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March 1933, the last picture taken of Anne, Edith, and Margot in Germany, prior to emigrating to Holland. Anne is 3 years old. They are standing in the Hauptwache square in the center of Frankfurt am Main

March 1933, the last picture taken of Anne, Edith, and Margot Frank in Germany, prior to emigrating to Holland. Anne is 3 years, 9 months old. They are standing in the Hauptwache square in the center of Frankfurt am Main.

I have just finished rereading Anne Frank: The Diary of a Young Girl. I was surprised to read that Anne had not been born in Amsterdam, where she hid from the Germans during World War II, but in Frankfort, Germany:

I will start by sketching in brief the story of my life. My father was 36 when he married my mother, who was then 25. My sister Margot was born in 1926 in Frankfort-on-Main, I followed on June 12, 1929, and, as we are Jewish, we emigrated to Holland in 1933….

The rest of our family, however, felt the full impact of Hitler’s anti-Jewish laws, so life was filled with anxiety.”1

Following Hitler's appointment as Chancellor, a Nazi flag is hoisted at the town hall in Frankfort, the Franks' hometown in Germany. February 1933

Following Hitler’s appointment as Chancellor, a Nazi flag is hoisted at the town hall in Frankfort, the Franks’ hometown in Germany. ca. January 31, 1933

Once Hitler was appointed Chancellor on January 30, 1933, Nazi Germany became too dangerous for the Franks, simply because they were Jewish.

The Nazis believed that Jews were subhuman and were bent on driving them out of Germany. The Nazi propaganda machine went full bore, inciting the German people to violence against the Jews, their neighbors and fellow citizens. At the helm were Joseph Goebbels, the Nazis’ main propagandist, and Julius Streicher.

Julius Streicher’s Nazi Party card was Number 2; Hitler’s was Number 7. Throughout the 1920s, Streicher had been a loyal agitator for Hitler. He published the rabid anti-Jewish newspaper Der Stürmer (“The Attacker”). He was believed to be a sexual pervert. In May 1933, Hitler made him chief of the Central Committee of the Defence against Jewish Atrocity and Boycott Agitation. That July, Streicher:

…had some Jews arrested and taken to a meadow to tear out grass with their teeth….A small squat man, his head shaven, he had a predilection for swaggering in public. He carried a whip, and used it.” 2

May 1934 issue of Der Stürmer, a weekly Nazi propaganda newspaper owned by Julius Streicher. This specific cover issue is notorious as an example of the anti-Semitic propaganda style of Der Stürmer. It invokes the infamous "blood libel against the Jews", specifically the allegation that Jews were killing German Christian children and using their blood in religious rituals. The banner across the bottom of the page, "Die Juden sind unser Ungluck,' means "The Jews are our misfortune."

May 1934 issue of Der Stürmer, a weekly Nazi propaganda newspaper owned by Julius Streicher. This specific cover issue is notorious as an example of the anti-Semitic propaganda style of Der Stürmer. It invokes the infamous “blood libel against the Jews”, specifically the allegation that Jews were killing German Christian children and using their blood in religious rituals. The banner across the bottom of the page, “Die Juden sind unser Ungluck,’ means “The Jews are our misfortune.”

Goebbels and Streicher fomented lies about the Jews, making them the scapegoat for Germany’s poor economy and its humiliating defeat in World War I. They told the German people that the Jews were their enemies and not rightful citizens of Germany.

1933 Germany. Germans read issues of anti-Semitic propaganda newspaper, Der Stürmer, published by Nazi agitator Julius Streicher

1933 Germany. Germans read issues of anti-Semitic propaganda newspaper, Der Stürmer, published by Nazi agitator Julius Streicher

In the first few weeks of his chancellorship, Hitler gained complete control of the police force, stripping regular uniformed police of the power to defend law-abiding citizens against unreasonable search, seizure, and arrest. He expanded the notoriously brutal Gestapo, his state secret police, and unleashed them and his other thugs with full power to seek out any suspected enemies to his leadership and detain them, without trial.

February 1, 1933. One day after Hitler becomes Chancellor, the Sturmabteilung (SA), the Nazi paramilitary group known as "the brownshirts" round up suspected Communists.

February 1, 1933. One day after Hitler becomes Chancellor, the Sturmabteilung (SA), the Nazi paramilitary group known as “the brownshirts” round up suspected Communists.

Organized attacks on Jews broke out across Germany. Since the local police had no power, the Jews had no one to turn to. Then, on April 1, 1933, the first officially-sanctioned national attack on German Jewry was held. Organized by Streicher, it called for a boycott of all Jewish businesses. Armed Nazi guards were posted in front of every Jewish business, intent upon blocking all clients from entering. The businesses were marked with yellow Stars of David, and trucks drove through the streets sporting anti-Jewish signs. Windows were shattered, business owners attacked, and stores plundered.

Hitler needed a place to stash his “enemies.” Two months into his chancellorship, he built Dachau outside of Munich, the first of many concentration camps.

Anne’s father, Otto Frank, began looking for other places for his family to live. Frank said many years later:

Because so many of my German countryman were turning into hordes of nationalistic, cruel, anti-Semitic criminals, I had to face the consequences, and though this did hurt me deeply, I realized that Germany was not the world and I left my country forever.”

Through his brother-in-law, Frank was able to set up a business in Holland. By the end of 1933, his wife Edith and daughters, Anne and Margot would join him there.

1934, Amsterdam. Margot, Anne, and their mother Edith Frank on the beach with Mrs. Schneider (back)

1934, Amsterdam. Margot, Anne, and their mother Edith Frank on the beach with Mrs. Schneider (back)

They were running from Hitler, but he would catch up with them later. He was not satisfied in just driving the Franks and all Jews out of Germany. He wanted to completely annihilate them. He would hunt them down across Europe and kill them until, in April 1945, the madness finally stopped.

Between 1933 and 1939, more than half of the 550,000 Jews living in Germany had fled.

Between 1933 and 1939, more than half of the 550,000 Jews living in Germany had fled.

1. Frank, Anne. Anne Frank: The Diary of a Young Girl. New York: Doubleday, 1952.

2. Pryce-Jones. Unity Mitford: A Quest. London: Weidenfeld and Nicolson, 1976.

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Audrey Hepburn (ca. 1935-37, perhaps in Brussels, age 6-8)

Audrey Hepburn (ca. 1935-37, perhaps in Brussels, age 6-8)

It was May 9, 1940, and Audrey Kathleen Hepburn (Ruston) had just turned eleven years old. She was living in Holland with her mother, her two older brothers, and other relatives. Her father lived in London. Her parents were divorced.

To celebrate Audrey’s birthday, her mother, Dutch Baroness Ella van Heemstra Ruston, had bought tickets for her and Audrey to see a performance by the great English dance troupe, The Sadler’s Wells Ballet. The company was touring Holland, France, and Belgium. Audrey’s town of Arnhem was to be one of their stops.

Audrey (1929-1993) had been living in Holland for only nine months. Previously, she had been in boarding school in England. But, in September 1939, Hitler invaded Poland. All at once, England was no longer a safe place for a little girl, as it had declared war on Germany. At her mother’s request, Audrey’s father scooped up Audrey from her school and put her on a big orange plane to Holland (also known as the Netherlands), where her mother’s family lived. Holland intended to stay neutral in the war with Germany and was considered a safe place for riding out the conflict.

Audrey Hepburn and her mother Ella, Baroness van Heemstra Hepburn-Ruston, ca. 1936.

Audrey Hepburn and her mother Ella, Baroness van Heemstra Hepburn-Ruston, ca. 1936.

Audrey had not seen her dad since that day at the airport. She missed him so! Her parents’ divorce had left an aching hole in her heart. But on this particular May day, Audrey was not sad. She was looking forward to the ballet! Her mother had given her more than one reason to smile:

My mother had our little dressmaker make me a long taffeta dress. It went all the way to the ground, and it rustled. There was a little round collar, a little bow here, and a little button in front. The reason she got me this, at great expense, was that I was to present a bouquet of flowers at the end of the performance to…the director of the company.”

The evening finally arrived. Audrey wore her beautiful new long dress and got to see the famous Margot Fonteyn dance in “Horoscope” and “Façade” by choreographer Frederick Ashton. It was marvelous.

Margot Fonteyn in the Polka from Ashton's Facade, 1940. Fonteyn was the principal dancer of the Royal Ballet Company for 20 years.

Margot Fonteyn as the Polka from Ashton’s Facade, 1940. Fonteyn was the principal dancer of the Royal Ballet Company (originally the Sadler’s Wells) for 20 years.

Afterwards, Audrey’s mother took the stage and gave a formal thanks to the troupe first in Dutch, then in English. Next was Audrey’s big moment. To her surprise, her bouquet of tulips and roses was hurriedly accepted. A quick supper followed, as the dancers hustled about afterward, gathering up their props and costumes, to get on their bus to leave Arnhem that very evening. According to the British consul, there was suspicious German military activity nearby. The dancers didn’t want to get stuck in Holland if the Germans did attack and closed off the borders.

As Audrey’s head lay on the pillow that night, the Germans invaded Holland, Belgium, and Luxembourg. The Dutch were totally shocked. They never dreamed Hitler would attack them, his “Dutch cousins”! Just the night before, matter of fact, Hitler had made a radio broadcast, promising to all who listened that he had no plans whatsoever of attacking Holland. For five days, the Germans came down on the Dutch with the force of Hell. They never bothered issuing a formal declaration of war either.

 German parachutists invading the Netherlands, May 10-15, 1940

This is the city center of Rotterdam, Holland, following the German Blitz of May 14, 1940. A ceasefire was already in progress but the Nazis bombed anyway.

They blasted the city of Rotterdam with an air attack that killed 1,000 Dutch civilians and left 85,000 homeless (accounts vary as to the exact number).

Incendiary bombs were dropped on the Hague. Nazi troops tore through Audrey’s town of Arnhem, looting and despoiling as they pleased. The Germans threatened to bomb every Dutch city until they were demolished until Holland surrendered. The Dutch military, though terribly outnumbered, fought back anyway, but they were no match for the conquering horde, and were forced to surrender. After five days, Holland capitulated. It would be occupied by the Nazis for five very long years. The Germans wanted to take over the world and destroy the Jewish population.

At first, Audrey’s family was allowed to remain at their regal ancestral home, Castle Zypendaal (or Zijpendaal). Audrey Hepburn’s mother’s family was of Dutch nobility.

Audrey Hepburn's mother's family was of Dutch nobility. This is one of their homes, the Castle Zypendaal in Arnhem.

Audrey Hepburn’s mother’s family was of Dutch nobility. This is one of their homes, the Castle Zypendaal in Arnhem.

Over the next ten months, the van Heemstra bank accounts, securities, and jewelry would be confiscated by the Nazis. Rations were imposed on food and fuel which were soon in short supply for the suffering Dutch people. Food became completely nonexistent during the Hunger Winter of 1944 as the Germans cut off all imports of foods to punish the Dutch Resistance (secret group that fought back against the Nazis from inside Holland). During that time, Audrey confessed to eating bread made from flour from tulip bulbs and grass to keep from starving to death like 20,000 other Dutch citizens did that winter.

The Hunger Winter, 1944-45. Wood is taken from the tram rail in Holland to burn as fuel.

The Hunger Winter, 1944-45. Wood is taken from the tram rail in Holland to burn as fuel.

The German occupiers spread anti-English sentiment, banning the import of British jams and biscuits and outlawing the Girl and Boy Scouts. The Germans hoped they could whip the Dutch into a hatred for the English and recruit them in the battle against Britain.

Audrey Hepburn-Ruston was an English name and Audrey spoke English. She carried a British passport. With the Nazis cracking down on the English, the Baroness was worried. Quickly, Audrey’s mother gave Audrey a new identity as a little Dutch girl. For the war years, the Baroness changed her daughter’s name to Edda van Heemstra. Audrey – now Edda – took Dutch language lessons so she could pass as Dutch and not be arrested for being English. Audrey did not risk speaking English for the rest of the war.

Audrey Hepburn at a dance recital, 1944, Arnhem Conservatory, Holland (age 15)

Audrey Hepburn at a dance recital, 1944, Arnhem Conservatory, Holland (age 15)

Audrey was keen to be a famous ballet dancer and her mother was the quintessential stage mom. In 1941, Ella sent Audrey to the Arnhem Conservatory to study dance. It was then that Audrey decided that she wanted to grow up to become a ballerina. Her dream was to

“wear a tutu and dance at Covent Garden.”

Her mother made her ballet slippers from scraps of felt, as materials became scarcer and scarcer, since the Nazis took the best for themselves, always.

As a child of war, Audrey learned to cope with hunger, fear, and deprivation through art, music, and dance. Soon, though, she and some other dancers began staging private, secret dance shows to raise money for the Dutch Resistance.

I designed the dances myself. I had a friend that played the piano, and my mother made the costumes. They were very amateurish attempt – but…it amused people.”

The recitals were given in houses with windows and doors closed, and no one outside knew what was going on. Afterward, money was collected and turned over to the Dutch Resistance. To keep from being discovered, the audiences did not clap.

“The best audience I ever had made not a single sound at the end of my performance.”

Audrey Hepburn during a dance recital in Arnhem, Holland, 1944

Audrey Hepburn during a dance recital in Arnhem, Holland, 1944

Sometimes at these “black performances,” resistance workers attended. They gave the young performers money and folded messages to be stuffed into the children’s shoes and transported the next day to resistance workers. The children risked death to save the lives of resistance workers and Audrey was one of these children.

One winter day, Audrey was walking along a city street when three truckloads full of German soldiers toting rifles stopped suddenly. The soldiers ordered all the girls in their sight to line up and get in the trucks. Audrey did as she was told. As the trucks drove off, Audrey kept saying the Lord’s Prayer to herself in Dutch. Then the convoy stopped unexpectedly. Some soldiers jumped out and began abusing some Jews. Audrey said:

“I remember hearing the dull sound of a rifle butt hitting a man’s face. And I jumped down, dropped to my knees, and rolled under the truck. I then skittered out, hoping the driver would not notice me – and he didn’t.”

Audrey with father, preNazi Occupation, ca. 1934-35, age 5-6

Audrey with father, preNazi Occupation, ca. 1934-35, age 5-6

And where was Audrey’s father all this time? He was arrested in England and accused of peddling Nazi propaganda for the notorious leader of the British Union of Fascists, Sir Oswald Mosley. He remained under house arrest for the duration of the war on the Isle of Man with other suspected Nazi sympathizers.

Below are some beautiful drawings Audrey made during the war.

Audrey Hepburn's childhood artwork

Audrey Hepburn’s childhood artwork

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About a month before doctors amputated her right leg at the knee, Frida Kahlo drew a picture of her severed feet on a pedestal. It is one of many diary entries in which she expresses her anguish at the impending operation. In public, though, she acted lighthearted, saying playfully to friends, "Did you know they are going to cut off my paw?"

From Frida Kahlo’s diary, “Why do I need feet if I have wings to fly.”

About a month before doctors amputated her right leg at the knee, Mexican artist Frida Kahlo drew a picture of her severed feet on a pedestal. Instead of healthy veins protruding from the amputated feet, dead, thorny vines snake out. The flesh is yellow, anemic, and the page is stained with her blood.

This is one of many diary entries in which Frida explores her anguish over the impending operation. She knew that she had no other choice but to cut off her leg. In truth, her right leg was skinny, crippled, shriveled, and lame. It hung from her body as if it were broken. Two toes were missing from the foot. The leg was infected with gangrene. It hurt her terribly.

Her husband Mexican muralist Diego Rivera urged her to accept her fate and submit to yet another operation. Maybe she would be able to get a good prosthetic leg, he urged, and walk a little.

For Diego’s sake, she said to the doctors,

“Prepare me for the operation!”

Then, putting on a brave face for her friends, she asked them, 

“Did you know they are going to cut off my paw?”

For more on Frida Kahlo on this blog, click here.

Herrera, Hayden. Frida: A Biography of Frida Kahlo. New York: HarperCollins Publishers, Inc., 1983.
The Diary of Frida Kahlo: An Intimate Self-Portrait. Introduction by Carlos Fuentes. Essays by Sarah M. Lowe. New York: Abradale, 1995.

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From ABC News/Univision

Frida Kahlo’s Closet is Opened After 58 Years

Frida Kahlo is seen smoking after a 1946 operation.

Frida Kahlo, wearing Chinese pajamas, is seen smoking after a 1946 operation.

“Imagine being in Frida Kahlo‘s childhood home and opening up a closet that has been locked for decades. Inside are hundreds of personal items – personal photographs, love letters, medications, jewelry, shoes, and clothing that still hold the smell of perfume and the last cigarette she smoked.

That is exactly what happened when Hilda Trujillo Soto, the director of the Frida Kahlo Museum opened the closets that had been locked since the Mexican artist’s death in 1954. Inside were over 300 items belonging to Frida Kahlo, and now, a wide array of what was found is on display at the Casa Azul, the Frida Kahlo Museum in the Coyoacán neighborhood of Mexico City.

The exterior of Frida Kahlo's home called Casa Azul outside Mexico City, 1952.

The exterior of Frida Kahlo’s home called Casa Azul outside Mexico City, 1952.

The exhibit, Appearances Can Be Deceiving: The Dresses of Frida Kahlo, a collaboration between the museum and Vogue Mexico, brings to an end an elaborate 50 year scheme to keep private the intimate details of Kahlo’s life. It started when she died in 1954, as a distraught Diego Rivera, the famous Mexican muralist and Frida Kahlo’s husband, locked the doors to her closet and never let anyone enter for fear that the contents would be mishandled and ruined.”

Kahlo contracted polio when she was six, leaving her right leg shorter and thinner than her left. Then, when she was 18, a metal tube pierced  through Frida’s abdomen during a bus crash, subjecting her to painful operations and  long periods of bed rest throughout her life.

In keeping with her flamboyance and ebullient spirit, Frida wore long, flowing tehuana skirts, lacy and colorful, that hid this affliction and celebrated her Mexican heritage.

frida-kahlo-dresses-on-display-exhibition-in-mexico-city

Frida Kahlo’s dresses in the Tehuantepec style are on exhibit in Mexico City at the Casa Azul, January 2013.

Frida Kahlo Self-Portrait, 1848, shows her dressed in traditional Tehuantepec costume.

Frida Kahlo Self-Portrait, 1848, shows her dressed in traditional Tehuantepec costume.

Later in life, Frida’s right leg had to be amputated. Included in the exhibit is a ornate red boot with the prosthetic leg Kahlo wore after the amputation.

Mexico Frida Fashion

A prostetic leg belonging to Mexican artist Frida Kahlo is on exhibit at the Casa Azul in Mexico City (Jan. 2013). Frida’s fashion sense combined both form and function – a red boot attached to an artificial leg. Frida Kahlo’s right leg was amputated in 1953 due to gangrene.

Also on view are three ornate corsets, one styled by Jean-Paul Gaultier in memory of Frida after her death. Frida had to wear plaster corsets to alleviate her excrutiating spine pain.

Frida Kahlo, 1941, displays her Communist sympathies with her therapeutic plaster chest cast

Frida Kahlo, 1941, displays her Communist sympathies with her therapeutic plaster chest cast

For more on Frida Kahlo on this blog, click here.

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Natalie Wood (1938-1981) January 2013 autopsy report says death may not have been solely accidental

Natalie Wood (1938-1981) January 2013 autopsy report says death may not have been solely accidental

From the Daily Beast:

FOUL PLAY? Wood Autopsy Hints at Assault

“A year after the LAPD reopened the 1981 drowning case of Natalie Wood, a new autopsy report suggests the late actress may have been assaulted before she plunged into the Pacific Ocean. The coroner has amended Wood’s cause of death from accidental drowning to “drowning and other undetermined factors,” detailing bruises on her body that “appeared fresh” along with scratches down her legs. It remains unclear whether the abrasions resulted from falling off the dinghy, attempting to climb back on, or something potentially darker. There were also conflicting statements as to when Wood went missing and whether or not she had a confrontation with her husband, Robert Wagner.”

Read more from the Los Angeles Times.

For more on Natalie Wood on this blog, click here.

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Elizabeth Taylor in costume as “Cleopatra,” from the 1963, 20th Century Fox production of the same name

Yet another iconic item worn by actress Elizabeth Taylor is on the auction block – a wig she wore in the 1963 film, “Cleopatra.” Ms. Taylor wore many different hairdos in the movie and British wigmaster Stanley Hall made three wigs for each style. The wig for sale is made of real human hair, medium brown, and is adorned with hanging braids and gold beads.

Elizabeth Taylor is photographed with some props from the 1963 film, “Cleopatra.”

In the movie, Ms. Taylor’s character wears this particular wig when she tries to convince Julius Caesar, played by Rex Harrison, to accept supreme control of the empire. (1) The wig is being sold by Heritage Auctions of Dallas, Texas, and is set to fetch around $11,000.

Elizabeth Taylor in the arms of Richard Burton, from the movie, “Cleopatra,” 1963.

It was during the 1962 filming of “Cleopatra” in Rome that 30-year-old Elizabeth Taylor fell madly in love with her other male costar and onscreen lover, Richard Burton, 36, cast as Mark Antony. The two were both married to others at the time.

At the time, Ms. Taylor was already a big film star being paid the unprecedented amount of a million dollars to play Cleopatra. Mr. Burton, however, who was Welsh, was a Shakespearean stage actor largely unknown outside of England.

Richard Burton (l), talks with Eddie Fisher and his wife Elizabeth Taylor on the Cinecitta set in Rome, early 1962.

When people began to whisper that perhaps Ms. Taylor and Mr. Burton were conducting an illicit affair, the couple denied the accusations. So uncontrollable was their love and lust, that their affair was

“bloody obvious,” to use Burton’s term – so flagrantly on display. (2)

When the director of “Cleopatra” shouted “Cut!” at the end of love scenes, Taylor and Burton would continue to kiss.

They carried on on the movie set, film lot, in their private villas, and took their love to town – to the Via Veneto. But they were not safely in America, where  there was a time-honored tradition not to pry into the private lives of public people and where the studio would have squelched any unflattering press. They were in Rome – the land of the paparazzi.

The Italian “paparazzi” were a new style of journalist. These young, Vespa-riding photographers with cameras with zoom lenses slung around their neck were hungry for a money-making photo that would reveal the affair to the waiting world. With a pack mentality, they were ruthlessly intent upon snapping photos of the jetset enjoying La Dolce Vita, the sweet life, popularized in the film of that same name. And Liz and Dick were getting hot and heavy on the Via Veneto.

From February thru July, paparazzi stalked Taylor and Burton’s every move, hoping for that money-making photo that would expose the lovers to the world. And they got them, too, forcing both Liz and Dick to deal with their respective spouses.

Liz Taylor and Richard Burton emerge from the restaurant Tre Scalini in the Piazza Navona, spring, 1962.

The Burton-Taylor Affair – “Le Scandale,” as Burton termed it – created international interest and thus, international coverage.

Richard Burton leans in for a kiss from Elizabeth Taylor on the Cinecitta sound stage, circa March 30, 1962. Paparazzo Elio Sorci hid under a car across from the movie lot all day to snap this photo which came to be known as the “kissing picture.” It blew the lid off the Taylor-Burton affair, appearing in first the Italian papers before making its way to New York.

The public, it seemed, had an unquenchable appetite to follow the drama. Gone were the days when American readers of Photoplay and Modern Screen were content to read fictional accounts of their favorite movie stars generated by the big movie studios.

Elizabeth Taylor gazes into the eyes of her true love, Richard Burton, as they sail off the Amalfi Coast where the filming of “Cleopatra” was wrapping up. June, 1962. Marcello Geppetti, photographer.

It is hard to overstate the excitement caused at the time by Elizabeth and Richard’s grand passion. Everyone was following the saga, even First Lady Jackie Kennedy, who asked the publicist Warren Cowan in early 1963,

“Warren, do you think Elizabeth Taylor will marry Richard Burton?”(3)

Richard Burton and Elizabeth Taylor in the glow of their love, caught by paparazzo on a yacht off the coast of Ischia in the Bay of Naples, June 1962.

Initially, the pair were condemned by the press for their public adultery until publishers woke up and realized how much the “Liz and Dick” machine increased tabloid, newspaper, magazine, and book sales.

Photoplay July 1962. Everyone had an opinion about the Taylor Burton affair.

Note to readers: Today also begins the first auction at Christie’s, New York, of  The Collection of Elizabeth Taylor, which I was privileged to view on December 3, 2011. (2)

(1) Source: The Guardian

(2) “Remembering Liz (1932-2011),” Life Commemorative, 2011.

(3) Kashner, Sam and Schoenberger, Nancy. Furious Love: Elizabeth Taylor, Richard Burton, and the Marriage of the Century. New York: HarperCollins Publishers, 2010.

Readers: For more on Elizabeth Taylor on Lisa’s History Room, click here.

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Actress Elizabeth Taylor had stunning beauty. She was such a gorgeous little girl that, when people would see her for the first time, they would gasp in astonishment, staring at her sapphire eyes wreathed in thick black lashes and the shiny black hair framing her porcelain face.  “What a pretty child !” they would exclaim, prompting the well-rehearsed Elizabeth to curtsey and smile.

Elizabeth Taylor in “Lassie Come Home,” 1943.

But Elizabeth was not always gorgeous, said her mother, Sara Taylor, a former stage actress. She considered Elizabeth to be quite an ugly baby when born in London on February 27, 1932.

Sara Taylor cradles her newborn daughter, the future movie queen Elizabeth Taylor (1932-2011)

At first glance at her newborn, Sara was repulsed:

“As the precious bundle was placed in my arms, my heart stood still. There inside the cashmere shawl was the funniest-looking baby I had ever seen. Her hair was long and black. Her ears were covered with thick black fuzz, and inlaid into the sides of her head….”(1)

Baby Elizabeth’s arms, shoulders, and back were covered with a thick downy pelt called lanugo, not uncommon in newborns.

“The infant looked like a little monkey,” remembered Viennese art dealer and family friend Ernest Lowy. (2)

Compounding the problem, Elizabeth’s eyes were screwed tightly shut. For ten days, the doctor tried to pry them open unsuccessfully, finding only the whites visible. Then one day, Baby Elizabeth suddenly snapped open her eyes and gazed up at her new mother. Sara found herself gazing down into two pools of deep violet fringed by thick black lashes – double rows of lashes! Then the baby smiled. Sara considered this a special greeting from her daughter and told the nurse so. The nurse chuckled, reminding Mrs. Taylor that infants can’t express emotion:

“That was no smile,” the nurse indicated, “only a little gas.” (3)

Elizabeth Taylor in profile, ca. 1934

The dark fuzz fell off and a swan emerged.

Elizabeth Taylor didn’t begin to walk until she was 16 months old. She is shown here with one of the many dogs for which she cared during her lifetime. ca.1934-35

 

As a young girl, Elizabeth Taylor had a big head on a little body. “What a podge!” she remarked, upon seeing a young photo of herself. 1934.

 

Peter Lawford and Elizabeth Taylor in this publicity shot for "Julia Misbehaves" (1948). In this unretouched 1950 publicity photo, one can see La Liz's arms were covered in a dark and velvety down, in keeping with her being a beautiful brunette.

Peter Lawford and Elizabeth Taylor in this publicity shot for “Julia Misbehaves” (1948). In this unretouched 1950 publicity photo, one can see La Liz’s arms were covered in a dark and velvety down, in keeping with her being a beautiful brunette.

 

(1) Ladies’ Home Journal,  March- April 1954.

(2) Heymann, C. David. Liz: An Intimate Biography of Elizabeth Taylor. New York: Simon & Schuster, Inc., 1995, 2011.

(3)  Walker, Alexander. Elizabeth: The Life of Elizabeth Taylor. New York: Grove Press, 1990, 1997.

Readers: For more on Elizabeth Taylor on Lisa’s History Room, click here.

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Robert Wagner and Natalie Wood aboard their yacht the Splendour. Undated photo.

Robert Wagner and Natalie Wood aboard their yacht the Splendour. Undated photo.

According to a witness whose account has never been disclosed, Hollywood star Natalie Wood  was screaming for help as she drowned in 1981.

Retired stockbroker Marilyn Wayne said she tried to report the star’s ‘last desperate cries for help’ but was ignored.

Los Angeles police last week said ‘substantial new evidence’ has led them to reopen their investigation into the death 30 years ago this week.

Learn more at the Daily Mail Online.

Readers: For more on Natalie Wood on Lisa’s History Room, click here.

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Natalie Wood was born "Natalia Nikolaevna Zakharenko" on July 20, 1938, to Russian immigrant parents. She began acting in Hollywood movies at the age of 4. She died by drowning at the age of 43 during the production of "Brainstorm" (1983) with Christopher Walken.

How did actress Natalie Wood, famous for her star turn in Rebel Without a Cause and West Side Story, end up drowning off Santa Catalina Island, California, in 1981 while boating with actor husband Robert Wagner and costar Christopher Walker? Though officially ruled an accident at the time, the circumstances that led to her death and the nature of her tumble off the yacht the Splendour she owned with Wagner have remained one of Hollywood’s darkest mysteries.

Robert Wagner bends over to kiss flowers that cover the casket of his wife Natalie Wood during her graveside ceremonies on December 2, 1981. If Wagner discovered that his wife was missing from their yacht around midnight, why did he wait over an hour to use the ship's radio to call for help? These and other questions surrounding Woods' death remain unanswered.

Today, 30 years later, the Los Angeles Sheriff’s Department has announced that it is reopening the case of Natalie Woods’ drowning due to “credible information” from multiple sources. One source is Dennis Davern, who was the boat captain of the Splendour that dark and fateful night, a night full of boozing and yelling and tragedy. Davern now says that he lied in his original statement to the police and that Robert Wagner is responsible for Wood’s death.

"Splendour," the yacht owned by Natalie Wood and Robert Wagner

Learn more at MSNBC.

Readers: For more on Natalie Wood on Lisa’s History Room, click here.

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British American screenstar Elizabeth Taylor (1932-2011) as a young girl.

Just after actress Elizabeth Taylor was born, her parents were ushered into the doctor’s office and told that their newborn daughter had a mutation. 

 “Well, that sounded just awful,” her mother Sara Taylor said later,”a mutation.”

The mutation was not a deformity, however. It meant that little Elizabeth was born with double rows of eyelashes.

Elizabeth Taylor, age 10

Sara breathed a little easier to learn that.

“I thought,well, now, that doesn’t sound so terrible at all.”

Elizabeth’s eyes were stunning – large and blue, rimmed by deep, thick lashes. When caught in the light, the color of her eyes was almost violet. (1)

Elizabeth Taylor had luminous beauty - and double rows of eyelashes.

Double rows of eyelashes are usually the result of a mutation at FOXC2 , a gene that influences all kinds of tissue development in embryos. FOXC2 mutations are thought to be responsible for, among other things, lymphedema-distichiasissyndrome , a hereditary disease that can cause disorders of the lymphatic system, in addition to double eyelashes.

The eyelash mutation isn’t always as cosmetically enhancing as Taylor’s turned out to be — the extra eyelashes can sometimes grow inward and damage the cornea. In addition, seven percent of people with lymphedema-distichiasis syndrome also suffer from congenital heart disease.

Coincidentally, Taylor herself had a history of heart problems. In 2009, Taylor underwent surgery to repair a leaky heart valve. Her death on March 23, 2011, was attributed to congestive heart failure.

In April 2010, Elizabeth Taylor launched a new line of perfume "Violet Eyes": "This sensual perfume is inspired by her iconic eye color; it is feminine, captivating, sophisticated and intriguing. Filled with a bouquet of the flowers Elizabeth Taylor loves, the composition is both modern and mysterious."

Source:  Slate

Readers, for more on Elizabeth Taylor at Lisa’s History Room, click here.

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Elizabeth Taylor on the Rome set of the film, "Cleopatra," 1962, where she began her scandalous affair with costar Richard Burton. Dame Liz wears her diamond ring from her late husband Mike Todd and the diamond, emerald, and gold bangle watch by Bulgari, Jaeger-LeCoultre

Christie’s auction house is selling screen sensation Elizabeth Taylor’s complete jewelry collection in New York City on Dec. 13-16, 2011. Among the pieces to be sold is the diamond, emerald, and gold “snake” brackelet watch by Bulgari, ca. 1961, shown below:

This cobra bangle watch by Bulgari, estimated at $12,000-15,000, is to be sold at Christie's auction of the Elizabeth Taylor Collection, Dec. 13, 2011.

Readers: For more on The Collection of Elizabeth Taylor Auction by Christie’s, click here and here.

Readers: For more on Elizabeth Taylor here at Lisa’s History Room, click here.

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At a 1968 British society wedding in Kent, Hollywood legend Elizabeth Taylor snaps a souvenir picture of the Queen Mum (seated), mother of Queen Elizabeth II. The Queen Mum

At a 1968 British society wedding in Kent, Hollywood legend Elizabeth Taylor cannot resist snapping a souvenir picture of "the Queen Mum" (seated), mother of Queen Elizabeth II.

“The Queen Mum,” born Elizabeth Bowes-Lyon (1900-2002), was the beloved British Royal Family matriarch from 1953 until her death at age 101. Of Scottish birth, she served as Queen consort to her husband King George VI from 1936 until his death in 1952, when their daughter Princess Elizabeth took the throne as Elizabeth II.

During the London Blitz in WWII, the Queen Mum – who was then naturally referred to as Queen Elizabeth – insisted that she and the King remain in Buckingham Palace after it was bombed by the German luftwaffe. The Queen remarked to her mother-in-law that she was more affected by the bombing of the East End of London than by the bombing of the Palace:

“I’m glad we have been bombed,” she said. “Now, I can look the East End in the eye.” (1)

British King George VI and his wife Queen Elizabeth (later Elizabeth, the Queen Mother) survey the damage to Buckingham Palace from German bombs. Both the King and Queen were in the Palace when the attack hit the palace grounds and chapel on the morning of September 13, 1940. As they made their way to the palace shelter, they felt the Palace shake under the assault of high explosive and incendiary bombs. They were unhurt. Undeterred by the danger, the royal couple vowed to stay in London in the Palace.

I am still just as frightened of bombs as I was at the beginning,” the Queen wrote to a favourite niece. “I turn bright red and my heart hammers….I’m a beastly coward but I do believe that a lot people are, so I don’t mind! Well, darling, I must stop. Tinkety tonk old fruit and down with the Nazis.”(2)

Her indomitable spirit in the face of German aggression boosted British morale to such a degree that Adolf Hitler called her “the most dangerous woman in Europe.”

Her scary skinny sister-in-law, Wallis, the Duchess of Windsor, hated and mocked her, calling her by the unflattering nickname “Cookie” behind her back, mocking her love of sweets and resulting plumpness. The Queen Mum, however, did not hide her love of fun, jokes, champagne, and good food. In the 2010 movie, “The King’s Speech,” the Queen Mum, played by Helena Bonham Carter, is shown eating candies in the backseat of a car.

Her ultimate accolade for anyone or anything was “delicious.”(2)

Elizabeth, the Queen Mother

A new book by British monarchy chronicler, Brian Hoey, gives us yet another “behind the palace walls” glimpse of the Queen Mum enjoying her sweets.  Not in Front of the Corgis, scheduled for a June 2012 release, relates this anecdote: 

Lord Callaghan, when he was prime minister (1976-1979), was a frequent guest of the Queen Mother’s at Clarence House. Once, when just the two of them were present, she was eating from an enormous box of chocolates when he arrived.  She asked him if he would like one. He said, “Yes.” She then pointed to one in the middle of the box and said, “Have that one.” During the time he was eating his one specified chocolate, she ate three more. 

She then invited him to take another, once again selecting the one he should have. This went on for the remainder of the morning, with Her Majesty always pointing to the ones he could have.

As Callaghan left, he spoke to The Queen’s Page, asking why he was offered only particular chocolates by the Queen. The Page let him in on the secret:

“Those are the ones with hard centers. Her Majesty only eats the chocolates with soft centers.”(3)

(1) Source: BBC

(2) Source: The Daily Beast

(3) Source: The Daily Beast

Faithful readers:

  •  For more on the Queen Mum on this blog, click here.
  • For more on the British Royal Family on this blog, click here.
  • For more on Elizabeth Taylor on this blog, click here.
  • For more on Wallis, the Duchess of Windsor on this blog, click here.

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Amy Winehouse died of alcohol poisoning.

Yesterday, as I reported, the coroner at St. Pancras Coroner’s Office, London, released the toxicology report on Amy Winehouse, the 27-year-old British singer found dead in her flat on July 23. The official finding is that Winehouse’s death was due to alcohol poisoning. Her blood alcohol contained five times the legal limit of alcohol, which stopped her breathing and sent her into a coma. Three empty vodka bottles were found near her body in her bedroom.

Ironically, Amy Winehouse burst upon the international music scene with her 2006 hit single, “Rehab,” in which she famously refuses treatment for her alcohol and drug abuse:

“Rehab” became her anthem over the next five years as we watched, played out in the press, her very public spiral downward, in particular, the tumult that led up to her divorce from Blake Fielder-Civil, her husband of two years, whom she had met in a bar:

Blake Fielder-Civil and Amy Winehouse

“In addition to the reported drug use, Winehouse was famously caught on video carving the words ‘I Love Blake’ into her stomach with a shard of glass, and during an interview with Rolling Stone magazine, she displayed photos of the couple passing pills to each other with their tongues.

But the Sid-and-Nancy-style love affair was also accompanied by photos of heated arguments that ended with both sporting bruises and scratches, as well as an arrest in Norway in October 2007 for marijuana possession; the couple were released with a fine. Just months after the wedding, Fielder-Civil was arrested on charges of suspicion of attacking a bar landlord and attempting to bribe him to drop the allegation. Following his incarceration, Winehouse was frequently seen wandering the streets of her Camden neighborhood in a daze, and she subsequently canceled a U.S. tour.” (source)

Some people laughed at Amy’s troubles; others scolded her for her misbehavior. Those familiar with addiction did neither. They knew all too well this predictable pattern. If Amy didn’t get treatment for addiction, she would die.

At yesterday’s inquest, Amy’s parents and friends listened as Amy’s doctor recounted how Amy had been totally resistant to any therapies that could have helped her with her drinking problems. That foolish decision robbed her of her health, beauty, freedom, and happiness, and, finally, her life.

In reporting the inquest’s findings, I have run across some websites with headlines saying, to the effect, that Amy did it to herself, that she deserves no pity: she drank herself to death. You will find none of these attitudes here. Yes, Amy Winehouse is responsible for her own troubles and the suffering she caused herself and others. But Amy was grappling with something she was powerless to control. She was an alcoholic who tried to control her drinking, which she could not.

Amy Winehouse, circled, as a 13-year-old pupil at the Sylvia Young Theatre.

Addiction is an illness. It is chronic, progressive, and, if left untreated, sometimes fatal. Amy Winehouse suffered from an illness she dangerously thought she could manage alone. Rest in peace, Amy Winehouse.

For more on Amy Winehouse on this blog, click here.

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British singer Amy Winehouse lost her battle with addiction.

It looks like we have an explanation for Amy Winehouse‘s tragic death. A coroner says the singer died from drinking too much alcohol, ruling it a “death by misadventure.” A pathologist says Winehouse (1983-2011) consumed a “very large quantity of alcohol” prior to her death and that her blood registered at 4.5 times over the legal drunk-driving limit. Winehouse, who died this summer at the age of 27, had struggled with drug and alcohol addiction for years.

Her doctor says she had resumed drinking in the days before her death after a period of abstinence (which we don’t have to believe).

O blessed Lord, you ministered to all who came to you:
Look with compassion upon all who through addiction have lost their health and freedom.
Restore to them the assurance of your unfailing mercy.
Remove from them the fears that beset them.
Strengthen them in the work of their recovery;
And to those who care for them, give patient understanding and persevering love.
Amen.

source: The Book of Common Prayer

Read the coroner’s report on Amy Winehouse at the Associated Press.

Read about Amy Winehouse last days at the Daily Mail Online.

Read more about Amy Winehouse on this blog by clicking here.

 

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As a young man, French painter Claude Monet (1840-1926) abandoned the traditional approach to painting – standing in a studio, copying the old masters – in favor of painting scenes in the open air. Monet delighted in the interplay of color and light found in nature. He loved to paint in his garden at Argenteuil, a pretty, bustling village just outside of Paris.

"Monet Painting in His Argenteuil Garden," by Auguste Renoir, 1873

A spectacular stretch of the Seine, where the river reached its widest and deepest points, ran through Argenteuil.  Shortly after moving there in 1871, Monet bought a boat and converted it into a floating studio. He kept it moored near his home and used it to get a vista of the riverbank from the water.

"Claude Monet Painting on His Studio Boat," by Édouard Manet, 1874. The shadowy female figure sitting with the artist is his wife and model Camille Doncieux Monet.

Living with Monet at Argenteuil were his wife Camille Doncieux and their son Jean. Camille had been Monet’s model since they met in 1865. The couple lived in depressing poverty.

Claude Monet (1860) and wife Camille Doncieux Monet (undated)

Right up to her death, Camille posed for her husband’s paintings, more often than not, appearing as an indistinct female figure in a rural landscape.

"River Scene at Bennecourt," Claude Monet, 1868

Sometimes Camille has her back to the observer; othertimes her face is veiled or hidden.

"Camille on the Beach at Trouville," by Claude Monet, 1870

Camille was quite the devoted model. In Monet’s painting, “Women in a Garden” (1866-67), she posed for all four female figures!

"Women in a Garden," Claude Monet, 1866-67

Camille was so cooperative that she freely posed for Monet’s painter friends, too.

"The Monet Family in Their Garden at Argenteuil," by Édouard Manet, 1874. Camille and son Jean relax while Claude Monet tends his garden.

Auguste Renoir painted Madame Monet – known as “La Monette” – several times.

"Camille Monet Reading," by Auguste Renoir, 1872

Here is one of the rare times her husband paints her face clearly enough to distinguish her features, particularly her huge and sad-looking eyes. She often looks melancholy.

"The Bench," by Claude Monet, 1873

In 1876, Camille Monet fell ill with what is believed to have been cervical cancer. In “Camille Holding a Posy of Violets,” below, one can see the toll the disease has had on her health. She looks tired, older, and pale. It is speculated that her expression betrays her disgust with her husband who, by then, was openly carrying on a flirtation with their mutual friend, Alice Hoschede. Alice and her two children shared a house with the Monets.

"Camille Holding a Posy of Violets," or "Portrait," by Claude Monet, 1877

In 1878, Camille gave birth to a second son, Michel. Her health was dangerously weakened. Although Monet was not as attentive as he could have been to his wife, he loved Camille and was devastated that she was dying. For a time, he lost the desire to paint.

Finally Camille’s long suffering came to an end on September 5, 1879. Monet was grief-stricken. But even his internal pain could not stifle his passion to paint. Camille – his model-wife – was his muse, his inspiration to paint. At her deathbed, he took out his paints and painted her last portrait.

"Camille on her Deathbed," by Claude Monet, 1879

“I caught myself watching her tragic forehead,” Monet wrote afterwards to a friend, “almost mechanically observing the sequence of changing colours that death was imposing on her rigid face. Blue, yellow, grey and so on… my reflexes compelled me to take unconscious action in spite of myself.”

Little is known about Camille Doncieux Monet (1847-1879) mainly because Monet’s mistress and second wife, Alice Hoschede, was so jealous of Camille that she demanded that Monet destroy all mementos – letters, photos – anything – that attested to Camille’s very existence. (1)

(1) Gedo, Mary Mathews. Monet and His Muse: Camille Monet in the Artist’s Life. Chicago: University of Chicago Press, 2010.

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