass and tribute to herself and her late husband Benigno "Ninoy" Aquino Jr. in Quezon City, Metro Manila, August 17, 2008. Corazon Aquino died on August 1, 2009.

MANILA, Philippines – Former President Corazon Aquino, who swept away a dictator with a “people power” revolt and then sustained democracy by fighting off seven coup attempts in six years, died on Saturday, her son said. She was 76.

The uprising she led in 1986 ended the repressive 20-year regime of Ferdinand Marcos and inspired nonviolent protests across the globe, including those that ended Communist rule in eastern Europe.

But she struggled in office to meet high public expectations. Her land redistribution program fell short of ending economic domination by the landed elite, including her own family. Her leadership, especially in social and economic reform, was often indecisive, leaving many of her closest allies disillusioned by the end of her term.

Still, the bespectacled, smiling woman in her trademark yellow dress remained beloved in the Philippines, where she was affectionately referred to as “Tita (Auntie) Cory.”

Former President Corazon Aquino's favorite color was all around Metro Manila on Saturday as the nation mourned the death of its beloved first female president and hero of the People Power revolt that restored democracy in the country.

Yellow - Former President Corazon Aquino's favorite color - was all around Metro Manila on Saturday as the nation mourned the death of its beloved first female president and hero of the People Power revolt that restored democracy in the country. Even streetsweepers went about their chores with yellow ribbons tied around their heads in respect to "Cory" Aquino.

 

“She was headstrong and single-minded in one goal, and that was to remove all vestiges of an entrenched dictatorship,” Raul C. Pangalangan, former dean of the Law School at the University of the Philippines, said earlier this month. “We all owe her in a big way.”

Her son, Sen. Benigno “Noynoy” or Aquino III, said his mother died at 3:18 a.m. Saturday (1918 GMT Friday).

Aquino was diagnosed with advanced colon cancer last year and confined to a Manila hospital for more than a month. Her son said the cancer had spread to other organs and she was too weak to continue her chemotherapy.

Supporters have been holding daily prayers for Aquino in churches in Manila and throughout the country for a month. Masses were scheduled for later Saturday, and yellow ribbons were tied on trees around her neighborhood in Quezon city.

President Gloria Macapagal Arroyo, who is on an official visit to the United States, said in a statement that “the entire nation is mourning” Aquino’s demise. Arroyo declared a period of national mourning and announced a state funeral would be held for the late president.

TV stations on Saturday were running footage of Aquino’s years together with prayers while her former aides and supporters offered condolences.

“Today our country has lost a mother,” said former President Joseph Estrada, calling Aquino “a woman of both strength and graciousness.”

Even the exiled Communist Party founder Jose Maria Sison, whom Aquino freed from jail in 1986, paid tribute from the Netherlands.

Aquino’s unlikely rise began in 1983 when her husband, opposition leader Benigno “Ninoy” Aquino Jr., was assassinated on the tarmac of Manila’s international airport as he returned from exile in the United States to challenge Marcos, his longtime adversary.

The killing enraged many Filipinos and unleashed a broad-based opposition movement that thrust Aquino into the role of national leader.

“I don’t know anything about the presidency,” she declared in 1985, a year before she agreed to run against Marcos, uniting the fractious opposition, the business community, and later the armed forces to drive the dictator out.

Maria Corazon Cojuangco was born on Jan. 25, 1933, into a wealthy, politically powerful family in Paniqui, about 75 miles (120 kilometers) north of Manila.

She attended private school in Manila and earned a degree in French from the College of Mount St. Vincent in New York. In 1954 she married Ninoy Aquino, the fiercely ambitious scion of another political family. He rose from provincial governor to senator and finally opposition leader.

Marcos, elected president in 1965, declared martial law in 1972 to avoid term limits. He abolished the Congress and jailed Aquino’s husband and thousands of opponents, journalists and activists without charges. Aquino became her husband’s political stand-in, confidant, message carrier and spokeswoman.

A military tribunal sentenced her husband to death for alleged links to communist rebels but, under pressure from U.S. President Jimmy Carter, Marcos allowed him to leave in May 1980 for heart surgery in the U.S.

It was the start of a three-year exile. With her husband at Harvard University holding court with fellow exiles, academics, journalists and visitors from Manila, Aquino was the quiet homemaker, raising their five children and serving tea. Away from the hurly-burly of Philippine politics, she described the period as the best of their marriage.

Benigno (Ninoy) Aquino, Corazon Aquino's husband, was the leader of the Filipino opposition to Ferdinand Marcos. He was shot dead in 1983 as he returned to the Philippines.

Benigno (Ninoy) Aquino, Corazon Aquino's husband, was the leader of the Filipino opposition to Ferdinand Marcos. He was shot dead in 1983 as he returned to the Philippines.

The halcyon days ended when her husband decided to return to regroup the opposition. While she and the children remained in Boston, he flew to Manila, where he was shot as he descended the stairs from the plane.

The government blamed a suspected communist rebel, but subsequent investigations pointed to a soldier who was escorting him from the plane on Aug. 21, 1983.

Aquino heard of the assassination in a phone call from a Japanese journalist. She recalled gathering the children and, as a deeply religious woman, praying for strength.

“During Ninoy’s incarceration and before my presidency, I used to ask why it had always to be us to make the sacrifice,” she said in a 2007 interview with The Philippine Star newspaper. “And then, when Ninoy died, I would say, ‘Why does it have to be me now?’ It seemed like we were always the sacrificial lamb.”

She returned to the Philippines three days later. One week after that, she led the largest funeral procession Manila had seen. Crowd estimates ranged as high as 2 million.

With public opposition mounting against Marcos, he stunned the nation in November 1985 by calling a snap election in a bid to shore up his mandate. The opposition, including then Manila Archbishop Cardinal Jaime L. Sin, urged Aquino to run.

After a fierce campaign, the vote was held on Feb. 7, 1986. The National Assembly declared Marcos the winner, but journalists, foreign observers and church leaders alleged massive fraud.

Ferdinand Marcos was elected president of the Philippines in 1965. In 1972 he imposed martial law and seized dictatorial powers. A massive four-day protest known as the People Power Movement forced him from office in 1986 and restored democracy in the Philippines.

Ferdinand Marcos was elected president of the Philippines in 1965. In 1972 he imposed martial law and seized dictatorial powers. A massive four-day protest known as the People Power Movement forced him from office in 1986 and restored democracy in the Philippines.

With the result in dispute, a group of military officers mutinied against Marcos on Feb. 22 and holed up with a small force in a military camp in Manila.

Over the following three days, hundreds of thousands of Filipinos responded to a call by the Roman Catholic Church to jam the broad highway in front of the camp to prevent an attack by Marcos forces.

On the third day, against the advice of her security detail, Aquino appeared at the rally alongside the mutineers, led by Defense Minister Juan Ponce Enrile and Lt. Gen. Fidel Ramos, the military vice chief of staff and Marcos’ cousin.

From a makeshift platform, she declared: “For the first time in the history of the world, a civilian population has been called to defend the military.”

The military chiefs pledged their loyalty to Aquino and charged that Marcos had won the election by fraud.

U.S. President Ronald Reagan, a longtime supporter of Marcos, called on him to resign. “Attempts to prolong the life of the present regime by violence are futile,” the White House said. American officials offered to fly Marcos out of the Philippines.

On Feb. 25, Marcos and his family went to the U.S.-run Clark Air Base outside Manila and flew to Hawaii, where he died three years later.

The same day, Aquino was sworn in as the Philippines’ first female leader.

President Ronald Reagan and Philippine President Corazon Aquino meet on September 17, 1986 in the Oval office of the White House in Washington.

President Ronald Reagan and Philippine President Corazon Aquino meet on September 17, 1986 in the Oval office of the White House in Washington.

Over time, the euphoria fizzled as the public became impatient and Aquino more defensive as she struggled to navigate treacherous political waters and build alliances to push her agenda.

“People used to compare me to the ideal president, but he doesn’t exist and never existed. He has never lived,” she said in the 2007 Philippine Star interview.

The right attacked her for making overtures to communist rebels and the left, for protecting the interests of wealthy landowners.

Aquino signed an agrarian reform bill that virtually exempted large plantations like her family’s sugar plantation from being distributed to landless farmers.

When farmers protested outside the Malacanang Presidential Palace on Jan. 22, 1987, troops opened fire, killing 13 and wounding 100.

The bloodshed scuttled talks with communist rebels, who had galvanized opposition to Marcos but weren’t satisfied with Aquino either.

As recently as 2004, at least seven workers were killed in clashes with police and soldiers at the family’s plantation, Hacienda Luisita, over its refusal to distribute its land.

Aquino also attempted to negotiate with Muslim separatists in the southern Philippines, but made little progress.

Behind the public image of the frail, vulnerable widow, Aquino was an iron-willed woman who dismissed criticism as the carping of jealous rivals. She knew she had to act tough to earn respect in the Philippines’ macho culture.

“When I am just with a few close friends, I tell them, ‘OK, you don’t like me? Look at the alternatives,’ and that shuts them up,” she told America’s NBC television in a 1987 interview.

Her term was punctuated by repeated coup attempts — most staged by the same clique of officers who had risen up against Marcos and felt they had been denied their fair share of power. The most serious attempt came in December 1989 when only a flyover by U.S. jets prevented mutinous troops from toppling her.

Leery of damaging relations with the United States, Aquino tried in vain to block a historic Senate vote to force the U.S. out of its two major bases in the Philippines.

In the end, the U.S. Air Force pulled out of Clark Air Base in 1991 after the eruption of Mount Pinatubo forced its evacuation and left it heavily damaged. The last American vessel left Subic Bay Naval Base in November 1992.

former First Lady of the Philippines Imelda Marcos debuts her new line of accessories, 2006

former First Lady of the Philippines Imelda Marcos debuts her new line of accessories, 2006

After stepping down in 1992, Aquino remained active in social and political causes.Until diagnosed with colon cancer in March 2008, she joined rallies calling for the resignation of President Arroyo  over allegations of vote-rigging and corruption.

She kept her distance from another famous widow, flamboyant former first lady Imelda Marcos, who was allowed to return to the Philippines in 1991.

Marcos has called Aquino a usurper and dictator, though she later led prayers for Aquino in July 2009 when the latter was hospitalized. The two never made peace.

 

For more on Imelda and Ferdinand Marcos on this blog:

Look under “Categories” in column at right.

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Carla Bruni's famous backside, photographed by Helmut Newton, long before she became First Lady of France
Carla Bruni’s famous backside, photographed by Helmut Newton, long before she became First Lady of France

 Bob Colacello of Vanity Fair magazine interviewed Carla Bruni for this November 1992 article titled “La Dolce Carla”:

It’s no wonder 24-year-old Carla Bruni has been linked, fairly or not, to several famous older men with names like Jagger, Clapton, and Trump. When the author caught up with the Italian model on the Riviera, he found her as smart and beautiful as she is charming and, well, beautiful.

Carla Bruni, the 24-year-old Italian-born model who may or may not have broken up Mick Jagger’s 15-year union with Jerry Hall, comes to the door of her parents’ house near Saint-Tropez wearing a bathing suit of van Gogh sunflowers on a blue Lycra field, cut extra high in the rear, making her long and sinuous legs seem even longer and more sinuous.

Carla Bruni Sarkozy's family home: the 40-room Castello di Castagneto Po, near Turin, Italy

Carla Bruni Sarkozy's family home: the 40-room Castello di Castagneto Po, near Turin, Italy

The handsome Art Deco villa of the Bruni-Tedeschi family stands amid cypresses and pines atop a private peninsula that juts into the Mediterranean, which can be seen and heard slapping the rocky coast a few hundred feet below. On one side of the dahlia-lined gravel driveway, her brother Virginio’s vintage Citroëns gleam in the afternoon sun. It is a scene straight out of The Garden of the Finzi-Continis—until Carla Bruni picks up my not-so-light suitcase, throws it over her shoulder, and carries it up the stairs.

Carla Bruni is not your typical high-priced international mannequin—all pouts and poses—though she does make a million dollars a year, has been on the covers of Harpers & Queen, Italian Elle, and Marie Claire, and can be seen this month gliding down some 70 runways at the Paris, Milan, and New York ready-to-wear collections. Nor is she your typical highborn Northern Italian heiress—all yips and orders. Her family is rich; their lire come from the CEAT electric-cable company of Turin. But her father, Alberto Bruni-Tedeschi, is a composer of atonal music; her mother, Marisa, is a concert pianist. “They were more original, eccentric, and open than the real bourgeoisie of Turin. They could have been like that, but they weren’t, because they were artists before everything,” says Carla, curled up after dinner in their impressively well-stocked library, smoking a cigarette and stroking her cat George Sand. She has changed into a teal-blue neo-hippie macramé sweater and black semi-see-through Azzedine Alaïa bell-bottoms, but she is still barefoot, and with her straight, tawny hair, parted in the middle, she is a bit Julie Christie, a bit Pilar Crespi.

Carla Bruni as international model

Carla Bruni as international fashion model

When Carla was five, the family moved to Paris, where she now has an apartment of her own facing the Bois de Boulogne. At 19, she dropped out of art-and-architecture studies at the University of Paris and signed up with City, the modeling agency. “The first ad campaign I did was Guess? jeans. It was scandalous, because I was sitting on the knee of this old man,” she notes in a low, throaty tone that is all the more seductive because it is so matter-of-fact.

She prefers older men in real life, “men who are superior to me,” as she puts it, and has been linked in the media to three very different men in their 40s: Eric Clapton, Donald Trump, and now Mick Jagger. She admits that she had a “strong relationship” with Clapton three years ago, but is cutting on the subject of the financially troubled real-estate developer. She maintains that she only had tea with Trump three times (always chaperoned by His Royal Highness Prince Dimitri of Yugoslavia) before awaking one morning to the People-magazine headline trump says goodbye marla, hello carla. “I didn’t have even any thought of the beginning of an affair with him. Nothing, nothing, nothing. That’s why I’m so rude in my denials. I don’t know what clicked in his head. I think it’s about the need for constant publicity. It was really disturbing.… It gives me the reputation of this woman who is running after married men.”

Mick Jagger and wife Jerry Hall. Hall filed for divorce from Jagger in 1992, calling him Jagger is a "lying, cheating, no-good slimeball." Jerry Hall is a Texas native.

Mick Jagger and wife Jerry Hall. Hall filed for divorce from Jagger in 1992, calling him a "lying, cheating, no-good slimeball." Jerry Hall is a Texas native.

She is absolutely mum on Mick, though the press has reported, and close friends of the Jaggers’ claim, that she has been having an affair with him for well over a year. “I’m using the old Japanese proverb,” she tells me with open-eyed insouciance, “ ‘Turn your tongue a hundred times in your mouth before saying anything.’ ” Has she met Mick? “Once.” Did she rendezvous in Thailand with him the day after Jerry Hall gave birth to their third child? “No.” Then why has Hall publicly denounced Bruni as the cause of her problems with Mick? (Hall is said to be so jealous of Bruni that at a rock concert in London this summer she poured a mug of beer on Jean Pigozzi’s head and drove him from the backstage V.I.P. area, accusing him of having entertained Mick and Carla at his Cap d’Antibes compound.) Bruni’s reply: “Ask her.” I try a different tack. What is her favorite Rolling Stones song? “Who? What are you talking about?” She lowers her lids over her cool blue eyes, then raises them again and whispers, “ ‘Jumpin’ Jack Flash.’ ”

Although she’s being coy about Jagger, what’s refreshing about Carla Bruni is her frank intelligence. She is as convincing on Stendhal’s “crystallization of love” as she is on the essential silliness of modeling (“Most of my work is about moisturizing”). And after three scandals in as many summers, she knows what the fame game is all about. “A knife has two sides,” she says, “the good side and the bad side. The good side is that the publicity is going to bring me more work and more money. The bad side is that it hurts.” She concludes playfully, “Maybe I can get a subscription to scandals. Once a year. Every time my modeling rate goes down. Whom am I going to get next year? Hmmm.””

For more on Carla Bruni on this blog, click “Carla Bruni Sings at Nelson Mandela Birthday Concert” and “Carla Bruni, Love Child.”

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Jackie looking good in a trench coat. What is the Jackie O look? classic and refined

Jackie looking good in a trench coat. What is the Jackie O look? classic and refined

This is the week of what would have been Jacqueline Kennedy Onassis’ (1929-1994) eightieth birthday. Blogs, magazines, newspapers, and TV programs are celebrating her life and style – particulary her style. She was – and is – a fashion icon. Those of you in doubt of her lasting appeal need only to google the phrase, “the Jackie Kennedy Look,” and see how many sites are dedicated to this ideal.

What is her attraction? Exactly what is “the Jackie Kennedy Look”? Is it a hairstyle? It couldn’t be that; Jackie’s hairstyle over the years changed radically, going from a curly, soft, and cropped bob on her wedding day (shown below)

They were married on September 12, 1953, at St. Mary's Church in Newport, Rhode Island. The wedding was performed by Archbishop Richard Cushing. The wedding was considered the social event of the season with an estimated 700 guests at the ceremony and 900 at the lavish reception that followed at Hammersmith Farm.

Jacqueline Bouvier and then-Senator John Fitzgerald Kennedy were married on September 12, 1953, at St. Mary's Church in Newport, Rhode Island. The wedding was performed by Archbishop Richard Cushing. The wedding was considered the social event of the season with an estimated 700 guests at the ceremony and 900 at the lavish reception that followed at Hammersmith Farm.

to a crisp bouffant at her husband John Kennedy‘s inauguration as the 35th President of the United States (below)

 

First Lady Jackie Kennedy at President John F. Kennedy's 1961 inauguration. Seen here with, at left, then-Vice President Lyndon B. Johnson and, at right, her husband, President Kennedy.

First Lady Jackie Kennedy at President John F. Kennedy's 1961 inauguration. Seen here with, at left, then-Vice President Lyndon B. Johnson and, at right, her husband, President Kennedy.

to a long, loose, and straight un-style when island-hopping with Greek shipping tycoon husband #2  Ari Onassis. (below).

Jackie and Ari Onassis in 1969, Jackie, in a festive summer print, and husband Aristotle Onassis leave an Athens nightclub at 7 a.m. after celebrating Jackie's 40th birthday.

Jackie Kennedy Onassis, in a festive summer print, and husband Aristotle Onassis leave an Athens nightclub at 7 a.m. after celebrating Jackie's 40th birthday, 1969.

Not that Jackie Kennedy’s hairstyles didn’t set fashion trends. Her 1961 inauguration hairdo, the bouffant, defined by the Oxford Dictionary, as [hair] “styled so as to stand out from the head in a rounded shape,” from the French word for ‘swelling,’ swept the nation in popularity. Her short, dark locks were teased, sprayed, and curled by her hairdresser, Mr. Kenneth of Lilly Dache, New York.

When Jackie Kennedy was First Lady (1961-1963), a rumor spread that she wore wigs from time to time, which Jackie’s spokespeople denied vehemently. Unfortunately, though, the rumor was proved true when sister-in-law Joan Kennedy blurted out in an interview:

“You know, Jackie talked me into wearing a wig. She has three of them, and she wears them a lot, especially for traveling. I tried one, but it just felt silly.”

Then, if it wasn’t her hair that defined the Jackie Kennedy look, perhaps it was her clothes. Consider her signature look…

 

First Lady Jackie Kennedy displays her trademark chic - pillbox hat, pearls, and stylish suit

First Lady Jackie Kennedy displays her trademark chic - pillbox hat, pearls, and stylish suit

formal, for day: the pillbox hat, pearls, the three-quarter length sleeves, the boxy Chanel suit jacket with A-line skirt

First Lady Jackie Kennedy at home in the White House. She is remembered for her love for all things French which found expression in her dedicated and loving restoration of the White House.

First Lady Jackie Kennedy at home in the White House. She is remembered for her love for all things tasteful (and French) which found expression in her dedicated and loving restoration of the White House.

 informal, for day: the sleeveless silk sheath accented by a single strand of pearls at the throat

on their way to a dinner with the French cultural minister, April 1962. Mrs. Kennedy wears a gown designed by Oleg Cassini.

First Lady Jackie Kennedy as she was dressed for dinner with the French cultural minister, April 1962. Mrs. Kennedy wears a gown designed by Oleg Cassini.

informal, for night: a fabulous gown by designers such as Oleg Cassini completed by elbow-length white gloves and a clutch bag

But these were Jackie’s looks from the White House years, when she posed, posture perfect like a princess, beaming a happy smile. But then her husband was murdered and Camelot was no more. Her life changed and, with it, her wardrobe.

After she married Onassis, she became “Jackie O” and was photographed strolling the streets of Europe, slumming in casual attire -sexy capri pants with flat, strappy sandals. After Onassis’ death, she moved to New York to become a book editor for Doubleday. When she was seen on the streets, she kept her head down to avoid recognition, ducking the press, hiding behind those ubiquitous, bug-eyed, dark glasses and sometimes concealing her famous head under a scarf.

Jackie O in 1975, the year her second husband Aristotle Onassis died

Jackie O in 1975, the year her second husband Aristotle Onassis died

No, the Jackie Kennedy Look can’t be summed up by pointing to a hairstyle or style of dress – they were too variable.  Granted, whether First Lady, international playgirl, New York socialite, or career publisher, Jackie Kennedy had style, to be sure, a strong fashion sense, showing up largely as a preference for clean, uncluttered lines and simplicity. But she had an indescribable personal quality, too, a  je ne sais quoi, the French would say, a quality that transcended all the changes she made to her wardrobe and hair – the quintessential Jackie O – that keeps us fixated on her well into another century.

What was it that made Jackie such an icon that we still want to look at photos of her, though she has been gone so long?

One need only consult the TV comedy “Seinfeld” for the answer to this little conundrum. In the 87th episode known as “The Chaperone,” character Elaine Benes (played by Julia Louis-Dreyfus) seeks a job at Doubleday as a book editor, following in the steps of Jackie Kennedy Onassis.

 Elaine does not get the job. Read the Seinfeld script below to find out why Elaine was rejected by Doubleday:

New scene – Elaine at her job interview at Doubleday with Mrs. Landis.

LANDIS: Of course, Jackie O. was a great lady. Those are going to be some tough shoes to fill. Everyone loved her. She had such…grace.

ELAINE (gushing): Yes! Grace!

LANDIS: Not many people have grace.

ELAINE: Well, you know, grace is a tough one. I like to think I have a little grace…not as much as Jackie –

LANDIS: You can’t have “a little grace.” You either have grace, or you…don’t.

ELAINE: O.K., fine, I have…no grace.

LANDIS: And you can’t acquire grace.

ELAINE: Well, I have no intention of “getting” grace.

LANDIS: Grace isn’t something you can pick up at the market.

ELAINE (fed up): All right, all right, look – I don’t have grace, I don’t want grace…I don’t even say grace, O.K.?

LANDIS: Thank you for coming in.

ELAINE: Yeah, yeah, right.

LANDIS: We’ll make our choice in a few days, and we’ll let you know.

ELAINE (stands up): I have no chance, do I?

LANDIS: No. <They shake hands.>

 

Elaine Benes (Seinfeld) has no grace.

Elaine Benes (from TV series" Seinfeld) has no grace. Jackie Kennedy Onassis had grace.

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For the past two years. Michael Jackson used an IV drug to put him to sleep.

For the past two years. Michael Jackson used an IV drug to put him to sleep.

From the Daily Mail online:

“Michael Jackson regularly received the anesthetic propofol on a drip and relied on it like an alarm clock, investigators have revealed.

A doctor would administer it when Jackson went to sleep, then stop the IV drip when the singer wanted to wake up, the unnamed official told the Associated Press.

On June 25, the day Jackson died, Dr. Conrad Murray gave him the drug through an IV sometime after midnight, the official said.

The official also provided a glimpse into how the pop star was living in the weeks before he died, describing the room in which Jackson slept in his rented Beverly Hills mansion as outfitted with oxygen tanks and an IV drip.

Another of Jackson’s bedrooms was a shambles, with clothes and other items strewn about and handwritten notes stuck on the walls.

One read: ‘Children are sweet and innocent.’

The temperature upstairs was stiflingly hot when authorities arrived at the singer’s house after his death.

Gas fireplaces and the heating system were on high because Jackson always complained of feeling cold, the official said.

A porcelain girl doll wearing a dress was found on top of the covers of the bed where he slept, the official said.

Police found propofol and other drugs in the home. An IV line and three tanks of oxygen were in the room where Jackson slept, and 15 more oxygen tanks were in a security guard’s shack, the official said.”

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The third week in July is set aside for the annual swan count along the Thames.

The third week in July is set aside for the annual swan count along the Thames.

“All swans – unmarked – in open water – belong to the [British] Crown, and have since the Twelfth Century,” says David Barber, Queen Elizabeth’s official swan marker for 16 years. Although, legally, the Queen retains ownership over all unmarked swans in the United Kingdom, the royal British monarch only exercises her rights over a 79-mile stretch of the Thames River. Barber’s job, with the help of a crew in boats, is to annually count the number of unmarked swans in the Thames. This tradition, called “swan-upping,” takes place over a 5-day period the third week in July.

Swan Upping Long Ago - the best way to tag a bird was to sit on it

Swan Upping Long Ago – the best way to tag a bird was to sit on it

 

The ritual [of swan upping] was first documented in the 12th Century, when the bird was a popular dish at medieval feasts. The monarchy laid claim to the birds, which were a valuable food commodity, and doled out ownership charters in exchange for favors. Up to the mid-1800s, swan marking was akin to cow branding: A unique mark, carved into the beak of a newborn cygnet, designated ownership by a specific, chartered family or organization.

Henry VIII reportedly enjoyed swan at his dinner table. Today, swan eating doesn’t go down so well with many Britons, who live in a country that Dr. Perrins describes as “bird oriented.” In 2005, the Master of the Queen’s Music, Sir Maxwell Davies, made headlines when he found a dead swan on his property and made a terrine of it. Mark McGowan, an activist artist, upset Britons when he ate swan in a performance protest against the queen in 2007.

A Swan Upping Boat on the River Thames in England

A Swan Upping Boat on the River Thames in England today

This week, Mr. Barber’s crew counted and weighed roughly 120 newborn swans. When they come upon a brood, the rowers yell “All up!” and surround the birds with their skiffs. After deftly bringing the swans aboard, the uppers temporarily tie them up.

“The best way is to sit on the bird,” said Robert Dean, a boat builder and three-year veteran of the royal crew, who stood on the Eton dock Monday morning with a bundle of swan ties holstered in his belt. Once the newborn swans are weighed and tagged with identification rings, they are entered into the log and released into the river.

For the swans, it is a painless affair — and it has helped save their lives. In the 1980s, swan upping records helped alert Dr. Perrins to a sharp decline in the swan population on the Thames caused by lead poisoning from fishing weights. After a successful campaign to ban the implements, the number of mute swans returned to normal — about 35,000 across the country today, Dr. Perrins said.

The identification rings used by the swan uppers also assist local rescuers, who use them to return injured birds to their broods after treatment. Swan Lifeline, a local agency that treats about 1,100 sick swans each year, cures common injuries from fishhooks and dog attacks, as well more exotic wounds, as when swans fly through greenhouses accidentally. Working closely with Swan Lifeline, Mr. Barber coordinates the removal of as many as 100 swans before the Henley Royal Regatta on the Thames.” (1)

Queen+Elizabeth+II+Attends+Annual+Swan+Upping+_XgDImnk-EXl

For the first time in her 57-year reign, Queen Elizabeth attended the launch party on July 20.

In the following youtube video, the Queen’s swan marker David Barber explains and demonstrates the practice of swan-upping.

(1) “In Her Majesty’s Service, Loyal Minion Courts,” The Wall Street Journal, July 24, 2009.

 

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In this rare 1930 footage, teacher Annie Sullivan shows how she taught the deaf/blind Helen Keller to speak:

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Gordon Waller (1945-2009)

Gordon Waller (1945-2009)

Gordon Waller, half of the rock duo, Peter and Gordon, that was part of the British Invasion of the Sixties, died Friday, July 17, 2009, in Norwich, Connecticut. He was 64 and lived in Ledyard, Connecticut. His death was announced on the official Peter and Gordon website.

Peter and Gordon were part of a wave of British bands that swept the United States following the success of the Beatles. They toured the United States and appeared on network variety shows, including “The Ed Sullivan Show.” In Gordon Waller’s obituary in The New York Times, writer Douglas Martin describes Peter and Gordon’s vocal harmonies as “reminiscent of the Everly Brothers to their own synthesis of folk, blues and rock ‘n’ roll.”

Jane Asher, sister of Peter Asher of Peter and Gordon. Jane Asher dated Sir Paul McCartney for five years until she tired of Paul's rampant infidelity.

Jane Asher, sister of Peter Asher of Peter and Gordon. Jane Asher dated Sir Paul McCartney for five years until she eventually tired of his rampant infidelity and broke off the relationship.

Although they recorded many successful songs, their most memorable is “A World Without Love” (1964). It was one of several written for them by Sir Paul McCartney. In October, 1963, Peter Asher and Gordon Waller had signed a record contract with EMI. At the time, Peter’s red-haired sister – the lovely Jane Asher – was dating Paul McCartney. Peter (age 19) and Gordon (age 18) asked Paul to give them a song. They knew he was in the middle of writing “A World Without Love” for the Beatles to record. Peter and Gordon asked Paul to finish the tune for them so they could record it. (1)

Peter and GordonIt was recorded on January 21, 1964, at Abbey Road with an arrangement by Geoff Love and production by Norman Newell. It was completed in 5 takes. The tune became a Top 10 hit in Britain, even displacing the Beatles’ own “Can’t Buy Me Love” on the pop charts. It was then issued in the United States on the Capitol label and became one of the top songs of the year. Two more McCartney songs that year brought Peter and Gordon added success: “Nobody I Know” and “I Don’t Want to See You Again.” Click below to watch the video of Peter and Gordon singing “A World Without Love.” Also visit Peter and Gordon at Peter and Gordon myspace to hear more of their music.

(1) The New York Times, “Gordon Waller, 64, a Partner in the Band Peter and Gordon.” Obituaries, July 21, 2009.

 

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France's First Lady, Carla Bruni, is also a singer, model, and actress. Her dating resume, prior to her marriage to French President Nicolas Sarkozy, includes rock stars Eric Clapton and Mick Jagger.

France's First Lady, Carla Bruni, is also a singer, recording star, model, and actress. Her dating resume, prior to her marriage to French President Nicolas Sarkozy, includes rock stars Eric Clapton and Mick Jagger.

From the BBC:

Carla Bruni, the wife of French President Nicolas Sarkozy, has taken part in a New York concert to celebrate the 91st birthday of former South African President Nelson Mandela.

Hosted by Whoopi Goldberg, the event at Radio City Music Hall also featured performances by Aretha Franklin, Wyclef Jean, Stevie Wonder, Alicia Keys and Will.I.Am.

Click below to hear Carla sing.

For more on Carla Bruni Sarkozy, you might enjoy reading this post: “Carla Bruni: Homewrecker?” and “Carla Bruni, Love Child.”

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Romeo wears a mask to disguise himself so he may enter his father's enemy's ball. Romeo is played with Leonard Whiting in Franco Zeffirelli's masterpiece film, "Romeo and Juliet," made in 1968 with Olivia Hussey starring as Juliet

Romeo wears a mask to disguise himself so he may enter his father's enemy's ball. Romeo is played by Leonard Whiting in Franco Zeffirelli's masterpiece film, "Romeo and Juliet," made in 1968 with Olivia Hussey starring as Juliet.

Yesterday, I cut my finger with a knife. My daughter asked me, “Is it bad, Mom?” I thought of the street fight scene from “Romeo and Juliet” when Mercutio gets wounded. Romeo says to Mercutio, “Courage, man. The hurt cannot be much.”

Read today’s post to discover Mercutio’s famous response.

“Romeo and Juliet” by William Shakespeare, 1595

Our story so far:  Sixteen-year-old Romeo Montague and his friends – in disguise – boldly crash a masquerade party at the home of Romeo’s father’s enemies, the Capulets. There Romeo meets and falls in love with an enchanting young lady. We know that it is Juliet, the 13-year-old daughter of Lord Capulet.

Romeo, watching Juliet dance, asks a servant her name:

“Who is that lady who gives richness to the hand of that knight by simply holding it?”

Unbeknownst to Romeo, Tybalt, Juliet’s cousin, hears Romeo’s voice and recognizes it as the son of his sworn enemy, Lord Montague. He swears revenge, although the ruler of the city has forbidden any more bloodshed between the two rival families.

Romeo approaches Juliet and they kiss. Romeo does not know that he was seen by Tybalt. Here is that scene from the 1968 Franco Zeffirelli version of “Romeo and Juliet.”

Several scenes later, the two lovers secretly wed.

Act III, Scene I. A public place…

Meanwhile, Romeo’s two best friends, Benvolio, a good-natured guy, and Mercutio, a sassy, hot-headed fellow, are bored, out walking the streets with nothing to do and missing their lovesick friend, Romeo.

Benvolio urges Mercutio to go inside. He senses that the Capulets also might be out, idly about, and up to no good. Neither Benvolio nor Mercutio know that Tybalt saw Romeo at the Capulet ball and has sworn to kill him but the street fighting between the two families has been a long-standing problem.  Benvolio pleads with Mercutio:

“I pray thee, good Mercutio, let’s retire. The day is hot, the Capulets abroad, and if we meet, we shall not [e]scape a brawl, for now, these hot days, is the mad blood stirring.”

An arrogant Mercutio laughs at Benvolio’s suggestion that he is a quarrelsome fellow and foolishly ignores his friend’s warning that trouble lies ahead….

Enter Tybalt and others.

Ben: By my head, here come the Capulets.

Mer: By my heel, I care not.

Tyb: [To his men] Follow me close, for I will speak to them. [To Mercutio and Benvolio] Gentlemen, good den. A word with one of you.

Mer: And but one word with one of us? Couple it with something; make it a word and a blow [a slash of your sword].

Tyb: You shall find me apt enough to that, sir, and you will give me occasion [good reason].

Mer: Could you not take some occasion without giving? [I’m sure you could find a reason without having it given to you].

Tyb: Mercutio, thou consortest [play around] with Romeo.

Mer: Consort? What, dost thou make us minstrels [silly musicians]? And thou make minstrels of us, look to hear nothing but discords [angry sounds].  Here’s my fiddlestick [sword]; here’s that shall make you dance. Zounds, consort! [By God’s wounds, Benvolio, do you hear these insults?]

Ben: We talk here in the public haunt of men. Either withdraw unto some private place and reason coldly of your grievances, or else depart. Here all eyes gaze on us.

Mer: Men’s eyes were made to look, and let them gaze. I will not budge for no man’s pleasure, I.

Enter Romeo who has just married Juliet. No one knows yet. He is now married to a Capulet and thus, unknown to Tybalt, his cousin by marriage.

Tyb: Well, peace be with you, sir. Here comes my man [meaning Romeo].

Mer: But I’ll be hanged, sir, if he wear your livery [uniform]. Marry, [Indeed], go before to field [leave town to fight], he’ll be your follower! Your worship in that sense may call him man.

Tyb: Romeo, the love I bear thee can afford no better term than this: thou art a villain. [villain is the nicest name I can call you, I hate you so.]

Rom: [not wanting to fight] Tybalt,the reason that I have to love thee doth much excuse the appertaining rage to such a greeting. Villain am I none. Therefore farewell. I see thou knowst me not. [as your cousin; you haven’t heard the news.]

Tyb: Boy, this shall not excuse the injuries that thou hast done me; therefore turn and draw.

Rom:  I do protest I never injured thee, But love thee better than thou canst devise till thou shalt know the reason of my love; And so, good Capulet, which name I tender as dearly as mine own, be satisfied.

Mercutio is incensed that Romeo returns Tybalt’s insults with loving words, so draws his own sword to defend Romeo.

Mer: O calm, dishonorable, vile submission! Alla stoccata [At the thrust] carries it away. Tybalt, you ratcatcher, will you walk?

Tyb: What wouldst thou have with me?

Mer: Good King of Cats, nothing but one of your nine lives….

Tyb: I am for you. [Draws.]

Rom: Gentle Mercutio, put thy rapier up.

Mer: Come, sir, your passado! [a forward thrust of the sword as the foot steps forward]

They fight.

Rom: Draw, Benvolio; beat down their weapons. Gentleman, for shame! Forbear this outrage! Tybalt, Mercutio, the Prince expressly hath forbid this bandying in Verona streets. Hold, Tybalt! Good Mercutio!

Romeo steps between them. Tybalt, under Romeo’s arm, stabs Mercutio. Tybalt runs away.

Mer: I am hurt. A plague o’ both your houses! [Curse the Capulets and Montagues.] I am sped [done for]! Is he gone and hath nothing?

Ben: What, art thou hurt?

Mer: Ay, ay, a scratch, a scratch. Marry, ’tis enough. Where is my page? Go, villain, fetch a surgeon.

The page exits.

Rom: Courage, man. The hurt cannot be much.

Mer: No, ’tis not so deep as a well, nor so wide as a church door; but ’tis enough, ’twill serve. Ask for me tomorrow, and you shall find me a grave man. I am peppered [mortally wounded], I warrant, for this world. A plague o’ both your houses! …Why the devil came you between us? I was hurt under your arm.

Rom: I thought all for the best.

Mer: Help me into some house, Benvolio, or I shall faint. A plague o’ both your houses! They have made worms’ meat of me. I have it, and soundly, too. Your houses!

Exit, supported by Benvolio. Mercutio dies.

 

Here is the fight scene from Zeffirelli’s 1968 film, “Romeo and Juliet.” The clip opens with a wet-haired Mercutio challenging Tybalt to a duel. Tybalt wears a red cap and orange vestments.

Readers: For more “Talk Like Shakespeare Today” posts, click here.

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Madame X at the Met

"Madame X" by American portrait painter John Singer Sargent, 1884

"Madame X" by American portrait painter John Singer Sargent, 1884

In the Metropolitan Museum of New York hangs a seven-foot tall portrait of a rather pale woman in a black velvet evening dress held up by sparkly straps. “Madame X” was painted by the American society painter John Singer Sargent.  The subject of the painting is Madame Virginie Gautreau, a professional beauty, who moved in the top tiers of Paris society and was often mentioned in the scandal sheets for her numerous dangerous indiscretions and passion for self-display. It was 1884 and Madame Gautreau was the Talk of Paris.

It was only a year earlier that John Singer Sargent had met her at a party. Once he laid eyes on her, he knew at once he must paint a portrait of her as an homage to her beauty – and a boost to his lagging career.  He felt that if he painted her, all Parisian society women would flock to his studio demanding that he paint their portraits. Sargent sent word to Madame Gautreau that she must sit for a portrait; she consented, realizing that a rising tide lifts all boats. She, too, needed the publicity to maintain her social superiority. Once they agreed, Sargent began to paint,  devoting himself to capture the “strange, weird, fantastic, curious beauty of that peacock-woman, Mme. Gautreau,” noted one observer.

Madame Gautreau was rumored to take great pains to be beautiful:

Gautreau achieved her affected, highly artificial look with hennaed hair, heavily penciled brows, rouged ears and powdered skin. She was rumored to mix her powder with mauve tint and to ingest arsenic wafers to make her skin more translucent, giving it even more of a bluish-purple tint.

Not all thought she was lovely to look at. She had her detractors. Some said her white pallor and icy charm made her resemble a cadaver.

"Madame X" is shown as it must have originally appeared

"Madame X" is shown as it must have originally appeared

The painting that hangs in the Met today, “Madame X,” however, is not the same Madame X as the one that Sargent painted in 1884 and exhibited in Paris. That image no longer exists. We can only speculate what it looked like. The painting shown to the right here is what it may have looked like. That original, the one exhibited in Paris in 1884, showed Madame Gautreau’s dress with the right strap suggestively falling off her shoulder. (Compare to the painting at the top, the one at the Met. Her right strap, you’ll notice, sits firmly in place.)

When exhibited in Paris, the painting “with the falling strap” created an instant sensation but not in the way Sargent and Gautreau had hoped:


No sooner had the doors of the Palais de l’Industrie in the Champs-Élysées opened on May 1, 1884, than a crowd gathered in front of ”Madame X.” People hooted and pointed the tips of their umbrellas and canes at the painting. ”Look! She forgot her chemise!*” was heard over and over again. The critics were no kinder. ”Of all the undressed women at the Salon this year, the most interesting is Madame Gautreau . . . because of the indecency of her dress that looks like it is about to fall off,” wrote a critic for L’Artist. (*A chemise is a woman’s undergarment, a smock, that is worn under clothing and next to the skin. In that day, a French lady always wore a chemise under a dress.)

The painting was considered too provocative; sex pervaded it. Not even an actress, it was remarked, would wear a dress that shockingly low-cut and snug! And that strap! A little imagination conjured up a scene in which a slight struggle with a lover might knock Madame X’s right strap completely off her shoulder leading to… ! Paris was abuzz with the scandal. Madame Gautreau’s mother demanded that Sargent withdraw the painting from the exhibit. He refused.

John Singer Sargent in Paris studio 1885 with the revised painting of Madame X

John Singer Sargent in Paris studio 1885 with the revised painting of Madame X

The painting, considered a beloved masterpiece today but pornographic by 1884 Parisian standards of decency, was trashed by the Paris critics so badly that Sargent, having lived in Paris for a decade then, was eventually forced to move to London to continue his profession. Sargent revised the painting to show the gown’s right strap securely in place. It is this retouched painting that hangs in the New York Metropolitan today.

Zip ahead to 1938 and the Upper East Side of Manhattan. Dorothy Hale was wearing her Madame X dress when she jumped to her death from her penthouse apartment. To learn more, read “Frida Kahlo: The Suicide of Dorothy Hale.”

"The Suicide of Dorothy Hale" by Frida Kahlo, 1938/39

"The Suicide of Dorothy Hale" by Frida Kahlo, 1938/39

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Michael Jackson 1984

one of the neat Michael Jackson shirts available on Epic Love site at Cafe Press. The symbols say: Peace, Love, Michael.

one of the neat Michael Jackson shirts available on Epic Love site at Cafe Press. The symbols say: Peace, Love, Michael.

Peace Love Michael

For you Michael Jackson fans, check out the following websites for cool stuff -shirts, buttons, & more in Michael’s memory.  They are designed by a clever young lady in Austin, Texas. Check out her site at Epic Love on Cafe Press, here:

www.cafepress.com/giftsofgrace/7120407

Other merchandise from this same artist can be found at:

http://www.cafepress.com/epiclove/6792430

Peace Love Michael Bear at Cafe Press on Epic Love

Peace Love Michael Bear at Cafe Press on Epic Love

Peace Love Michael messenger bag from Cafe Press at Epic Love

Peace Love Michael messenger bag from Cafe Press at Epic Love

Peace Love Michael mousepad

Peace Love Michael mousepad

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Quincy Jones with Michael Jackson 2001

Quincy Jones with Michael Jackson 2001

from the Sunday Mail online, July 5, 2009

Quincy Jones blasts Michael Jackson’s excuses for turning white

by Lauren Crooks

MICHAEL JACKSON’S mentor has blasted the star’s “bull****” excuses for turning himself white.

Quincy Jones said he never believed Jacko’s claims he was suffering from rare skin condition vitiligo which caused bleaching to his skin.

Jones – who produced some of Jackson’s greatest hits, including Thriller – said the King of Pop had many chemical peels because he was not happy with the way he looked.

He compared the troubled star’s lies to those of a drug addict.

Jones said: “He was the most gorgeous guy but he obviously didn’t want to be black. You see his kids? It’s ridiculous. Chemical peels and all. I don’t understand it.

“He’d come up with, ‘Man, I promise you I have this disease’ and ‘I have a blister on my lungs’. I don’t believe any of that bull****.”

Jones, 76, said while he worked with Jackson they often rowed about his lies and they reminded him of stars who made up excuses about more traditional addictions like alcohol and drugs.

He said: “We talked about it all the time, the chemical peels and stuff. I couldn’t talk him out of it.

“I’ve been around junkies all my life. I’ve heard every excuse.”

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