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British royal Prince William of Wales and his girlfriend Kate Middleton at the 2009 Audi Polo Match

Is Prince William of Wales finally going to propose to his girlfriend of nine years, Kate Middleton? Tina Brown, Editor-in-Chief of The Daily Beast, says so. She predicts the engagement will be announced by Buckingham Palace on June 3 or 4 of this year.

Kate Middleton – known as “Waity Katie”  in the British press – has dated Prince William since they met in 2001 at the University of St. Andrew’s in Scotland. They have been together almost continuously, even living together. (1)

Woolworth's High Street Store in Great Britain anticipated a 2007 royal wedding between Kate Middleton and Prince William of Wales. They were so sure a ceremony was imminent that they unveiled designs for mugs, thimbles, mouse mats, and even sweets bearing a picture of the Prince and his sweetheart in 2006. Unfortunately, Kate and William broke up shortly after this announcement and Woolworth's was forced to scrap this line of merchandise. It is unlikely the product line will be revived as William no longer resembles the 2006 photo. He no longer sports a boyish look as his hairline has receded considerably since then.

Tina Brown’s column has caused a surge in speculation, Brown, the famous ex-Vanity Fair and ex-New Yorker editor and best-selling biographer of William’s mother, Princess Diana, is known to have excellent sources in Buckingham Palace, although the Palace has denied her prediction. Nevertheless, British tabloids like The Daily Mail went nuts thinking about a royal wedding in the future with headlines like,

“She’ll Wear Diana’s Tiara!”

Diana, Princess of Wales (1961-1997), wears her Cambridge Love Knot Tiara

Americans got feverishly excited, too. People magazine put William and Kate on the cover last month under the headline, “The Next Princess!” Inside, was a report that William was overheard calling Kate’s father “Dad” while they were all on a ski holiday in the French Alps in March 2010. (2)

(2) “A Date for William & Kate?” USA TODAY, May 13, 2010.

Readers: You might also enjoy “Princess Diana’s Wedding Tiara.”  For more posts on the British Royal Monarchy, scroll down the right sidebar to “Categories”/”Royalty.”

Richard Burton and Elizabeth Taylor photographed on the set of “Cleopatra” in Rome. Life Magazine, April 13, 1962

During the 1962 filming of “Cleopatra” in Rome, Elizabeth Taylor and Richard Burton began a very public affair. The two were both married to other people at the time. The scandal made headlines worldwide and was met with moral outrage.

After five months in Rome, filming moved to the island of Ischia, Italy, off the Amalfi Coast, with the paparazzi in hot pursuit. It was on Ischia that the scenes on Cleopatra’s barge were shot. The following candid photos of Elizabeth Taylor sunbathing and swimming were taken by celebrity portrait photographer Bert Stern.

Elizabeth Taylor and Richard Burton relax in Ischia, Italy, in June 1962, during the filming of the "Cleopatra" barge scenes.

Elizabeth Taylor on location for "Cleopatra" off the coast of Ischia, Italy, June 1962

That same month, the Hollywood stars visited the neighboring island of Capri as guests of entertainer Dame Gracie Field at her exclusive hotel, La Canzone Del Mare. The hotel’s name – “Singer of the Sea” – is a reference to the incredible view over the rocks below where the mythological sirens were said to have lured sailors to their deaths. The photo shown here is being shown publicly for the first time in an auction of Field’s scrapbooks

Elizabeth Taylor and Richard Burton arrive on the island of Capri in June 1962. The screen stars, who were both married, were guests at Dame Gracie Field’s exclusive hotel on Capri, La Canzone Del Mare.

 

Rumours of their relationship had been sizzling since filming of Cleopatra began the year before, but exploded that June when the scandalised Vatican accused them of ‘erotic vagrancy’ and the U.S. government threatened to ban them from the country. In the photograph, however, they look as though they haven’t a care in the world as they stroll side by side to the waterfront, him holding a cigarette in a casual white top and trousers, Taylor standing beside him in a one-piece bathing suit and cap, their hands almost brushing together.”

After the picture “Cleopatra” was completed filming the next month (July 1962), Taylor and Burton would continue their off-screen romanace. Another two and a half years would elapse before they would divorce their respective spouses and be free to marry one another. After their March 1964 wedding in Montreal at the Ritz Carlton, “the Burtons” would continue to captivate the public’s attention for the rest of the sixties, grabbing headlines, making movies together, throwing glamorous parties, having nasty public arguments, buying ridiculously large and expensive jewels and yachts, jetting here and there, and hobnobbing with royalty like the exiled Duke and Duchess of Windsor and other glitterati. 

But by 1970, the glitter had worn off the golden couple. Their endless and needless spending and self-indulgence were wearisome and tacky. Their film reviews were terrible and their relationship was worse. They made each other miserable. They were in bad health. Both drank heavily and Elizabeth liked pills.  They would divorce each other only to remarry, then divorce again.   

Readers: For more on Elizabeth Taylor, click here.

American author and humorist Samuel Langhorne Clemens, well-known by his pen name of “Mark Twain,” served as a steamboat pilot on the Mississippi River until the American Civil War broke out in 1861. The Mark Twain image shown here adorns an early Twentieth Century cigar box. Mark Twain was beloved and enjoyed public goodwill all his days.

 I used to have a notion that there was only one place in the world where I could write,” American author Mark Twain once told a friend, “That was Elmira, where I used to spend all my summers. But I’ve got over that notion now. I find that I can write anywhere.” (1) 

Anywhere meant exactly that: anywhere. Twain didn’t even require a desk to write. As it turns out, Mark Twain (1835-1910), also known as Samuel Clemens, did a good deal of his writing in bed. Unlike many other authors who complained of the difficulty of the writing process, Twain did not find creative work difficult. 

Just try it in bed sometime. I sit up with a pipe in my mouth and a board on my knees, and I scribble away. Thinking is easy work, and there isn’t much labor in moving your fingers sufficiently to get the words down.” (1) 

In his old age, Mark Twain was often photographed in his heavenly bed, smoking away on a cigar or a pipe and writing.

Mark Twain writing in his heavenly bed.

While Twain had many houses in his lifetime and all of them special, he had but one favorite bed, which he kept with him all of his life.  He had bought it in 1878 in Venice, Italy, when he and his wife Olivia were furnishing their ridiculously- expensive three-story Victorian palace in a Hartford, Connecticut neighborhood known as “Nook Farm.” 

The Mark Twain House in the Hartford, Connecticut, community known as "Nook Farm." Mark Twain said of this house, "To us, our house . . . had a heart, and a soul, and eyes to see us with." (Mark Twain Wrote (and Smoked!) in Bed," Lisa's History Room)

The master bedroom at Nook Farm occupied its own wing on the second floor. The massive Venetian oak bed dominated the room. The bed was heavy and made of carved oak. It featured: 

a headboard carved into a bas-relief of cupids, nymphs and seraphs, the six-wing angels who guard God’s throne. [Twain] claimed he found it so sublime he had put the pillows down at the foot of the bed and slept backward so that this heavenly vision of worldly success would be the first thing he saw every day when he awoke.” (2) 

Mark Twain's carved oak bed. ("Mark Twain Wrote (and Smoked!) in Bed," Lisa's History Room)

It was in this bed that Twain died. (3) The bed remains the most famous furnishing of the Mark Twain House in Hartford, Connecticut. This house proved so costly to furnish and maintain that it drove Twain into bankruptcy in 1891. He was forced to go on tour in Europe to raise funds.

Mark Twain and family at Nook Farm

However foolhardy the house was, it was during those spendthrift years at Nook Farm that Twain wrote many of his best-known and most-loved works, probably while smoking in his favorite heavenly bed: 

  • The Adventures of Tom Sawyer (1876),
  •  The Prince and the Pauper (1881),
  •  Life on the Mississippi (1883),
  •  Adventures of Huckleberry Finn (1884), and
  • A Connecticut Yankee in King Arthur’s Court (1889). (2)

(1) “How Mark Twain Writes in Bed. The New York Times, April 12, 1902. 

(2) Wolfe, Tom. “Faking West, Going East.” The New York Times, April 24, 2010.
(3) Power, Ron. Mark Twain: A Life. New York: Free Press, 2005.

Elizabeth Taylor and Richard Burton tie the knot in Montreal on March, 1964.

Since they began their affair on the movie set of “Cleopatra” in January, 1962, Richard Burton delighted in giving bride Elizabeth Taylor extravagant jewels.

The Taylor-Burton Diamond

One of the most famous pieces Burton gave Taylor is the pear-shaped, 69.42 carat Taylor-Burton Diamond. Fifth husband Richard Burton bought the diamond from Cartier in 1969 after a Sotheby’s auction, paying over $1 million for it. Burton agreed to allow the jeweler to display the jewel for a limited period in New York and Chicago, beginning on November 1. Crowds of more than 6,000 a day circled the store’s Fifth Avenue shop in New York to “gawk at a diamond as big as the Ritz.”

Meanwhile, Taylor had Cartier remount the stone as a pendant suspended from a V-shaped necklace of graduated pear-shaped diamonds, mounted in platinum. Elizabeth admitted that even for her the Cartier Diamond – now called the Taylor-Burton Diamond – was too big to wear as a ring.

The Taylor-Burton Diamond hangs from a diamond necklace created by Cartier.

Elizabeth is no stranger to heavy rings. She wears the Krupp Diamond on her left hand almost every day and has worn it in most if not all of her films and TV appearances since she bought it in 1968 for $305,000. The stone weighs 33.19 carats.

Liz Taylor's everyday ring: The Krupp Diamond

The Krupp Diamond, Liz Taylor’s everyday ring

Elizabeth chose to debut the Taylor-Burton Diamond at Princess Grace of Monaco’s  fortieth birthday bash at L’Hermitage in Monte Carlo. Princess Grace, formerly known as film star Grace Kelly (1929-1982), who would officially turn 40 on November 12, 1969, wanted to share this special occasion with sixty of her closest friends. Many of them were celebrities she knew from her film days like Rock Hudson, the Taylor-Burtons, and David and Hjordis Niven.

Film star Grace Kelly marries Prince Rainier III of Monaco in Monte Carlo, April 1956 and becomes Her Serene Highness The Princess of Monaco.

Princess Grace’s invitations were designed like horoscopes and the party was to have a Scorpio theme – as that was Grace’s astrological sign. Grace was a lifelong believer in astrology, and often called a Hollywood astrologer for a personal daily horoscope. (1)

Princess Grace of Monaco (center) is flanked by her 2 sisters on the day of her fortieth birthday party. Monte Carlo, Monaco. November 15, 1969.

Meanwhile, Elizabeth Taylor (b. 1932) planned her big entrance to Princess Grace’s party. Aside from choosing her wardrobe and hairstyle, she and Richard decided that the Taylor-Burton Diamond required more then ordinary security:

First, the diamond was flown from New York to Nice in the company of two security guards, who delivered it to Elizabeth Taylor and her husband aboard their yacht, the Kalizma. The Burtons were then escorted to the party with their security guards, who were armed with machine guns as added protection.” (2) 

Richard Burton and Elizabeth Taylor arrive at Princess Grace’s 40th birthday party, Monaco, November, 1969. Notice that Liz Taylor wears a robe in keeping with the party’s Scorpio theme, the Princess’s astrological sign. On her left hand she wears the Krupp Diamond. The necklace pendant is the Taylor-Burton Diamond. November, 1969 (“Bling-Bling, Bang-Bang: Elizabeth Taylor Attends Princess Grace’s Scorpio Ball,” Lisa’s History Room)

Princess Grace of Monaco with Richard Burton at her 40th birthday party, Monaco, November 1969

Princess Grace of Monaco, 1969

Although it was Grace’s birthday, Elizabeth Taylor clearly upstaged the princess, dazzling all the guests with her new jewel and her beauty. After the ball, Grace wrote friend Judy Balaban Quine that she found it hard to take her eyes off Elizabeth, whom she considered

 “unbearably beautiful.”

Turning forty, added Grace, was equally unbearable. (1)

Richard Burton escorts wife Elizabeth Taylor to the April 1970 Academy Awards. Elizabeth wears the Taylor-Burton Diamond necklace and an Edith Head chiffon gown.

After the Taylor-Burton divorce in 1978, Elizabeth sold the diamond for $5 million, pledging to use part of the profit to build a hospital in Botswana (which, my mother tells me, blew away).

(1) Glatt, John. The Royal House of Monaco: Dynasty of Glamour, Tragedy, and Scandal. New York: St. Martin’s Press, 1997.
(2) Taylor, Elizabeth. Elizabeth Taylor: My Love Affair with Jewelry. New York: Simon & Schuster, 2002.

American actress Grace Kelly looks over her shoulder in Hollywood, California, March 1954. In April 1956, Kelly married Rainier III, Prince of Monaco, and became Her Serene Highness the Princess of Monaco. (“Grace Kelly: Floating on Chiffon,” Lisa’s History Room)

I was so excited to read in Vanity Fair that London’s Victoria & Albert Museum was featuring an exhibition of Grace Kelly‘s clothes. What a treat! I thought. Imagine all those beautiful 1950s dresses designed for actress Grace Kelly (1929-1982) together in one place. Of course I couldn’t get to London, I knew; I was recovering from spine surgery and we were building an addition to our house.

But what did that matter? I had my computer. With a few keystrokes and mouse clicks, I could cyber fashion stroll. I just assumed the V & A Museum would put the collection online as they had done with Queen Victoria and Prince Albert‘s jewelry collection. (See “Victoria & Albert: Art & Love & Teeth”)

I jumped to the museum website and found the exhibition: “Grace Kelly: Style Icon.” I got even happier after I read the promising blurb:

“Featuring dresses from her films including ‘High Society’ and ‘Rear Window,’ as well as the gown she wore to accept her Oscar in 1955, the display will examine Grace Kelly’s glamorous Hollywood image and enduring appeal.

It will also explore the evolution of her style as Princess Grace of Monaco, from the outfit she wore to her first meeting with Prince Rainier in 1955 to her haute couture gowns of the 1960s and ’70s by her favourite couturiers Dior, Balenciaga, Givenchy and Yves St Laurent.”

But much to my chagrin, I discovered that the exhibit is not posted online at the V & A. I was, at first, incredibly disappointed. In a mad haste, I scoured the Internet for images of the fashion display on newssites and blogs. I found a lot of articles but precious few images of the actual exhibit. But what I did find told a lot. To illustrate a point, here are two of those V & A showcase windows:  

A mannequin displays the dress Grace Kelly wore in “The Swan.” (1956) The exhibit, “Grace Kelly: Style Icon,” is at the Victoria & Albert Museum in London from April 17- September 26, 2010

The exhibition at the Victoria & Albert Museum in London, “Grace Kelly: Style Icon,” includes dresses worn by Grace Kelly after she became Princess Grace of Monaco in 1956.

Yawn. Pretty dry stuff, huh? Dresses on mannequins have no sparkle. What they needed was Grace Kelly.

Grace Kelly as Lisa Fremont in Alfred Hitchcock’s 1954 thriller, “Rear Window.” (“Grace Kelly: Floating on Chiffon,” Lisa’s History Room)

So instead of trying to catalog for you all the dresses in the V & A, I have picked my personal favorite and shown it as worn by the eternally beautiful Grace Kelly. It is the Paris dress she wore as sophisticate Lisa Carol Fremont in the 1954 Alfred Hitchcock classic, “Rear Window.”

The dress with a fitted black bodice and deep V-cut bustline was designed for Kelly by Paramount Picture’s chief costume designer Edith Head. The full skirt falls to mid-calf, gathered and layered in white chiffon and tulle. From the nipped-in waist, a spray branch pattern falls playfully over the hip. Grace accessorized her high-fashion gown with white silk gloves, pearls, and a chiffon shoulder wrap.

To read the “Rear Window” script excerpt wherein “Lisa-Carol- Fremont” enters Jimmy Stewart‘s apartment wearing this outfit, click here.

Grace Kelly sits on steps in her “Paris” dress she wore in Alfred Hitchcock’s 1954 “Rear Window.” The gown had a light & airy quality with a slender waist and a beautiful skirt made from yards and yards of tulle and chiffon. The black and white confection was created by Paramount Pictures costume designer Edith Head. (“Grace Kelly: Floating on Chiffon,” Lisa’s History Room)

For more on Grace Kelly, click here.

"Benjamin Franklin," by Charles Willson Peale, 1785. Franklin was alive when Peale painted this portrait; he would live another 5 years, dying in 1790 at the age of 84. Franklin wrote a mock epitaph for himself in doggerel verse. (Lisa's History Room)

At the age of 28,  Benjamin Franklin wrote this mock epitaph. (1) Over the years, he wrote different versions and passed them out to friends. 

The Body of

 B. Franklin, Printer;

Like the Cover of an old Book,

Its Contents torn out,

And stript of its Lettering and Gilding,

Lies here, Food for Worms.

But the Work shall not be wholly lost:

For it will, as he believ’d, appear once more,

In a new & more perfect Edition,

Corrected and amended

By the Author. 

It is interesting to note that Franklin (1706-1790) – Founding Father of the United States of America, foreign diplomat, statesman, author, soldier, scientist, author, inventor, printer – a true Renaissance man, a polymath – chose to refer to himself simply as a “printer” and liken his dead body to an old book:

“The Body of B. Franklin, Printer; Like the Cover of an old Book, Its Contents torn out, And stript of its Lettering and Gilding, Lies here, Food for Worms.”

Benjamin Franklin loved books. He was very smart. Soon after he learned how to talk, he taught himself how to read. It soon became his favorite pasttime. (2) But there were no lending libraries in his hometown of Boston. There were ten bookstores there, but books were expensive and hard to come by, as most of them came from Europe. And there were really no children’s stories. Benjamin’s father – a soap and candle maker – did not have many books at home, only serious religious diatribes and the Bible. No matter; Benjamin read them anyway. 

Engraving based on "The Young Franklin" by E. Wood Perry, showing Benjamin Franklin working a press in his brother's shop in Boston where he worked from 1718-1723.

Because Benjamin was so bookish, his father apprenticed him to a printer – Benjamin’s brother, James. At age 12, Benjamin reluctantly signed a contract to work for nine years, in exchange for room, board, and a little salary. Although he hated working for James, printing turned out to be Benjamin’s true calling. In the print shop, he came into contact with citizens who had private libraries in their homes. He made friends with these men and borrowed their books. He formed friendships with other “bookish lads.”

He also read books that were freshly printed in his brother’s shop. At the end of a workday, Benjamin often would take the new books home with him and stay up all night reading. The next day, he handed them over to customers, fresh and clean, none the worse for wear.

Benjamin read a book on vegetarianism and decided to become a vegetarian. In this way, he learned to eat cheaply –

“no more than a biscuit or a slice of bread, a handful of raisins, or a tart from the pastry-cook’s, and a glass of water…” (3)

 so he could spend part of his food allowance on books and thus build a book collection of his own. He wrote:

“From a child I was fond of reading, and all the little money that came into my hands was ever laid out in books.” (3)

At age 17,  Benjamin was tired of working for his brother James and ran off to Philadelphia, seeking a fresh start in a new city. He found work as a printer and formed a circle of friends who liked to argue and read books. The group was called the Junto. It was through the Junto that, in 1731 in Philadelphia, Franklin founded the first subscription library in America.

(1) Autograph ms: Yale University Library

(2) Adler, David A. B. Franklin, Printer. New York: Holiday House, 2001.

(3) The Autobiography of Benjamin Franklin.

Imelda Marcos (b. 1929), “one of the ten richest women in the world” (Cosmopolitan magazine, December, 1975)

In December, 1975, Cosmopolitan magazine named Imelda Marcos, the First Lady of the Phillippines, as one of the ten richest women in the world. It even went a step further and speculated that Imelda was perhaps the richest woman in the world, richer than Queen Elizabeth II of Great Britain.

Everyone knew Imelda was rich; she made sure of that. She had an insatiable desire for expensive things and flaunted them. No one at the time really knew where she got all the money that she spent so impulsively. She was, after all, unemployed and had no independent wealth. In addition, her husband, the dictator, Ferdinand Marcos, had made less than $5,000 a year for the last ten years in office.

Nonetheless, there was Imelda, spending $40,000 on a Honolulu shopping spree in 1974, without trying anything on. Her excess knew no limits and she spared herself no luxury:

“Another report had Imelda and a gaggle of friends demanding Bloomingdale’s in New York be closed for a private shopping extravaganza, then marching through the store pointing to desired items and saying, ‘Mine. Mine. Mine. Mine.’”(1) She was referred to by one sales clerk as ‘the Mine Girl.’

Imelda Marcos from a Vanity Fair interview, 2007

Imelda Marcos from a Vanity Fair interview, 2007

Responding to criticism of her self-indulgence and the spending of public money for high-profile projects that did nothing to alleviate the poverty of the Filipinos, Imelda remarked that is was her “duty” to be “some kind of light, a star to give [the poor] guidelines.”

By 1981, Imelda’s personal popularity was at an all-time high. She jetsetted around the globe, shopping and hobnobbing with celebrities such as the perennially-tanned American actor George Hamilton.

After having secured the Miss Universe Pageant for the Philippines in 1974 – which necessitated the rapid construction of the 10,000-seat Folks Art Center – Imelda continued to indulge her “edifice complex,” building 14 luxury hotels, a multimillion-dollar Nutrition Center, Convention Center, Heart Center and, in 1981, the infamous Manila Film Center.

Imelda Marcos designed the Manila Film Center after the Greek Parthenon, shown here.

Imelda wanted Manila to rival Cannes as a world film capital. At the cost of $25 million, Imelda approved plans for the Manila Film Center to be built to host an international film festival. Opening night was set for January 18, 1982. The project was grandiose and expensive; the building on Manila Bay was designed to look like the Parthenon.

Delays hampered the progress. As the deadline drew nearer, it required 4,000 workers, working in 3 shifts, around the clock, if the building was going to be ready.

Then, at 3 a.m. on November 17, the upper scaffold collapsed and sent workers falling into wet cement. A witness said that some of the workers were impaled on upright steel bars.

Imelda was contacted about the accident. She was told that the recovery of the bodies would take alot of  time – time, evidently, that Imelda didn’t want to give up. She ordered the construction to continue as planned and that the bodies – maybe as many as 169 – be covered with cement. It is believed that many of those who fell into the cement may have been buried alive.

The full story has never been told, as news crews, rescuers, and ambulance teams were barred from the scene for nine full hours, while the government, under martial law, prepared its official version of events, censoring all news and silencing all witnesses.

Despite all, the festival opened on schedule on January18, 1981, and had among its guests Brooke Shields, Franco Nero, Ben Kingsley, and Robert Duvall. The first film shown in the theater was the tasteful bioepic, “Gandhi.”  Unknowingly, the stars partied atop a mausoleum of dead workers.

Brooke Shields (b. 1965) was only 16 years old when she traveled to Manila for the international film festival as the guest of First Lady Imelda Marcos.

“During opening night, Imelda ‘strode on stage in a Joe Salazar black and emerald green terno with a hemline thick with layer upon layer of peacock feathers.’ “Some said there were diamonds embedded in the skirt.

The next year, as a result of the accident scandal, the government withheld $5 million in festival funding. Imelda was in a fix. She had to pay for the festival somehow, so she ran pornography films in the festival’s second and, understandably, last year.

(1) Klaffke, Pamela. Spree: A Cultural History of Shopping.

Readers: For more on Imelda and Ferdinand Marcos on this blog, click here.   

A close-up of Imelda Marcos looking into a gold-plated compact mirror, her first name encrusted in diamonds. Called the ‘Steel Butterfly,’ Imelda Marcos was the beautiful wife and confidante of Philippine dictator Ferdinand Marcos. The Marcos regime (1965-86) was marked by notorious corruption, political repression, and financial improprieties of the highest order.

For other resources, click here.

 

Typhoid Mary

Mary Mallon (1869-1938) was nicknamed "Typhoid Mary," and gained notoriety as history's most famous super-spreader of disease. ("Typhoid Mary," Lisa's History Room)

Yes, there really was a Typhoid Mary. She was Mary Mallon (1869-1938) an Irish immigrant who cooked for wealthy New York families. She is history’s most famous super-spreader of disease.  

Mary Mallon was first caught in 1906 when a sanitary engineer was hired to investigate a typhoid outbreak at Oyster Bay, Long Island. Six members of banker Charles Henry Warren’s household had fallen dangerously ill. Warren hired George Soper to discover the source of the contamination before the highly-contagious and deadly disease spread across the privileged enclave of Oyster Bay. (1)  Oyster Bay was the site of Sagamore Hill, known as “the Summer White House” of President Theodore Roosevelt from 1902-1908.

George Soper took his assignment very seriously. He first checked the household plumbing. He put dye in the toilet to see if it contaminated the drinking water. It didn’t.  He checked the local shellfish to see if the bay was polluted with sewage. It wasn’t. He examined the milk supply in case it was contaminated. It, too, was free of bacteria. (2)   

Next, he interviewed the staff. He found that the family had changed cooks on August 4th, when Warren had hired Mary Mallon. Shortly after Mary began as cook, Soper was informed, she had served the household a favorite dessert for Sunday dinner: ice cream topped with freshly-cut peaches

"Typhoid Mary" Mallon served homemade ice cream and freshly-cut peaches to the Warren household before six of them were sickened.

"Typhoid Mary" Mallon served homemade ice cream and freshly-cut peaches to the Warren household. ("Typhoid Mary," Lisa's History Room)

On August 27, Warren’s daughter, Margaret, fell ill with typhoid fever. Next, Mrs. Warren and two maids became ill, followed by the gardener and another of the Warrens’ daughters.  

Knowing that typhoid typically goes from exposure to outbreak in three weeks’ time, Soper had Clue #1: The epidemic had begun with the arrival of the new cook. If his suspicion was correct, Mary Mallon was a carrier who had passed on the disease when preparing the peaches with unscrubbed hands.  

Unfortunately, when Soper made this astonishing discovery, Mary no longer worked at the Warrens’. Undeterred, Soper set out to find her. Checking with her employment agency, Soper discovered a second and even more astounding truth:  Typhoid had struck seven of the last eight families Mary had worked for. Mary Mallon was spreading typhoid in her path – and she had to be stopped.

But, first, Soper had to prove scientifically that Mallon was a carrier.  

This 1883 Puck drawing shows the New York City Board of Health wielding a bottle of the disinfectant, carbolic acid, in an attempt to keep cholera at bay. Immigrants poured into New York City at the turn of the Twentieth Century. Crowded into unsanitary slums, disease ran rampant. By 1890, the era of bacteriology had arrived and scientists understood that diseases like typhoid and cholera arose from germs. Efforts were made to not just clean up the cities but isolate the disease carriers. ("Typhoid Mary," Lisa's History Room)

Mary was difficult to find, but Soper tirelessly tracked her down. Rather overzealously, he  

“confronted her in her next employer’s kitchen and asked for blood, urine, and stool samples; she swore she had never been sick and advanced on him with a carving fork. He called in the New York City health department; she threatened its doctor.  

Finally, it took five police officers and a chase over backyard fences to subdue her and get her a hospital. High levels of Salmonella typhosa bacilli were found in a stool sample. She was quarantined in a cottage on the Riverside Hospital grounds on an island in the East River.”  (1)

Mary Mallon - "Typhoid Mary" - in quarantine on North Brother Island in the East River

Mary Mallon was a medical prisoner. She had been jailed without a trial. Although she was a carrier of typhoid, she was perfectly healthy. She had been shut up in a sanitarium with tubercular patients. She had been treated like a leper.  

She sued. People felt sorry for her. Not everyone felt her imprisonment was deserved. In time, she went from Public Menace #1 to a cause célèbre.  

Part of the New York American article of June 20, 1909, which first identified Mary Mallon as "Typhoid Mary."

“Eventually, a new health commissioner decided that Mallon could be freed from quarantine if she agreed to no longer work as a cook and to take reasonable steps to prevent transmitting typhoid to others.  

 Eager to regain her freedom, Mallon accepted these terms. On February 19, 1910, Mallon agreed that she “[was] prepared to change her occupation (that of cook), and w[ould] give assurance by affidavit that she w[ould] upon her release take such hygienic precautions as w[ould] protect those with whom she c[ame] in contact, from infection.”   

She therefore was released from quarantine and returned to the mainland.” (3)  

But, alas and alack, that’s not the end of the story. For a while after her release, Mary kept her word and worked as a laundress, which paid lower wages than a cook.  It was not long afterward, though, that she adopted an assumed name – Mary Brown – and went back to work as a cook. 

In 1915, while working as a cook at New York’s Sloane Hospital for Women, she infected 25 people, one of whom died. The typhoid bacteria was traced to a pudding Mary had prepared. She was subsequently arrested and returned to quarantine on the island, where she was confined until her death in 1938.  

The cottage on North Brother Island in New York's East River where Mary Mallon, better known as "Typhoid Mary," was quarantined (1907-1910; 1915-1938).

Mary Mallon (wearing glasses) photographed with bacteriologist Emma Sherman on North Brother Island in 1931 or 1932, over 15 years after she had been quarantined there permanently. She worked at the facility and her lab coat was reported to be filthy. (Typhoid Mary: An Urban Historical by Anthony Bourdain)

(1) “The Deadly Trails of Typhoid Mary,” by Donald G. McNeil, Jr. The New York Times, April 14, 2003.  

(2) “The Most Dangerous Woman in America,” NOVA, aired Oct. 12, 2004.

J

Justine Lévy, the French author of "Nothing Serious" (titled "Rien de Grave" in France,) a thinly-veiled fictional account based on Ms. Lévy’s bad encounter with husband-stealer Carla Bruni, whom she calls "The Terminator."

“On Wednesday evening, Sept. 21, 2005, the designer Diane von Furstenberg hosted a cocktail party in honor of Justine Lévy, the author of Nothing Serious (titled Rien de Grave in France), a roman à clef based on Ms. Lévy’s recent, sensational personal life.

Ms. Lévy, 31, is the dewy daughter of the French celebrity-philosopher Bernard-Henri Lévy, and her book whipped up quite a scandal in France, illuminating certain universal truths about men, women and sex, and even jostling The Da Vinci Code from the best-seller list in the process.

…Ms. Lévy had a rather tragic encounter with the supermodel-cum-chanteuse Carla Bruni—the Angelina Jolie of Europe.

Ms. Lévy was married to a rising philosopher named Raphaël Enthoven, who was the son of her father’s best friend, Jean-Paul. She had a late-term abortion at the insistence of her career-obsessed husband and went through a messy two-year addiction to amphetamines.

That was before Ms. Bruni arrived on the scene. Ms. Bruni had somewhat of a home-wrecking reputation and was credited in the press with causing Mick Jagger’s split from his wife. In 2003, she remade herself into a pop singer and won the 2004 Victoires de la Musique in France.

Carla Bruni sings at the 2004 Victoires de la Musique in France

She was also, at one point, the mistress of Ms. Lévy’s father-in-law. She dumped the father for the son [Raphaël], shattering Ms. Lévy’s Raphaël Enthoven Jr. were married and have a son, Aurélien, born in 2001.]

Carla Bruni, former husband Raphaël Enthoven, and their son, Aurélien, circa 2003-2004

Nothing Serious, …published … by Melville House, is a fictionalized version of this story, with characters thinly disguised through pseudonyms. Of the Ms. Bruni–type character, the book’s femme-bot ‘Paula,’ Ms. Lévy writes:

‘I thought she was beautiful and dangerous with that immobile face, as if sculpted out of wax, when she smiled her bones sort of moved to reveal her teeth …. I thought she was beautiful and bionic, with the look of a killer,”’referring to her as the ‘Terminator.”

…(of Bruni, Lévy said):

 ‘If I see her, I kill her.’ “(1)

(1) Kolhatkar, Sheelah.  “It’s A Chattefight As Novelist Levy Nips Carla Bruni”. The New York Observer, October 2, 2005.

Italian model Marpessa, Prince Dimitri of Yugoslavia, Carla Bruni, and Cindy Crawford at a Versace gala, 1992. Photo: Marina Garnier

Back in 1992, Carla Bruni (b. 1967) – First Lady of France, Italian heiress, international supermodel, singer – was romantically linked to Rolling Stones rocker Mick Jagger.

Jerry Hall and Mick Jagger

Jerry Hall and Mick Jagger

At the time, Jagger was married to supermodel Jerry Hall, who blamed Carla for the breakup of her marriage.

“Hall is said to be so jealous of Bruni that at a rock concert in London this summer she poured a mug of beer on Jean Pigozzi’s head and drove him from the backstage V.I.P. area, accusing him of having entertained Mick and Carla at his Cap d’Antibes compound.” (1)

Nevertheless, when interviewed by Bob Colacello of Vanity Fair that November, Bruni vigorously denied having an affair with Mick, although the press and close friends confirmed the affair.

At the time of the interview, Carla was flying high as an international supermodel, making over a million dollars a year. She had been on the covers of Harpers & Queen, Italian Elle, and Marie Claire, and was seen that month gliding down about 70 runways at the Paris, Milan, and New York ready-to-wear collections.

The video clip below shows Carla Bruni (Sarkozy) on the runway 1991-1995. Fashion designers featured include Dior, Versace, Chanel, Chantal Thomas.

Before Jagger, Bruni had been linked romantically linked to Donald Trump (when married to Marla Maples) and Eric Clapton.

Carla Bruni and Eric Clapton at a benefit for rain forests about 1992.

Clearly, the publicity had not hurt her career, Bruni confessed to Vanity Fair:

“‘A knife has two sides, the good side and the bad side. The good side is that the publicity is going to bring me more work and more money. The bad side is that it hurts….

Maybe I can get a subscription to scandals. Once a year. Every time my modeling rate goes down. Whom am I going to get next year? Hmmm.'”(1)

(1) Colacello, Bob.  “La Dolce Carla.” Vanity Fair, November, 1992.

Readers: For more on Carla Bruni, click here.

Queen Victoria at her Golden Jubilee, 1887. Note the tiny crown atop her mourning veil.

In my previous post, “Queen Alexandra’s Royal Bosom,” I mention that Queen Victoria refused to wear a crown to the Thanksgiving service at Westminster Abbey that was part of her Golden Jubilee celebration in June, 1887. She did, however, consent to wear a crown for her official Jubilee photograph (shown here), which we may assume she wore to the banquet celebrating her 50 years on the British throne. Fifty European Kings and princes and the American author Samuel Clemens (AKA Mark Twain) attended.

After her husband Prince Albert’s death in 1861, the Queen had largely disappeared from public view. She had vowed to publicly mourn her husband until her death and wear nothing but black widow’s weeds and her white lace mourning veil. In 1870, under government pressure, Victoria began to appear in public again. But she refused to wear her Imperial State Crown again, for several reasons. Chiefly, it was too big and heavy and was impossible to wear with her mourning veil.

The Imperial State Crown of Great Britain worn by Queen Victoria at her coronation. It includes a base of four crosses pattée alternating with four fleurs-de-lis, above which are four half-arches surmounted by a cross. Inside is a velvet cap with an ermine border. The Imperial State Crown includes several precious gems, including: 2,868 diamonds, 273 pearls, 17 sapphires, 11 emeralds, and 5 rubies.

Queen Victoria shown wearing the Imperial State Crown at her Coronation, 1837

Consequently, a new crown, a small one, was designed for the Queen. It sat atop her mourning veil. The Queen was satisfied and so was the government. Wearing the tiny crown atop her veil allowed her to look like both a widow and a queen.

“The crown followed standard design for British crowns. It was made up of four half-arches, which met at a monde, on which sat a cross. Each half-arch ran from the monde down to a cross pattee along the band at the bottom. Between each cross pattee was a fleur-de-lis. However, because of its small size (9 centimeters across and 10 centimeters high) Victoria’s small diamond crown possesses no internal cloth cap. The crown was manufactured by R & S Garrard & Company.”
 

Queen Victoria's Small Diamond Crown created in 1870 measures 3.7 inches (9.9 cm) high and 3.4 inches (9 cm) in diameter. It was worn atop a widow's cap. The silver crown was made in 1870, using some 1,300 diamonds from a large necklace and other jewelry in the Queen's personal collection. Queen Victoria's Small Diamond Crown remains on show in the Jewel House in the Tower of London.

"The Landing of H.R.H. the Princess Alexandra at Gravesend, March 7, 1863," by Henry Nelson O'Neil, 1864.

When Princess Alexandra of Denmark arrived on English soil in 1863 to marry the Prince of Wales, the heir of Queen Victoria, she was the very picture of modesty. No jewelry was visible and she wore a handmade bonnet. Alexandra may have been Danish royalty, but she wasn’t rich. Matter of fact, her family had lived on handouts to get by. She was shy, kind, and very beautiful. Everyone loved her immediately.

Queen Victoria, 1873

Queen Victoria of Great Britain, 1873

When Alexandra joined the British royal family, over two years had passed since Queen Victoria‘s husband, Prince Albert, had died.  Yet Victoria was still plunged into deep mourning. Victoria had wished she had died with her beloved Albert. Upon his death, she had renounced all pleasures and vowed to wear dreary black crape dresses the rest of her life as a token of mourning. She spent many of her waking hours kneeling in Albert’s carefully-preserved bedroom, crying and pleading with God to help her. (See “Queen Victoria in the Blue Room with a Bust.”)

Alexandra discovered that Victoria had amassed an enormous jewelry collection.  But, after Albert’s death, the Queen had became convinced that excessive display of jewels awakened anti-monarchial feelings in the English people. Princess Alexandra tried to convince her to wear her pretty, glittering things but to no avail. Famously, Victoria refused to wear a crown to the Thanksgiving service honoring her 1887 Golden Jubilee. The Queen of Great Britain arrived at the state ceremony wearing a bonnet.

Whereas Victoria had renounced all pleasures, Princess Alexandra had just begun to live. She had grown up poor and now she was rich and the future Queen of England! She was not about to be sucked into Victorian mourning dress. Although her husband, “Bertie,” was a serial adulterer, Alexandra accepted his infidelity and got on with her life, moving with him from party to party with the artsy crowd. Dressing herself in fine jewels and frivolous clothes became her passion – and she indulged herself completely.

Queen Alexandra at her Coronation, 1902

Initially, Princess (later Queen) Alexandra adopted dog collar chokers, called a ‘collier de chien’ to cover a small scar on her neck. For state and formal occasions, though, she plastered herself from head to waist in necklaces, tiaras, ribbons, sashes, and brooches of pearls, diamonds, and other jewels. Her long strings of pearls became her signature look. Alexandra became quite popular and women copied her style and bearing. American tycoon Cornelius Vanderbilt, Jr., remarked that:

Queen Alexandra “possessed the world’s most perfect shoulders and bosom for the display of jewels.”
 

Readers: “Queen Victoria’s Tiny Crown” follows this post.

Queen Victoria and Prince Albert, 1854. They had been married 14 years and are both about 34 years old. This is the first time Victoria had been photographed. Queen Victoria reigned as Queen Regnant of the United Kingdom of Great Britain and Ireland from 1837-1901 and as the first Empress of India of the British Raj from 1876 -1901. Her reign as the Queen lasted 63 years and 7 months, longer than that of any other British monarch before or since, and her reign is the longest of any female monarch in history. The time of her reign is known as the Victorian Era, a period of industrial, cultural, political, scientific, and military progress within the United Kingdom.

Throughout their 21-year marriage, Prince Albert and Queen Victoria delighted in showering each other with gifts of art. A new major exhibition of the Royal Collection (March 19-October 31, 2010) at the Queen’s Gallery, Buckingham Palace, is the first ever to focus on the royal couple’s shared enthusiasm for art. “Victoria & Albert: Art & Love” showcases over 400 paintings, drawings, photographs, jewelry, and sculpture from the years of their courtship (1836-1839) and marriage (1840) until Albert’s untimely death of typhoid (1861).

Gold, enamel, and tooth brooch belonging to Queen Victoria (1847, probably commissioned by Prince Albert)

Many trinkets exchanged between the royal couple were sentimental in nature, marking special occasions in the royal household, such as this gold and enamel brooch, seen for the first time ever. This unusual and tiny brooch in the form of a thistle has, as its flower, the first milk tooth lost by the firstborn of their nine children, Princess Victoria (1840-1901). An inscription on the reverse states the tooth was pulled by Prince Albert at Ardverikie (Loch Laggan), on September 13, 1847. (To see more of Victoria’s jewelry made with teeth, click here.)

Princess Victoria was the subject of many art commissions; her parents were overjoyed at her birth because she almost wasn’t born. When the Queen was four months pregnant, she had been the target of a failed assassination attempt. Edward Oxford fired two shots at her as she and Prince Albert rode up Constitution Hill in a carriage in June of 1840. Fortunately, neither the queen, prince, or the unborn Princess Royal was harmed.

An attempt is made to assassinate Queen Victoria by Edward Oxford, June 10. 1840, as the Queen rides up Constitution Hill with Prince Albert. Oxford was arrested for high treason, tried, and acquitted by reason of insanity.

Prince Albert was a man of many talents. He designed many of Queen Victoria’s jewels, including this 1842 brooch featuring a miniature of Princess Victoria as a bejewelled angel.

Queen Victoria's enamel, gold, and jewel brooch, 1842, with a miniature of Princess Victoria as an angel, Prince Albert, designer; William Essex, after William Ross, miniaturist

The queen appreciated Albert’s talent in jewelry design. She wrote:

“Albert has such taste & arranges everything for me about my jewels.”

In addition to designing the queen’s personal jewelry, Prince Albert designed many pieces of her state jewelry. He designed most of her tiaras, including the Oriental Circlet, also a part of this year’s special exhibition.

Queen Victoria's State Jewelry: "The Oriental Circlet," 1853. Diamonds, rubies, gold. The inspiration for the design of this tiara, which includes ‘Moghul’ arches framing lotus flowers, came from Prince Albert who had been greatly impressed by the Indian jewels presented to the Queen by the East India Company.

Readers, you might also enjoy: “Queen Victoria in the Blue Room with a Bust.”

Carla Bruni and Arno Klarsfeld at a 1995 Gianni Versace show.

First Lady of France Carla Bruni-Sarkozy was raised as the daughter of Italian concert pianist Marisa Borini and industrialist and classical composer Alberto Bruni-Tedeschi. However, in a 2008 interview published in Vanity Fair magazine, Bruni-Sarkozy revealed a bombshell: Her biological father is not really Bruni-Tedeschi.

Carla found out about her illegitimate birth in 1996, at age 28, when her legal father, Bruni-Tedeschi, was gravely ill. He summoned Carla to his deathbed and spilled the long-kept secret:  Genetically, he revealed, Carla was not his daughter. Rather, he went on, she is the love child born of an affair his wife conducted for six years with a man half her age. Carla’s biological father is the Italian-born, Brazilian grocery magnate Maurizio Remmert, who, as a young classical guitarist, met Marisa Borini when the two played in a quintet together.

How did Carla react to the news?

 “It was not a shock, and that is how I knew it was true, because I felt calm when he told me that,” says Carla. “I think lies are toxic for children, much more than a bad truth. Sometimes lies, when you are growing up, make you walk in a funny way to adapt. But I felt relieved. Isn’t it strange? I stopped feeling weird.”

Carla Bruni with mother Marisa Borini

Although Bruni-Tedeschi asked her not to tell her mother of their conversation, Carla did anyway, confronting her mother about a year later, after her father’s death. Her mother confirmed the truth, saying:

“What did you expect me to do? Go into the nursery to announce this to you?”

(That should tell us a little bit about Marisa, the mother….)

Carla Bruni's 2 millionnaire dads: Alberto Bruni Tedeschi (left) said on his deathbed that Maurizio Remmert (right) is Carla's real dad.

In 2008, Carla’s biological dad Remmert broke his 40-year silence on the matter and confirmed that he is Carla’s real dad. Remmert lives in São Paulo, where he is a grocery magnate, and Carla is in frequent contact with him. Since learning the painful truth, Carla has been through years of therapy.

Also check out these related posts:

“Carla Bruni Sings at Nelson Mandela Birthday Concert” and “Carla Bruni, Homewrecker?”

St. Lawrence (or Laurence) of Rome d. 258

Saint Lawrence (or Laurence) of Rome (c. 225-258) is one of the most honored of the Christian martyrs. Not much is known of him. He may have been born in Huesca, Spain. A deacon of the Roman Catholic Church during a time of Christian persecution, Lawrence was entrusted with safeguarding the Church’s holy relics, among them the Holy Chalice. In Christian history, the Holy Chalice is believed to be the cup Jesus and his Apostles drank wine from at the Last Supper. At this first Eucharistic feast, Jesus consecrated the wine for the Apostles to drink, thus changing it into the blood of Christ.

Detail from “The Last Supper,” by Juan de Juanes, oil, 1560s, showing Jesus with the elements of the Christian Eucharist: bread and wine. The cup pictured is The Holy Chalice of Valencia, believed to be the cup Jesus and the Apostles drank wine from at the Last Supper. This Holy Chalice is one of four believed to be the actual cup used in the Last Supper. The Holy Chalice of Valencia (Spain) is believed to be the chalice St. Lawrence rescued from Rome in 258 A.D.

 
From 257-261  A.D., the Roman Emperor Valerian was aggressively persecuting Christians and stripping the Church of power and property. In 258 A.D., he ordered the beheading of Pope Sixtus II. Alarmed, Lawrence immediately began selling  church possessions and giving away the money to the poor. For safekeeping, he gave the Holy Chalice to a soldier to spirit it away to Lawrence’s homeland in Spain, in present-day Aragon.  

The Holy Chalice of Valencia

Then came the order from the Roman prefect (commander) for Lawrence to turn over all the treasures of the Church.  Lawrence rushed out into the city. He gathered together lepers, the blind, the sick, widows, orphans, the elderly, the poor, the crippled, and the homeless and took the crowd to be presented to the Roman prefect. 

Here,” Lawrence announced to the commander, gesturing at all the people assembled, “here is the church’s treasure.” 

The commander was incensed. He ordered that Lawrence be stripped of his clothing and bound with ropes. He had Lawrence laid on his back upon a gridiron and roasted over a slow fire.   

"The Martyrdom of Saint Lawrence," oil on wood, by Masters of the Acts of Mercy (Austrian, Salzburg, c. 1465)

After prolonged and indescribable suffering, Lawrence is said to have quipped to his torturers: 

“One side is done now; you can turn me over now.” (which they did, turning him face down above the flames) 

After saying a prayer for the Christian conversion of Rome, he died. 

St. Lawrence is the patron saint of cooks and comedians alike. In art, he is often portrayed carrying a long cross on his shoulder and a gospel book in his hand. His emblems are the gridiron and a bag of money for the poor. (1) 

(1) White, Kristin E. White (compiled by).  A Guide to the Saints. New York: Ivy Books, 1991.